|
|
Perception of "wild man" in Bohemia in the years 1511-1612
Babich, Elena ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The diploma thesis "Perception of "wild man" in Bohemia in the years 1511-1612" deals with possible ways of perceiving the "wild man" in the Czech lands in the years 1511-1612. It research the figure of the wild man in the Czech folk culture, in opinions theologians, doctors, painters and European monarchs. It analyzes preserved authentic sources and original texts, summarizing the research and defines the term of "wild man". It tries to explain the causes of positive and negative attitudes of society and individuals in the Czech context. The thesis is primary focused on the imaging patients with hypertrichosis in natural science catalogs and collections of curiosities. It focused on the phenomenon Petrus Gonzales, who changed stereotypes about the wild man. To individual works collectively presents current knowledge concerning authorship, chronology, painterly submissions. Keywords Wild man, Petrus Gonsalvus, collection of curiosities, Rudolf II, history of medicine Počet znaků (včetně mezer): 137 366
|
|
|
The Žerotín Family and the Castle in Náměšť nad Oslavou
Línová, Sabina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
The bachelor thesis focuses on the castle in Náměšť nad Oslavou and the Žerotín Family in the time of renaissance. The content of this thesis is a historical and architectural development of the castle and its sculptural decoration. Part of the text will be also dedicated to the Žerotín family, history of Náměšť nad Oslavou. I will also mention the castle in Rosice. They both are built in the renaissance era and have some architectonical and sculptural similarities. The work focuses on the times of late 16th and early 17th centuries - it is time of first Habsburgs on the Czech throne. Photos of the Náměšť castle and other pictures are at the end of this works.
|
|
|
Theme of death at manor houses and funeral chapels at 16th and 17th century
Marková, Dominika ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
Thesis is focused on a decoration of the selected castles and funeral chapels with a specific iconography of the death (memento mori), personified as a skeleton (skull), or through inscriptions. A significant part of the thesis is the intellectual background of understanding the death in the turn of the 16th and the 17th century. As a key for the interpretation will be used a contemporary literature as libri de arte moriendi or other period literature with a symbolism of the death. The above mentioned subject will be presented at the following examples: Castle of Bechyně, funeral chapel at Postřelmov, chapel at Martinický palace and baroque carner at Prague Loreta.
|
|
|
Interpretation of the Theme Noli me Tangere in Paintings of the 15th and 16th Centuries. Selected examples of Italian and North European region
Květ, Přemysl ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Keywords:Paintings, biblical theme, Noli me tangere, Italian Renassaince, North European Renassaince Abstrakt anglicky The aim of this bachelor thesis is an analysis of the iconographic theme of the Passion cycle Noli me Tangere (Don't touch me) in Paintings of the 15th and 16th Century in Italian and Northern European region. The main intention of this thesis is focused on deep analysis and evaluation of selected works of art depicting Noli me Tangere. Within individual catalog entries will be attention dedicated to the chosen theme and the author himself, the research in this work will be incorporated in the broader context of the artist's work. The final evaluation will undertake mutual comparisons of selected works with implications on authorship and provenience. Powered by TCPDF (www.tcpdf.org)
|
|
|
The Kaceřov Castle and its Architectural Transformations
Urbanová, Kateřina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
The subject of the bachelor thesis (The Kaceřov Castle and its Architectural Transformations) is the Renaissance Kaceřov Castle. The first part is dedicated to the art and historical development of Kaceřov manor and literature summary. I introduced Florian Griespek of Griesbach who acquired the manor in 1539 and rebuilt the Gothic fortress into a unique Castle. Florian contributed to the spread of humanist thought and the Renaissance style in Bohemia. Kaceřov became the political and cultural center thanks to him. I tried to summarize the existing knowledge and put the building into historical context. I tried to solve the question of Kaceřov Castle authorship and I focused on the source of inspiration and possible external analogies. The description of the Castle follows in the second part. Emphasis was particularly set to fireplaces and murals which are gradually uncovered. The Castle was protected by bastion fortifications and ditches. In Castle area was an armory from which Florian descendants lent two guns during the conquest of Pilsen in 1618. The Castle was reconstructed in the second half of the twentieth century. It was the most necessary interventions. I described the current state of the monument by using my own photos. The Castle is privately owned.
