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Reflexion of the relationship between man and horse in the oral tradition of Mongolia and Eastern Slovakia
Miškaňová, Ľudmila ; Oberfalzerová, Alena (advisor) ; Kapišovská, Veronika (referee)
The significance of horse in the life and culture of the nomadic societies is a well-known fact. A large part of Mongolian oral traditions and folklore is related to horses. But the horse plays an important role in the oral tradition of sedentary peoples of Europe as well. The diploma thesis is based on field research, written sources and existing sources of folklore of Mongolia and Eastern Slovakia, where the traditional horse breeding still continues to exist. The aim of the thesis is to outline Mongolian perception of the world and the bond between the Mongol and nature through the description of the relationship between man and horse, which is compared with non-nomadic, sedentary culture of the Eastern Slovakia.
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Western-style musical education in modern Mongolia
Havláková, Jana ; Oberfalzerová, Alena (advisor) ; Kapišovská, Veronika (referee)
This bachelor thesis deals within the framework of a subject western-style musical education in modern Mongolia with Mongolian opera and aims at mongolian national opera Three mountains of Sorrow. First chapter describes the origin and development of classical music in Mongolia, the second deals with history of the opera Three mountains of Sorrow, the third introduces methodology of translation of a libretto, which forms the core of thesis and chapter four. Fifth chapter is a brief analysis of the original libretto. The enclosure contains the translation of the same-called drama written by Das'dorz'iin Nacagdorz'.
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The Gesar epic in the cultures of Inner Asian ethnic groups
Vlasáková, Aldana ; Kapišovská, Veronika (advisor) ; Zikmundová, Veronika (referee)
This thesis is about Gesar epic in the culture of The Gesar epic in the cultures of Inner Asian ethnic groups, primarily of Mongolian and Tibetan. After the general introduction to the Gesar epic there is a short history of Gesar epic studies and list of different versions of epic in every region it is known. In the central part the thesis deals with a development of religion cult of the main epic hero. A special attention was put on a ritual of smoke offering, known as sang and on texts related to this ritual. Then there is a description of Gesar's reflection in iconographic Buddhist art as well as in modern art. The end of the thesis is dedicated to a structural analysis of one sang text, its transcription and Czech translation are given at the supplement of the thesis with some images of Gesar in art.
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Analysis of the structure and formal means of the Yakut epic olonkho, on the example of the oloncho "Er soghotox"
Vlasák, Jonáš ; Zikmundová, Veronika (advisor) ; Kapišovská, Veronika (referee)
The topic of the thesis is interpretation of a yakutian epic (olonkho) Modun Er Soghotox through the concept of J. Lotman's classifying boundaries. In the begining, the thesis is trying to put the olonkho into broader genre context of yakutian folklore. Formal aspect of the text is important for the definition of the genre, therefore the work attempts to describe some of the most common distinctive features, especially alliteration and paralelism. The second part tries to analyze the worlds of olonkho as the Lotman's semantic spaces. Each world keeps significantly different semantic environment. Crossing the boundaries between these spaces initiates the plot of olonkho. The last part is trying to understand the role of the hero in olonkho, mainly as the mediator between the semantic spaces.
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Magtaal - the Mongolian praising song, its language and cultural specifics.
Hes, Jiří ; Kapišovská, Veronika (advisor) ; Zikmundová, Veronika (referee)
The subject of this M.A. thesis is magtaal (or mongolian praise song) in the context of mongolian traditional oral folklore a the main focus of the thesis lies in its linguistic specifics and its role in mongolian rural environment. The thesis is is solved in two main parts. First one provides a general characteristics of this genre with emphasis on its ethnolinguistic, sociolinguistic and performance aspects. Further division to subgenres is also provided. The second part deals with each particular subgenre based on an analysis built around translation of parts of praise songs and referential commentaries. The main contribution of this thesis lies in a more detailed view on this genre from a different perspective rather than a general folkloristic view. In this way praise song is displayed as genre that is transcending above a simple form of a song but becomes a mean of communication and a specific manner of construction and perception of mongolian image of the world.
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The Yakut epic Oloncho
Vlasák, Jonáš ; Zikmundová, Veronika (advisor) ; Kapišovská, Veronika (referee)
The bachelor ́s thesis deals with the introduction into study olonkho. It focuses on the description of olonkho as a genre and on presentation of the particular examples. The first part deals with the comparison of the features of more olonkhos. These features are later systematised. The second part presents olonkho on examples from the exerpts from the text Модун Эр Соҕотох Powered by TCPDF (www.tcpdf.org)
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Some aspects of traditional folklore music in Mongolia and their influence on contemporary mongolian music
Hes, Jiří ; Oberfalzerová, Alena (advisor) ; Kapišovská, Veronika (referee)
The aim of this B.A. thesis is traditional Mongolian folklore music and its comparison with contemporary Mongolian music based on genre characteristics and song lyrics. First of the main two chapters includes descriptions of particular musical forms, musical instruments and cultural frame of traditional Mongolian folklore music. Therefore it provides a brief overall view of traditional folklore musical production in Mongolia. Second chapter is focused on comparison of traditional and modern Mongolian music. It includes short introduction into the issue of contemporary musical production of Mongolia. Further content consists of examples and interpretation of five traditional and four modern song lyrics.
