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Certifikovaná metodika stanovení korelace frekvenčního a dynamického průběhu originálního zvukového mixu vůči restaurovanému mixu tak, aby zvuk u digitální projekce odpovídal parametrům projekce filmové
Jícha, Marek ; Pecák, Josef ; Myslík, Jiří ; Weiser, Antonín ; Šofr, Jaromír ; Macák, Jiří ; Rejholec, Pavel ; Neubauer, Petr ; Mathé, Ivo ; Páta, Petr ; Fliegel, Karel ; Novák, Miloslav ; Rund, František ; Husník, Libor ; Gunaratna, Vidu ; Jedlička, Miroslav ; Šimunek, Jiří ; Vítek, Stanislav ; Procházka, Martin ; Souček, Daniel ; Piškula, Martin
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Certifikovaná metodika kolorimetrické a jasové analýzy filmového obrazu na plátně a struktury klíčových scén černobílých a barevných filmů z hlediska světlotonality obrazu
Jícha, Marek ; Pecák, Josef ; Myslík, Jiří ; Weiser, Antonín ; Šofr, Jaromír ; Macák, Jiří ; Rejholec, Pavel ; Neubauer, Petr ; Mathé, Ivo ; Páta, Petr ; Fliegel, Karel ; Novák, Miloslav ; Rund, František ; Husník, Libor ; Gunaratna, Vidu ; Jedlička, Miroslav ; Šimunek, Jiří ; Vítek, Stanislav ; Procházka, Martin ; Souček, Daniel ; Piškula, Martin
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Certifikovaná metodika digitálního restaurování filmů, jejímž výsledkem je digitálně restaurovaný autorizát (DRA)
Jícha, Marek ; Pecák, Josef ; Myslík, Jiří ; Weiser, Antonín ; Šofr, Jaromír ; Macák, Jiří ; Rejholec, Pavel ; Neubauer, Petr ; Mathé, Ivo ; Páta, Petr ; Fliegel, Karel ; Novák, Miloslav ; Rund, František ; Husník, Libor ; Gunaratna, Vidu ; Jedlička, Miroslav ; Šimunek, Jiří ; Vítek, Stanislav ; Procházka, Martin ; Souček, Daniel ; Piškula, Martin
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Director of photography and his objectives
Adam, Daniel ; KOBLOVSKÝ, Petr (advisor) ; MACÁK, Jiří (referee)
The main purpose of this thesis is to focus on methods and potentials of a director of photography when working on a feature. It tries to define cinematographer's tools and approaches in the course of making a fiction film from early pre-production to final postproduction. It contemplates the role of movie photography and how it effects the overall movie quality.
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Expression of different forms of actine in some non-muscular and muscular tissues and tumors
Dundr, Pavel ; Povýšil, Ctibor (advisor) ; Marek, Josef (referee) ; Mačák, Jiří (referee)
Actins are ubiquitous eucaryotic proteins. Actin filaments are involved in diverse functions which include cell contraction, motility, adhesion, division, cell shape maintenance and muscle contraction. Four actin isoforms are tissue specific (α-smooth muscle actin, α-cardiac actin, α-skeletal actin and γ-smooth muscle actin). Two other actin isoforms (cytoplasmic β- and γ-actins) are ubiquitous. Alpha-smooth muscle actin (α-SMA) expression is typically found in vascular and enteric muscle tissue, in myoepithelial cells, myofibroblasts and pericytes. However, expression of this actin isoform could be detected in a variety of other cells and tumors with a preexisting different phenotype. Our study focused on the expression of actin isoforms in some muscular and non-muscular tissues and tumors. The goals of our study were: 1 Analysis of actin isoforms expression in normal, osteoarthrotic, posttraumatic and transplanted cartilage. 2 Analysis of actin isoform expression in some non-muscle tumors. 3 Analysis of actin isoform expression in uterine leiomyomas after therapy and in leiomyomas with inclusion bodies of the gastrointestinal tract and uterus and the detailed analysis of inclusion bodies. A total of 82 samples of cartilage, 591 samples of neuroectodermal tumors, 87 cases of breast carcinoma, and 29 cases...
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The way to widescreen cinema
Matoušek, Philip ; SMUTNÝ, Vladimír (advisor) ; MACÁK, Jiří (referee)
This thesis looks at the development of widescreen cinema and tries to describe the main steps in its development. I lay the main emphasis on the time of the beginning of cinema at the end of the 19th century and the establishing of the norm of 35mm film, then on the late 20s, where this norm was almost transformed into a new norm of a wide format, and eventually the implementation of a new norm of widescreen cinema in the 50s.
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Image naturalness as a criterion in cinematography
Belica, Ondřej ; MAREK, Diviš (advisor) ; MACÁK, Jiří (referee)
The purpose of this thesis is to search into methods of image stylization in feature films and silver screen reality transformation. We try to define fundamentals of "natural" image as a common aproach of cinematographers work. Also we summarize styzalition means used by cinematographers all over the world in history and present time in realationship to normal perception of visual reality. Part of the thesis is dedicated to eye-tracking study concentrating on human visual attention to selected artwork pieces
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Light sources and their use in cinematography practice
Pavelek, Tomáš ; ŠPELDA, Josef (advisor) ; MACÁK, Jiří (referee)
This thesis is written in the genre of manual with reflection of a problem and focuses on the importance of light as one of the main aspects of filmmaking and as a main tool for creation of an atmosphere. That are examples of the key expressions, which are used and described in the text: light ratio, light as a source of shadow, characteristic of the light, light perspective, color temperature, reflectance, skin tone, light design for film stock and digital camera. In order the problematic of lights sources with different color temperature is presented, so as the aspects of shooting low light chiaroscuro atmospheres, Inverse-square law usages, light source as a part of the frame, shooting in small scale locations and shooting with multiple cameras.
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The Use of LED Light Sources in Film and TV Lighting Technique
Brožek, Marek ; SMUTNÝ, Vladimír (advisor) ; MACÁK, Jiří (referee)
The purpose of this thesis is to provide a comprehensive overview of LED lighting equipment development and current trends in film and TV industry .
The thesis is divided into two parts. The first focuses on historical outline, physical and technical parameters of LED and also provides glossary of related terms.
The second part covers an overview of the development of LED technological solutions in manufacturing of film and TV lighting equipment, highlights their advantages and disadvantages, points out eventual problematic moments in using of LED lighting and presents the latest innovations of world leading manufacturers.
The conclusion sums up a general reflection on the future of LED technology.
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