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LABORARTORY BRNO
Červinková, Šárka ; Volnohradský, Radan (referee) ; Makovský, Zdeněk (advisor)
LABORARTORY BRNO-BACHELOR THESIS 2013 FACULTY ARCHITEKTUYY BUT The building is designed as a gallery of architecture, modern art and design operations associated with commercial focus as a coffee shop, professional books artistic nature with the sale of souvenirs and leasable office space locations or areas studio. The proposed building responds to the urban context in the area and completes the currently vacant lot in an exposed position. Of the building responds to its elevator weight and shape design with a footprint footprint defined territory in order to fully exploit the potential of space. Entrances to the building are at Milady Horakove, also supply entrance and driveway car elevator. When Koliště street corner position and the object is characterized by a curved façade without holes, forming a barrier against adverse traffic noise, protection against overheating of the object, since the offset is to the south-west. Wall, however, especially in terms of creating architectural and urban-aperture defining a clear view of what is happening inside and outside the building. The five storey building mass is in a mass gallery solutions and compact track layout. Shaped solutions based on the response to movement-ruh adjacent streets, which is evident from the building floor plans. Character of the solution is the principle of mass shell that protects-defines and provides peace of mind for the concentration of the perception of art. Curved walls also based as far as possible from the principle of the golden section and the application Fibionaciho spiral that is mainly traced in the position of input and internal audiences. Compactness form is on the last floor spans both the dynamic slope roofs with the orientation of the dominant church. James and the castle Špilberg and terrace area serving the public as an observation point. Compactness of shape and material solutions put construction strength of character with a clear definition to the urban traffic. Character of the building is rounded barrier wall on a street corner and Koliště position to Milady Horakove. The facade at street Milady Horakove is afoot square window openings. The upper floor is an object dynamically opens up the city. A distinctive feature is the entrance to visitors, as a snail shell, drawn into internal affairs.
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Transcendental aspects of architectural design as factors of sustainability
Volnohradský, Radan ; Peřinková, Martina (referee) ; Loutocká, Vlasta (referee) ; Uřídilová, Marcela (referee) ; Urbášková, Hana (advisor)
This thesis deals with complex processes, relationships and phenomena which go beyond the assumed and accepted materialistic perception of the world in general and the process of architectural design specifically. It clarifies and actually redefine the sustainability from a point of higher universal principles forming our environment. At the beginning this thesis presents an extensive knowledge base of existing holistic design systems including Feng-shui, sacred geometry, geomancy or numerology. The purpose is to build and establish a solid foundation for understanding and further research as well as objectively interpreting lesser known topics as a whole. On the basis of intersecting information through the above mentioned topics we specify the hypothesis which proposes the pre-existence of one unifying design matrix of harmonic structures in architecture. The structure of its verification takes us from an analysis of the science of human perception to systems of self-similar contextual references of animated and inanimated forms. These systems of emergent form and flow are basically known as fractals, and could be expressed in both mathematical and geometrical languages. The thesis research then consists of analysing chosen examples of urban and architectural scale in sense of fractality, symbolism and geometrical matrices. We include and integrate the research of associated and relevant phenomena in pedagogical practice, and a case study of the application of fractals in development of a chosen town. From the results of this thesis we abstract five non-dogmatic guidelines or tenets for architectural design; which are supported by experimental verification on some of the author´s buildings. These tenets stand as pillars of implosive architecture. This kind of architecture in context of transcendental overlaps means a possibility of how to bring our anthropogenic environment closer to the natural and harmonic code of the Universe.
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Transcendental aspects of architectural design as factors of sustainability
Volnohradský, Radan ; Peřinková, Martina (referee) ; Loutocká, Vlasta (referee) ; Uřídilová, Marcela (referee) ; Urbášková, Hana (advisor)
This thesis deals with complex processes, relationships and phenomena which go beyond the assumed and accepted materialistic perception of the world in general and the process of architectural design specifically. It clarifies and actually redefine the sustainability from a point of higher universal principles forming our environment. At the beginning this thesis presents an extensive knowledge base of existing holistic design systems including Feng-shui, sacred geometry, geomancy or numerology. The purpose is to build and establish a solid foundation for understanding and further research as well as objectively interpreting lesser known topics as a whole. On the basis of intersecting information through the above mentioned topics we specify the hypothesis which proposes the pre-existence of one unifying design matrix of harmonic structures in architecture. The structure of its verification takes us from an analysis of the science of human perception to systems of self-similar contextual references of animated and inanimated forms. These systems of emergent form and flow are basically known as fractals, and could be expressed in both mathematical and geometrical languages. The thesis research then consists of analysing chosen examples of urban and architectural scale in sense of fractality, symbolism and geometrical matrices. We include and integrate the research of associated and relevant phenomena in pedagogical practice, and a case study of the application of fractals in development of a chosen town. From the results of this thesis we abstract five non-dogmatic guidelines or tenets for architectural design; which are supported by experimental verification on some of the author´s buildings. These tenets stand as pillars of implosive architecture. This kind of architecture in context of transcendental overlaps means a possibility of how to bring our anthropogenic environment closer to the natural and harmonic code of the Universe.
