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Works for Wind Quintet and Associated Instrument
Durníková, Nela ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
The theme of this thesis is Works for wind quintet and associated instrument.
The work professionally analyzes works by internationally known authors. Their works became the best-known and most-played compositions of the chamber repertoire, not only for wind instruments. The thesis also includes a comparison of works of the same instrumentation and a playlist for wind quintet and associated instrument.
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Methodology of woodwind quintet´s work
Javůrek, Jiří ; KOUTNÍK, Štěpán (advisor) ; MAREŠ, Vlastimil (referee)
This Master thesis describes the functioning of a wind quintet: it's succesful foundation and choosing the right coplayers, efficient ways of rehearsing and preparation for a concert, competition or redording. The thesis suggest detailed day schedule of the preparation and rehearsals and shows how to work efficiently in different stages of the ensemble development. The thesis treats thoroughly the choice of appropriate repertoir pieces, which are organised according the technical difficulty. It evaluates the improtance of Czech ensembles Prague Wind Quintet and the Afflatus Quintet and enlists the practical experience of their members.
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The production technology of clarinet reeds and possible modifications
Žitný, Radek ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
In my thesis I describe the known technologies of clarinet and saxophone reed making. These range from purely hand-made fabrication (as in the case of the production of oboe and bassoon reeds) to technologies with an extensive use of machine work, which allows for refined and accelerated production. I also describe what precedes the manufacturing of a reed itself, that is growing and harvesting of cane wood of which the reeds are made. Clarinet and saxophone reeds are the subject of much speculation in terms of durability, usage, warm-up, storage and especially their possible customization to the needs of each individual player. That is why in the second part of this thesis I focus on possible personilised modifications of reeds. To conclude I quote and comment on the most comprehensive records of reed adjustments available in the existing specialist literature. The aim of my research is to provide clarinetists and saxophonists with a manual where I present facts and methods of reed adjustment they may put in practice themselves, and therefore avoid having to rely on „selecting the best of the mediocre reeds available in the music shop". The thesis includes an illustrated appendix of sketches, adjustments, reeds and their packaging, cases and tools.
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Compositions for Singing with Accompaniment of Chamber Formations with the Clarinet
Tauchmanová, Hana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
This thesis deals with using general methodical principles while teaching to play the clarinet and to sing particular compositions – the song cycle by Louis Spohr “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the song by Franz Schubert “Der Hirt auf dem Felsen D (965)“.
The work is divided into five chapters. The first chapter briefly mentions the historical background of birth of the compositions with a special regard to the changes in the musical life in the 19th century and the personal lives of both composers.
The second chapter, Personality of the performer, observes important aspects which no performer should ever forget about while studying a chamber piece of work, such as mental preparation, the issue of memory, but also the right choice of repertoire with respect to the characteristics of the soprano voice, for which both compositions were written. Other aspects include posture on the stage, breath support, intonation, sound consistence and making use of all the aspects while performing the song by F. Schubert as well as the song cycle by L. Spohr.
Other two chapters are dedicated to both compositions, the third being focused on L. Spohr´s “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the fourth focusing on Franz Schubert´s “Der Hirt auf dem Felsen D (965)“. The circumstan-ces of birth of both compositions are described, loose translation of the texts is provided as well as performer´s experience with the particular songs.
The last (fifth) chapter, Historical faithfulness of interpretation, is a short contemplation over the fact to what extent a performer is able to depict the original idea of the author by means of contemporary technical possibilities.
The thesis describes personal opinions, experience, feelings and problems which its writer encountered while studying the clarinet and singing parts of the compositions.
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The Suggestion ASP.NET Web Applications for Detection of Time Series Trend
Cíchová, Jana ; Mareš, Vlastimil (referee) ; Doubravský, Karel (advisor)
The aim of this work is the creation of web applications in ASP.NET, for the regression analysis of time series. The resulting product will be offered by creating web presentations for travel agencies, as part of a statistical package that has the company produces. The product is a web presentation, by which the travel agency will be able to analyze the marketability of such destinations, and based on specific data to create a forecast for the next years. The results will be processed both text and graphic file type *. xls or *. pdf.
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Publishing System in .NET
Mareš, Vlastimil ; Květoňová, Šárka (referee) ; Křivka, Zbyněk (advisor)
This master's thesis with the usage of the system for the content managing - the DotNetNuke system as an editorial system. It describes all options and features of the DotNetNuke system. On its basis of the system's features there have been made proposals for extensions which, when implemented, will let the DotNetNuke system to be used as full-value editorial system.
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Inspiration of comtemporary pieces
Kestřánková, Věra ; MAREŠ, Vlastimil (advisor) ; HLAVÁČ, Jiří (referee)
Contemporary music for clarinet is today often part of a clarinettists repertoire and contemporary compositions are normally included in compulsory repertoire of world competitions. For every player is necessary to know about contemporary music and have an informations about modern techniques which offer clarinet sound. This thesis deals with contemporary efects in theoretical and practical point of view. In the same time explores influence of contemporary music over the young clarinet players and describes their succes in create these techniques. This work also follow up three solo pieces for clarinet: Jörg Widmann - Fantasie, Slavomír Hořínka - Ruáh, Tiberiu Oláh - Sonata. There is a theoretical and practical preview about these compositions and also their influence on audience. One chapter is devoted to personality of clarinettist Karel Dohnal, pathfinder for contemporary clarinet music.
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Concertos for clarinet by Jan Vaclav Stamic and Karel Stamic
Lukáš, Radim ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
This thesis focuses on the clarinet concertos by Jan Vaclav Stamitz and Karl Stamitz. My thesis is divided into two chapters and their subchapters. The first chapter focuses on the significance of Jan Vaclav Stamitz as a composer, his life and the period clarinet. The last subchapter is about his only Clarinet Concerto. The second chapter focuses on his son Karl and his concerts which I consider to be the major works of the clarinet literature.
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Development of clarinet´s family
Durníková, Nela ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The topic of this Bachelor's thesis is the Development of clarinet´s family.
The work describes in detail the entire clarinet family. From predecessors clarinets, as was Chalumeau through sopranino, soprano, medium and deep clarinet. Part of this work are also quarter-tone clarinet, various production materials and shapes clarinet
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