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Jan Antonín Reichenauer - Vesperae de Confessore
Semerád, Vojtěch ; Mikuláš, Jiří (advisor) ; Slavický, Tomáš (referee)
Ve své práci se zaměřím na chrámové skladby J. A. Reichenauera, které jsou dnes v majetku Národního muzea - Českého muzea hudby (dále jen České muzeum hudby).' Jde o prameny ze svatomikulášského fondu z malostranské jezuitské koleje u kostela sv. Mikuláše, které se do dnešních dnů dochovaly díky sběratelské činnosti O. Horníka.2 Tyto hudebniny významně doplňují naše poznání o tvorbě pražských skladatelů a hudebním provozu na počátku 18. věku v Praze. Powered by TCPDF (www.tcpdf.org)
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The pieces of the church musical collection from the town Smečno for not liturgic Czech and Latin texts in 18th century
Procházka, Karel ; Slavický, Tomáš (advisor) ; Kapsa, Václav (referee)
The aim of this diploma work is to introduce the forgotten developed music culture of the town of Smečno of 18 th century. The study concerns the music collection of the Holy Trinity Church in Smečno and it is focused on non-liturgical compositions from 18 th century. The results are divided into three parts: the first one considers the origin of the collection in the historical context of the region around the town of Kladno, the town of Smečno and the Holy Trinity Church. The second one deals with the music collection alone - its content, author's profile, period changes, exceptional pieces of music, the work of František Mensi ( the chaplain and priest of Smečno) and the analysis of selected compositions. The third part describes current events of the choir loft of the church in Smečno. For example, the revival of premieres of the Smečno choir loft music or the Smečno Organ Festival played on the oldest organ in Central Europe dating back to 1587.
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Musical-liturgical life of the Jesuit college at Klatovy in the 18th century
Aschenbrenner, Vít ; Černý, Jaromír (advisor) ; Čornejová, Ivana (referee) ; Slavický, Tomáš (referee)
The Jesuit College in Klatovy and the adjoining St. Joseph Seminary represented an important phenomenon of the local cultural, religious and musical life of 17th and 18th centuries. By gradual building of the monastery complex Jesuits were a major influence on the town's character and their activities in the field of spiritual and cultural life did not fall behind their architectonic ones. In the town Jesuit religious fraternities were working, the town people could watch the school play performances and, last but not least, took part in numerous religious feasts organized by the order. In all these occasions especially figural music played an important role. The era of the order's activity in the town (16361773) was part of the period in which the order tolerated such music performances, however the contemporary sources show that there was strict differences were made between the repertoir played on purpose of the outer representation of the order and accompaniment of internal divine service. Basic institutional platform of the musical life was St. Joseph Seminary, operating within the college since its very foundation. Although compared to other similar order seminaries elsewhere it did not dispose of large musical endowments, it could supply accomodation, food, clothing and musical tuition to as many as...
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Different forms of landler in the Czech lands in the light of manuscripts of Jiří J.B. Hartl of Stará Paka
Vejvoda, Zdeněk ; Tyllner, Lubomír (advisor) ; Slavický, Tomáš (referee) ; Stavělová, Daniela (referee)
Different Forms of Ldndler in the Czech Lands in the Light of Manuscripts of Jiří J B. Hartl (1781-1849) ofStará Paka is a doctoral thesis investigating the position of Hindler in the Czeeh dance repertory of the 19th century and the first half of the 20th century. A dance in triple meter of German origin, landler became famous aU over Europe. Drawing on eolleetions of folk dance from the Czeeh Lands (ineluding boundary regions with prevailing German population), researchers havebrought together over 750 melodies - mostly instrumental - which were known under various names sueh as lendler, štajryš, tajč, tyrol etc. The richest and oldest source is the manuscript coUection of danee melodies, made in 1811- 1822 by Jiří Josef Benedikt Hartl (1781-1849), a teacher from Stará Paka, a town situated at the foot of the Krkonoše Mountains in the north of the Czech Republic. Furthermore, the thesis seeks to explain the general context, cultural and historical, of landler's popularity in the region of North-East Bohemia, paying special attention to village teachers and their activities. Trying to identify the most frequent way of spreading dance instrumental melodies, the research has given prominence to migrant musicians, but cultural exchange in regions with a population of varied ethnie origin also played a role....