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LABORARTORY BRNO
Červinková, Šárka ; Volnohradský, Radan (referee) ; Makovský, Zdeněk (advisor)
LABORARTORY BRNO-BACHELOR THESIS 2013 FACULTY ARCHITEKTUYY BUT The building is designed as a gallery of architecture, modern art and design operations associated with commercial focus as a coffee shop, professional books artistic nature with the sale of souvenirs and leasable office space locations or areas studio. The proposed building responds to the urban context in the area and completes the currently vacant lot in an exposed position. Of the building responds to its elevator weight and shape design with a footprint footprint defined territory in order to fully exploit the potential of space. Entrances to the building are at Milady Horakove, also supply entrance and driveway car elevator. When Koliště street corner position and the object is characterized by a curved façade without holes, forming a barrier against adverse traffic noise, protection against overheating of the object, since the offset is to the south-west. Wall, however, especially in terms of creating architectural and urban-aperture defining a clear view of what is happening inside and outside the building. The five storey building mass is in a mass gallery solutions and compact track layout. Shaped solutions based on the response to movement-ruh adjacent streets, which is evident from the building floor plans. Character of the solution is the principle of mass shell that protects-defines and provides peace of mind for the concentration of the perception of art. Curved walls also based as far as possible from the principle of the golden section and the application Fibionaciho spiral that is mainly traced in the position of input and internal audiences. Compactness form is on the last floor spans both the dynamic slope roofs with the orientation of the dominant church. James and the castle Špilberg and terrace area serving the public as an observation point. Compactness of shape and material solutions put construction strength of character with a clear definition to the urban traffic. Character of the building is rounded barrier wall on a street corner and Koliště position to Milady Horakove. The facade at street Milady Horakove is afoot square window openings. The upper floor is an object dynamically opens up the city. A distinctive feature is the entrance to visitors, as a snail shell, drawn into internal affairs.
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Identita místa jako výchozí činitel architektonického návrhu
Volnohradský, Radan
Příspěvek se zabývá vlastnostmi a aspekty místa, pozemku v převážně přírodním prostředí. Pohlíží na problematiku zvíce úrovní. Za cíl si klade nastínění co nejvíce parametrů určující identitu místa. Odhaluje tak souvislost mezi místem, architektonickým návrhem a člověkem. Úvodní stať pojednává o působení prostředí na člověka. Dále je siřeji rozvedena problematika mnohovrstevnatosti místa z pozice holistické architektury. Jsou popsány jednotlivé úrovně od materiální až po duševně duchovní. Předposlední část je věnována alternativním systémům (Feng-shui a posvátné geometrii) a jejich perspektivě nazírání na místo. Rozbor pozemku dle Feng-shui spolu se zjištěním geopatogenních zón umožňuje zabývat se jeho jemnohmotnějšími kvalitami. Více vědecky jsou vysvětleny podobné kvality a vazby pomocí principů posvátné geometrie. Završením je pojednání o působení člověka na místo a z toho plynoucí zodpovědnost.
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Geometry of Life-Supporting Forms in an Architectural Design
Volnohradský, Radan
Process of visual perception described in the first article is elaborately explored by neuroesthetic. It is a link to understand incoming images and reactions in brain. In this context it points out significance and beauty of fractal structures. Fractals and their use in urban design are content of next chapter. Than the focus is on explaining harmonic proportions (primarily Golden mean) and geometric forms which are mostly found in fractals. It is mentioned basic Pythagorean geometry with its metaphysical aspects. Same aspects are hidden in mysterious picture Flower of life and its geometrical transformation to Platonic solids - the matrix of universe. At the end the relation between geometry and architectural design is revealed and substantiated.
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