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physicality of painting
Teperová, Natálie ; Klímová, Barbora (referee) ; Kvíčala, Petr (advisor)
A Coatrobes is an object about painting, about a big body. About the mutual interweaving of color, stroke, stains with the material of linen canvas. And the most of Coats are attached on the chipboard, which copies the final shape of the canvas. The canvas is attached to the table with Velcro, which allows KH to unclip from the boards and gives the possibility of wearability.
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State of Security
Matušková, Michaela ; Koudelová, Šárka (referee) ; Kvíčala, Petr (advisor)
The diploma thesis consists of a series of paintings recording situations that evoke experiences of security gained through the personal experience of a new family. An important role in the work is played by the expression of physicality, which is very closely connected with intimacy and security.
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Freezing
Ševčík, Andrej ; Chrobák, Ondřej (referee) ; Kvíčala, Petr (advisor)
The subject of diploma thesis is cycle of paintings, animation and video. This work is based on the operation system error. I focusing on well know phenomen of freezing computer and follow layering of system windows over themselves. Due to an error may arise aesthetic shape, which may refer to geometric abstraction. On this phenomenon interested me especially the elementary aspects of painting, building space on surface, geometry, movement and shape.
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Morphology of Armour
Bařák, Hynek ; Zálešák, Jan (referee) ; Kvíčala, Petr (advisor)
In my thesis, I was very inspired by middle age, whitch has huge influence on my work. It is a epoch of my interest, I am activelly interrested in it and it is with me throught all my live, practicaly since childhood. In painting there are mainly motives of knight´s armor, whitch is underlying cornerstone of my work. My interrest in armor is caused by it´s technical perfection, decorativeness and majesty in the late phase. In that time technicaly did not acted function of protection, but it acted represetativ function and we can see it like a art or statue. By technical site I really experiment with lots of different technics, in many cases I never stay on single one. I work with layers, underlay, with drawing as well as painting. With diferent washing or scribing I open lower layers, I react to it and then I repaint it, simply experimenting. It is almoust archeology back to the old layers of picture. Discovery, connection older layers with new ones. About the painters whose I am interrested in they are primarily Josef Bolf, Vladimír Kokolia, Jaroslav Róna, Giger, Wolfli, Jackson Pollock.
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The Psychological Portait
Pokorná, Barbora ; Smetana, Matěj (referee) ; Kvíčala, Petr (advisor)
My work called "Psychological portrait" contain two different series - self-portraits and portraits of my friends. The both of them are reflecting mental state of human, but each of them in different way. The friends are portrayed in the way how I personally perceive them, whereas self-portraits recapitulate several important moments of my life which affected me during the last year. The paintings are very personal, so people who don´t know me are not able to understand it very well. The important is, that the pictures should give the impression and arouse the questions - it is intensified by the titles, which slightly uncover their content. At the same time each of the series are somehow connected to the my previous works, which I made during the study, so it is some kind of completion of my previous creation.
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Noble, generous and cultivated
Jamrichová, Kristína ; Magid, Václav (referee) ; Kvíčala, Petr (advisor)
It moves on the frontiers of the sides it looks from and the media it uses following the vision to assemble miscellaneous knowledge so that a certain truth (or a semblance of a truth) could come to the jigsaw that just has been created. Starting in a context originally coming from another argumentation field (social) and in the subsequent topic (the moment of effect of power), which may not necessarily be explicitly readable, it wants to examine what does it take to activate "the image" to be a (partial) autonomous comment about real spaces, even if translated to fictional or virtual. On the background of this heterotopic matter they want (the images and processes of their creation) also to test themselves, to ask on their own sense, to negate the conceptual difference between static and moving images.
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