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Movement from the Centre to the Peripheries: the Social Life of Prague Germans in the Peripheries during the First Republic
Tvrdá, Kristina ; Konrád, Ota (advisor) ; Nieć, Grzegorz (referee)
The master thesis examines the development of social and cultural life of Prague Germans in the 1920s and 1930s in selected Prague suburbs. Prague's German population formed a unique society in Czechoslovakia during the interwar period, which to a large extent shaped the overall multi-ethnic character of the city itself. Although the German-speaking population had to cope with their position as a national minority and nationalistic anti-German sentiments in the new state, their numbers grew, and their society developed. The main place of social life for Prague Germans remained the centre of Prague, but with the establishment of Greater Prague in 1922, there was an escalation of their migration from the interior to Prague, but also from the historic centre of Prague to the newly annexed districts. Thanks to the status of the capital city and the development of urban infrastructure during the 1920s and 1930s, Prague offered a new space of Prague suburbs, which the German population of Prague used for their cultural or economic development. Even though this was an area inhabited by only a small number of Prague Germans, they clearly contributed to the development of individual neighbourhoods. In some cases, these were only individual places associated with Prague Germans, such as theatres or...
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The Comparison of the Film Propaganda in the German Reich and in the Soviet Union
Tvrdá, Kristina ; Emler, David (advisor) ; Zelená, Alena (referee)
This bachelor thesis deals with the comparison of film propaganda in Nazi Germany and the Soviet Union. The first part briefly describes the definition of propaganda and propaganda techniques in those films. This second and third chapter will cover the German and Russian film industry during the 1920s and 1940s and the creation of propaganda films. Film propaganda has become both a procist and for the Soviets one of the most effective ways of manipulating the population. In addition to mastering cinematography, focusing on various content of propaganda films, which are derived from individual ideologies. The fourth chapter, which presents the practical part of this work, compares two Nazi and two Soviet propaganda films based on three criteria. The first criterion is the use of a propaganda technique in a film that represents their propaganda character. In the case of a different procedure, it should be noted that these are cases where there is an infringement. Selected films often relate only to its propaganda system, but also to ist editing or music which mainly concerns the viewer's subconscious. The aim of the thesis is the responsibility of the queries, which are different or the form of the propaganda technique and technique used.
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The Comparison of the Film Propaganda in the German Reich and in the Soviet Union
Tvrdá, Kristina ; Emler, David (advisor) ; Zelená, Alena (referee)
This bachelor thesis deals with the comparison of film propaganda in Nazi Germany and the Soviet Union. The first part briefly describes the definition of propaganda and propaganda techniques in those films. This second and third chapter will cover the German and Russian film industry during the 1920s and 1940s and the creation of propaganda films. Film propaganda has become both a procist and for the Soviets one of the most effective ways of manipulating the population. In addition to mastering cinematography, focusing on various content of propaganda films, which are derived from individual ideologies. The fourth chapter, which presents the practical part of this work, compares two Nazi and two Soviet propaganda films based on three criteria. The first criterion is the use of a propaganda technique in a film that represents their propaganda character. In the case of a different procedure, it should be noted that these are cases where there is an infringement. Selected films often relate only to its propaganda system, but also to ist editing or music which mainly concerns the viewer's subconscious. The aim of the thesis is the responsibility of the queries, which are different or the form of the propaganda technique and technique used.
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