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The Dynamics of the Borrowed Vocabulary of Modern Mongolian
Kapišovská, Veronika ; Vacek, Jaroslav (advisor) ; Hoffmannová, Jana (referee) ; Zikmundová, Veronika (referee)
The aim of the work is to describe, based on material of contemporary Mongolian language, the acceptance of foreign words into the contemporary Mongolian language and particular aspects of their adaptation as a dynamic and constantly developing process, in which, apart from regularities stemming from the nature of the predominantly recipient language, as well as the source language, the complex of non-linguistic factors plays an important role. The loanwords that were received into the Mongolian language during the period of close relations between Mongolia and Russia or the Soviet Union and in the period following the fall of the communist regime up to the present day are examined from the phonetic, morphological, semantic, lexical, and spelling points of views, all with respect to diachrony and synchrony. The aim is also to put the borrowing and presence of loanwords in the Mongolian language into a broader historic and social context and to characterise the current attitude of Mongolians to loanwords and to certain phenomena related to the loanwords.
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The Mongolian folk tales
Kubiska, Dalibor ; Oberfalzerová, Alena (referee) ; Kapišovská, Veronika (advisor)
V této práci se chci věnovat mongolským pohádkám. Četba jedné konkrétní knihy mongolských lidových pohádek (vypravěče Gendena Bandiho) ve mně probudila zájem a chuť seznámit se s výběrem a pestrostí daného žánru v mongolské kultuře a rovněž snahu porozumět některým současným přístupům k celkovému poznávání onoho světa příběhů, které jsou skoro stejně tak staré jako lidstvo samo. O pohádkách bylo napsáno a publikováno až nepřehledné množství materiálů, zpracovaných k tomuto tématu i z hledisek rozličných vědeckých disciplín, takže hned dodávám, že můj pohled je v představované práci zúžen vesměs na přístup folkloristický. Tento pohled jsem zvolil jako příhodné teoretické východisko a dalším možným přístupům se zde záměrně nevěnuji skoro vůbec. Z větší části jsem tak vycházel z teoretických a srovnávacích prací některých českých folkloristů, zvláště pak z pohádkoslovných studií J. Polívky, K. Horálka, O. Sirovátky a H. Šmahelové. S vědomím značné rozsáhlosti materiálu, jenž by bylo nutno zvládnout, si v této práci nekladu za cíl srovnávat jednotlivé verze konkrétních mongolských pohádkových syžetů v měřítku národním, natožpak světovém. Lze říci, že se zde v širším měřítku věnuji pouze vybraným problémům, v onom užším zase zohledňuji jen velmi omezený materiál. Jde tak spíše o práci průpravnou, v níž se zatím...
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The vision of Mongolian countryside on examples of the culturally specific expressions in the novel of C'. Lodojdamba, Tungalag Tamir
Makúch, Branislav ; Oberfalzerová, Alena (referee) ; Kapišovská, Veronika (advisor)
Tato práce se zabývá užitím tzv. "kulturně specifick-ých výrazů" v románě Tungalag Tamír (Průzračný Tamír) spisovatele C'adraabalyna Lodoidamby. "Kulturně specifické výrazy" jsou takové části řeči, které jsou srozumitelné výlučně pro danou kulturu. Těsně souvisejí s životem a myšlením příslušníků oné kultury a vycházejí z jejích charakteristik. Tyto výrazy vlastně označují jisté pojmy, jisté myšlenkové obrazy, které - pokud jsou správně dešifrovány - mohou nám pomoci proniknout hlouběji do dané kultury a lépe ji pochopit. V této práci se budu především zamýšlet nad mírou přeložitelnosti těchto výrazů skrze interpretaci každého daného výrazu. Vývody, které z takového zkoumání povedou, by měly být v budoucnu dobře využitelné k překladové praxi, a tím by měly pomoci ke správnějšímu zprostředkování mongolské kultury českým čtenářům. Při své metodologii jsem se nechal inspirovat knihou PhDr. Aleny Oberfalzerové: Metaphors and Nomads. Powered by TCPDF (www.tcpdf.org)
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