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Kliment, Michal ; Bednařík, Petr (advisor) ; Šobr, Michal (referee)
The rigorous thesis The Picture of the Media in the Czechoslovak Film from 1930 to 1949 presents the role of the media and their representatives in the Czechoslovak feature pictures released from 1930 to 1949. Its aim was to introduce the picture of the media in these two decades as well as to describe how this picture was influenced by the technological, social, and political changes in this period. The second purpose of the thesis was to present how the cinematography was connected with the contemporary journalists, both Czechoslovak and foreign ones. The opening part of the thesis defines the analyzed pictures and the reasons of their enlistment into the analysis - the presentation of the media (the press, the radio, the press agency, the newsreel, and developing television) or their representatives. The pictures were divided into two selective sets. The primary analysis contains the pictures with significant representation of the media. The secondary analysis contains the pictures with marginal representation of the media. This chapter resumes also the shortcut pictures with the representation of the media and the pictures indirectly related to the media. The following second chapter summarizes the historical context of the involved period with the stress on the social, technological, and economic...
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Surrealism in work of artist associated later in Group 42
Pavlis, Martin ; Wittlich, Petr (advisor) ; Lahoda, Vojtěch (referee)
MARTIN PAVLIS. Surrealism in work of artist associated later in Group 42 Charles university in Prague, Faculty of Arts, Department of Art History 2011. 102 pp. Bachelor Degree Thesis. The thesis is dealing with surrealistic work of future members of Group 42 František Gross, František Hudeček and Ladislav Zívr. It follows genesis of this style from its first display to decline in the end of 30th. It offers possible interpretations and tries to describe a relationship of this works to home and world art. Kewords: Surrealism, František Gross, František Hudeček, Ladislav Zívr, 1930's, younger surrealists, Group 42
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Kliment, Michal ; Bednařík, Petr (advisor) ; Šobr, Michal (referee)
The rigorous thesis The Picture of the Media in the Czechoslovak Film from 1930 to 1949 presents the role of the media and their representatives in the Czechoslovak feature pictures released from 1930 to 1949. Its aim was to introduce the picture of the media in these two decades as well as to describe how this picture was influenced by the technological, social, and political changes in this period. The second purpose of the thesis was to present how the cinematography was connected with the contemporary journalists, both Czechoslovak and foreign ones. The opening part of the thesis defines the analyzed pictures and the reasons of their enlistment into the analysis - the presentation of the media (the press, the radio, the press agency, the newsreel, and developing television) or their representatives. The pictures were divided into two selective sets. The primary analysis contains the pictures with significant representation of the media. The secondary analysis contains the pictures with marginal representation of the media. This chapter resumes also the shortcut pictures with the representation of the media and the pictures indirectly related to the media. The following second chapter summarizes the historical context of the involved period with the stress on the social, technological, and economic...
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