|
|
|
Clothing in Masterpieces of the Old Flemish School in the 15th Century
Václavíková, Kateřina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The aim of the Bachelor's Thesis is to present an overview of the evolution of the 15th Century Burgunian fashion. The Thesis is based on the study of the masterpices by the Old Flemish painters and iluminators which had been represented by the official clothing of the Burgundian aristocracy and Flemish elite. The attention is espetially paied to the details of clothes, fabrics, patterns and accessoires. Final results are confronted with the literature and the examples from the 15th Century. Burgundian fashion of Western Europe, which evolved from Gothic is continually compared with clothing from renaissantian Italy and the attention is also paied to the contamporary trade with fabrics
|
|
|
Wohlmut's organ choir in St. Vitus, Wenceslaus and Adalbert cathedral in Prague
Urych, Jan ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This thesis deals with the architectural appearance of the organ choir loft, located at the. St.Vitus,Wenceslaus and Adalbert cathedral at Prague Castle. It was realized between 1556- 1561 by Boniface Wohlmut's draft. The main target of this thesis is a detailed and formal analysis of the organ choir loft. Secondary target features approach of the organ choir functions and it's position in the context of the specific cathedral space. It also features inclusion of this organ choir to wider construction portfolio connected with the Boniface Wohlmut personality. The organ choir will be presented in overall art and historic context of examined period.
|
|
|
Architecture of Renaissance and Mannerist Fireplaces in Bohemia and Sebastiano Serlio
Víšková, Martina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
After the introductory chapters on Vitruvius and Sebastiano Serlio; which also discribe component books of Serlio's architectural treatise; the chapter devoted to the history and development of heating devices is included. This is followed by the main part of the diploma thesis "Architecture of Renaissance and Mannerist Fireplaces in Bohemia and Sebastiano Serlio" dealing with the analysis and comparison of fireplaces of Renaissance buildings in Bohemia. The first circle contains Prague buildings - the Royal Summer Palace at Prague Castle; however where fireplaces didn't preserve; and the Star Summer Palace in Prague Liboc which was designed by Archduke Ferdinand of Tyrol. The second circle of buildings contains the Pilsen Town Hall, the Kaceřov Chateau and the Nelahozeves Chateau. These buildings are connected by locality (the Pilsen Town Hall, the Kaceřov Chateau) and by builder Florian Griespek (the Kaceřov Chateau, the Nelahozeves Chateau). The third circle pays attention to the South Bohemian fireplaces at the Jindřichův Hradec Chateau and at the Kratochvíle Chateau of Rosenbergs.
|
|
|
Renaissance Painting Decoration of Coffered Ceilings in Selected Castles in Bohemia
Henslová, Barbora ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Diploma thesis "Renaissance Painting Decoration of Coffered Ceilings in Selected Castles in Bohemia" first briefly introduces the most important examples of aristocratic residences with painted coffered ceilings in Bohemia. Painted coffered ceilings in Bohemia primarily occurred in the main halls of castles and palaces in the second half of the 16th century. The main part of thesis deals with two noble residences with painted coffered ceilings. Deal with detailed ceiling paintings Knights' Hall in the castle Telč and ceiling paintings of four halls Častolovice chateau. Attention is focused on themes ceiling paintings, their description and comparison with graphic templates. To the present day we have original coffered ceiling Knight Hall Castle in Telč with subjects from classical mythology (Hercules deeds). The author of the iconographic program was probably Zacharias of Hradec (1527-1589), who was one of the most powerful aristocrats in the Kingdom of Bohemia, and had the opportunity during his trip to northern Italy in 1551 acquainted with Italian art. The pride of the Častolovice chateau is especially large main hall with a coffered ceiling with 24 scenes from the Old Testament and other smaller hall with biblical scenes. This hall adjoin two smaller rooms with painted coffered ceilings with...
|
|
|
Zwettl altar in the context of its time
Brachtlová, Magdalena ; Chlíbec, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The topic of this thesis is Zwettl altar. It is a late Gothic carved altar from the years 1516 - 1525 and is the work of six unknown carvers. It is an important work that falls within the Danubian School, but also carries many elements of Italian Renaissance. This work will focus on art-historical analysis of the altar, will examine the influences that affected the form of the altar and period circumstances that could have on the overall formation of the altar a considerable influence. The result should be a total synthesis of the origin and development of the altar.
|
guest ::