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Rorate-chant books of Klatovy
Císlerová, Anna ; Škarpová, Marie (advisor) ; Slavický, Tomáš (referee)
(in English): The thesis addresses the phenomenon of Czech Rorate chants. It is focused on the description of three Rorate chant books kept in the Dr. Hostaš Museum of National History and Geography in Klatovy, under the call numbers RK 79, RK 83 and RK 84. In addition, four other chant books that originated in Klatovy are considered in order to highlight the tradition of Rorate chanting: a Latin Gradual chant book (CS KL 403), a Czech Gradual chant book (CS KL 1) and two partbooks (RK 102 and RK 103). These four chant books and two of the above mentioned Rorate chant books (RK 83 and RK 84) were the property of a literary brotherhood based in Klatovy, the members of which engaged in Rorate chanting, among other activities. In the next part of the thesis, the texts of the Klatovy Rorate chant books are compared with the Rakovník Gradual (B 98) and the Hradec Králové Gradual (Hr-11), which served as the primary sources for the Rakovník and Hradec Králové Rorate chant 'editions'. Further on, the concept of 'New Philology' and the thoughts of Kateřina Smyčková on song texts of the early Middle Ages serve as a theoretical basis for interpretation of the results arising from the comparison of these manuscripts. The analysis revealed that for Rorate chants, variation of text to a different extent, from...
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The song of saint Adalbert. The tradition of the song Hospodine pomiluj ny (Lord, have mercy on us), Saint Adalbert legend and the Slavonic monastery in Prague
Slavický, Tomáš
The article deals with the reception of the oldest Czech song Hospodine pomiluj ny, which circulated as the song of Saint Adalbert. The most recent dating of the text between the 10th and 11th century solved the disputes about the age of the song and supported the earlier allegation that both the text and the melody were derived from the church slavonic version of litanies which had been used abundantly in west Europe from the 1st milleny as the standard form of the people's worship. The gathered documentation speaks about the tausend-year tradition which was accompanied by the development and varieties and which later underwent several historicizing redactions (in the 17th, 19th and 20th centuries). Continuity of the recitation cadence of the old layers of western choral music appears in the individual versions of melody and is analogous with the melodies of the traditional glagolitic chant in Croatia.
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Music life and important music events at Prague Order of the Cross with Red Star in the 18th century in paper-source background
Veverka, Karel ; Slavický, Tomáš (advisor) ; Kapsa, Václav (referee) ; Maňas, Vladimír (referee)
This dissertation thesis is focused on music performance within the bounds of Order of the Cross with Red Star in the 18th century. The history of the Knight's Order rises from the first half of the 13th century and concerns the only original Czech church order. In the 18th century Knights of the Cross belonged to the most significant patrons of Art in Czech lands. Church and monastery of St. František in Prague, the center of the Order, became the most influential culture center. The charity work of the Order of that time influenced the creation of the extraordinary institution - the Order's menza that had the significant importance for operating of organ lofts of St. František Church because it provided the sufficient amount of singers and musicians. The research is exclusively based on non-music materials deposited in the Cross paper fond (Nr.195) consigned in the 1st department of the National Archives in Prague. According the information of the inventory department, the fond contains altogether 2315 cartons of paper material and 3306 books. Until now, the researchers have been interested in these sources only marginally which was caused mostly by its disorderliness and most important discoveries have been realized mostly just by lucky coincidences. The main part of this work is devoted to St....
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F. X. Brixi's Oratorium pro die sacro parasceves
Labudová, Jana ; Niubo, Marc (advisor) ; Slavický, Tomáš (referee)
The thesis deals with the musical and stylistic analysis of the F. X. Brixi's oratorio Judas Iscariothes, that was preserved in the Osek Monastery under the name Oratorio pro die sacro parasceves. The first part of the thesis describes the musical history, preserved music sources and inventories of Osek. The next section deals with the oratorio in Osek. The main point of this chapter is to inventory oratorio productions performed in Osek during the 18th and early 19th century. The key part of the thesis is the musical and style analysis of the oratorio Judas Iscariothes. Appendix contains the edition of this oratorio.
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