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Inscenation John Sinclair - Artistic Solution
Černíková, Marie ; Tománek, Alois (advisor) ; Kalfus, Pavel (referee)
This bachelor paper relate to performance John Sinclair. The author of costumes and puppets scans resource of inspiration for visual factor of performance. Author refers how is her work influenced by contemporary trends. She confess her concern for comics , motion and the beauty of human body.The author expounds contemporary approach to human beauty. She also writes about further resource of inspiration and referses: fantasy literature, film noir, pornography and the world of pop music.The author searches standards for makeing puppets and costumes and she writes about her way how to make a puppet and costume.Second half of bachelory paper include description of puppets (material,sizes and specific movements). and the description of succesive costumes (materials, sheeps, colours).The bachelor paper include extensive picture supplement which contains costume and puppets design, poster of this performance, photos from performance and an interview with the director, Petra Tejnorova.
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Complete Creative Solving of Inscenation: Jan Werich Lakomá Barka
Hubená, Lenka ; Tománek, Alois (advisor) ; Kalfus, Pavel (referee)
Baccalaureate work Complete Creative Solving of Inscenation Lakomá Barka of Jan Werich is attempt about infliction of the process of theatre performance production from spectacle scenographer.
The work is dividet into two basic block, theoretic and practical.
First of them comment upon choice theater model, deal with dramaturgy, futher then general problematic position playwrights for children. It mentioning to other presentation of literary model in other Media.
Practical part us send to the creative atmospheres with all her detais. So for example it discovers initial ideology, it process co-operation between director and scenographer. This part deal with routing at production puppets and scenography and describes not only its final solution, Substantial part these chaps forms source the inspiration which acquaint us with informal art and so carry us away from the teatre world to the world of static imagine.
That way this work become next atatement about theatre production from many, not only from sight audience or critique and so it execution evidence about inner problems of the creative process, which is able to but does not need to display on the performance.
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Visual Design of Presentations: B.Baronová Alter ego, V. Klimáček Mária Sabína
Fonová, Klára ; Tománek, Alois (advisor) ; Žižka, Tomáš (referee)
The aim of the thesis is to confront processes of searching for the right presentation means of staging two contemporary drama pieces (Viliam Klimáček: Mária Sabína, Barbora Baronová: Alter ego). Both of the plays involve simmilar themes: namely a theme of two women, that are in principle two parts of one being, the theme of desire for a man and unfulfilled love. Both plays have mysterious atmosphere full of magic and uncanny visions. The means of visual conception were considerably determinated by the character of particular places where the performances took place: exterior atrium or intimate space of a small theatre. The process of searching for a final shape of presentations is described in this work, as well as non-realized ideas and conceptions. It compares different approach of both directors to cooperation with a scenographer. First one, less experienced in working with a scene, set a task for a stage designer and was expecting the solution. The other director was on oposit very much involved in searching for visual means. I tried to find both, positives and negatives, of those different ways of approach.
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a) Fitzli - Putzli b) Baroque Technology
Nachlinger, Jiří ; Kalfus, Pavel (advisor) ; Tománek, Alois (referee)
Baroque is the epoch in which worked on F. A. Špork, M. B. Braun and jointly created allegorical character of name Fitzli-Putzli. Špork created this character in his fantasy and Braun realized as a sculpture. Realized theater sculpture Fitzli-Putzli inspired by age of her genesis also come to be before image, inspiration and feature participant of outdoor interactive performances appearing from the attainable life fates of well-known person of baroque times.
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Digital Technologyin a Staging Process and Performance
Kopecký, Jakub ; Tománek, Alois (advisor) ; Žižka, Tomáš (referee)
In my dissertation, I discuss the digital technologies as a natural part of society development. Therefore as a source of artworks subjects. Digital technologies have become commonly avaliable mean, which has transformed a society perception in many ways. What formerly remained hidden in the unrepeatable image of the past, has changed into record of a digital interpretation. We are recorded, shooting, detected, aimed, irradiated,
x-rayed, scanned. Uniqueness and unrepeatability of a moment is defocused by the permanent illusional interpretation of information. If (our) technology is changing the way of our thinking, it also has to change theatre necessarily. And not only formally, but also internally , thematically. That is why I do not discuss digital technology as a mere practical tool, but I write about it as about the artistic instrument. First and foremost, I consider it to be a social and theatrical topic.
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Work on the Project The Torment of Prince Sternenhoch
Fidrmuc, Jaroslav ; Tománek, Alois (advisor) ; Smolík, Robert (referee)
My bachelor work is an attempt at confrontation of two performances - The torment of Princ Sternenhoch 1 and The torment of Princ Sternenhoch 2, wich were created in 2005 and 2006 as semestral works i the atelier of Stage design of alternativ and puppet theatre on Academy of performing arts in Prague. These performances are results of the work of one creativ team in two years period and are made according to the same literature source. The study has been comparing their stage design, directorś consepts and realization itself. In the same time the writer Ladislav Klíma is mentioned as well as his novel The torment of Princ Sternenhoch.
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Czech´s Drama Stage Design´s Expression from Polish Point of View
Ziółkowska, Joanna ; Kalfus, Pavel (advisor) ; Tománek, Alois (referee)
Resumé
Baccalaureate work Stage design´s interpretation of czech´s drama from polish point of view, is attempt to present process of work on choosen text in context of history of chechs and polish puppet theatre in scecond half od twenty century.
The work is divided into two basic blocks, essayistic and practikal.
First of them deals with charakterisation of particulars polish and chech puppet theatres. Searches the dependences, differences and metamorphoses betwwen them. That part comments the past, makes references to present and put the questions about the future. She has a essayistic character and often expresses my subiective point of view, which is only the hypotesis about the theatre condition. The leading line is plastic theatre conception and is like a speace to apply into the various new plastic means.
The practicical part is divided to further two parts. First of them reveals the concept, idea and working process. She meets the requirements of handpuppet theatre. The second part is further option of stage designes solution the same text in demonstrating conception theatre.
The image which I have done during considering on polish and chech theatre becomes source of my inspiration, reffers to internal problematic Pavlik´s drama from other point of view and describes the varied ascpects of modern puppet theatre.
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