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Visualisation and animation of charge carriers in electrical fields
Kachlík, Jan ; Aubrecht, Vladimír (referee) ; Bušov, Bohuslav (advisor)
This bachelor`s thesis deal with electromagnetic field. The aim of this thesis is acquaintance with physical regularity electric and magnetic field. Especially force effect to charge carriers traveling in these fields. In second part of this project is briefly describe switching arc behavior in high voltage circuit breaker. Principle function is animated in Autodesk 3ds Max 2009. Final point of assignment is create animated presentation about production nanofibres with help of unique technology NanospiderŽ
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Model of electric vehicle in SIMULINK/SIMSCAPE program
Kachlík, Jan ; Klíma, Bohumil (referee) ; Huzlík, Rostislav (advisor)
The topic of this diploma thesis is mathematical model of electric vehicle. The traction drive consists of Li-Ion battery, free-phase DC/AC converter and permanent magnet synchronous machine. The main goal of the thesis is development of function model and making simulations in SIMULINK/SIMSCAPE program. Work is divided into three main parts. The first part is dedicated to the theoretical description of the main drive components. The second part describes partial subsystems of the model. In the last part is build a complete model of electric vehicle and simulated different driving mode.
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Josef Suk: Praga. Symphonic Poem Op. 26
Kovářová, Adéla ; Gabrielová, Jarmila (advisor) ; Kachlík, Jan (referee)
The diploma thesis is concerned with the symphonic poem Praga, Op. 26 composed by Josef Suk in 1904 in need to create a music image of Prague at the turn of the 19th and the 20th century. The thesis deals with the current research and literature situation and it presents Suk as a composer and a musician at the turn of the century. The crucial part of the thesis informs about circumstances of Praga's origin, its premieres, publication and reviews in newspapers at the beginning of the 20th century. It is particularly concerned with the description of the form and the analysis of Suk's composition. In following two chapters, Praga is set into a broader context. The first of them describes the city of Prague and its depiction in artworks at the turn of the 19th and the 20th century. The second contextual chapter discusses Suk's symphonic poem in the connection with the Hussite movement tradition formed at that time and with a Hussite song Kdož jste boží bojovníci (Ye Who Are God's Warriors) infiltrating into the awareness of the cultured and educated society during the 19th century.
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Antonín Dvořák and the region of Liberec - Sources for composer's life and work
Myslivcová, Eva ; Gabrielová, Jarmila (advisor) ; Kachlík, Jan (referee)
The goal of the submitted work is to find out and to evaluate the state of sources connected with Antonín Dvořák's personal artistic contacts as well as with reception of his artwork and his figure in the regions set in the introduction of this work and by the concept of Liberec region in general. The first chapter named "State of Research" brings along with other information also the report on discovering two copies of letters completely unknown until now in the section named "Sources". Antonín Dvořák addressed these letters to Alois Göbl to Sychrov. The next chapter is dedicated to Turnov region and to his concert in Semily. This chapter summarizes already well known information about Dvořák's visits in this region; as well as it expands our knowledge based on unpublished sources from the archive of the choir named Antonín Dvořák, and also from Museum of Český Ráj both located in Turnov. The last chapter focuses on other regions stated in the introduction; the sources based on this theme were expected to be relatively smaller after the very first look at the problem. Key words Antonín Dvořák; Alois Göbl; Otilie Dvořáková; Bohuslav Finke; Josef Kuhn; František Čepelík; Kajetán Tichý; Antonín Horáček; Choir Antonín Dvořák in Turnov; Turnov; Sychrov; Semily; Liberec/Reichenberg; Jablonec nad...
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Difficulties concerning adaption resulting from entry and release from prison and postpenitentiany care
Cina, Jan ; Mitáš, Václav (advisor) ; Kachlík, Jan (referee)
Diploma thesis "Difficulties concerning adaptation resulting from entry and release from prison and postpenitentiary care" in the first part deals with adaptation difficulties, which meet incoming men during entry into a prison. At the same time my work deals with description of the prison system in Czech Republic, architecture of detention facilities and hygienic conditions in these facilities. The integral part is description of the "second life" of condemned and concomitant circumstances connected with execution of punishment. The next part deals with the description of the pre-release process. In the second part I put my focus on adaptation difficulties concerning release from prison. I describe the first steps after release and difficulties which meet prisoners after release. Next is the description of the postpenitentiary situation in Czech Republic, with reflexion on present situation. These facts are supported by the description of my mentor activity in therms of program "Šance." Part of thesis is also a questionnaire inquiry.
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Antonín Dvořák: Moravian Duets from the viewpoint of musical philology
Kachlík, Jan ; Gabrielová, Jarmila (advisor) ; Vojtěch, Ivan (referee) ; Ottlová, Marta (referee)
The dissertation is closely related to the project of The New Complete Edition of the Works of Antonín Dvořák. It focuses on research which inevitably has to precede the editorial work on the new critical edition of all 23 Moravian duets: a thorough record of their editorial history, heuristic activity and an assessment of all relevant surviving sources. It is not intended as an introductory text to the new edition of this vocal work, as it does not deal with all issues related to a critical edition. On the contrary, it strives to elaborate a number of topics in greater detail and put them in a wider context. In this sense it aspires to become a foundation of the editorial work itself. By means of modern philological methods, the dissertation registers and assesses a close-to double amount of different editions of Moravian duets than have been registered in Burghauser's Thematic catalogue of Dvořák's work (Prague 1996). It includes a hitherto unknown copy of Sušil's collection of Moravian Folksongs of 1860, which Dvořák used as the text original in composing his work. The textual aspect of Moravian duets represents one of the focus points of this dissertation. The author of the dissertation strongly argues against the current critical edition of the Moravian duets (The Complete Edition of Antonín Dvořák's...
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Antonín Dvořák's songs
Malá, Sandra ; Ottlová, Marta (advisor) ; Kachlík, Jan (referee) ; Gabrielová, Jarmila (referee)
This thesis concerns the song cycles Gypsi Melodies op. 55 (1880) and Biblical Songs op. 99 (1894) by Antonín Dvořák. The main question is how the composer musically reads the text and how he represents and further develops its sense. Two musical settings of Adolf Heydukʼs poems Cigánské melodie (1859) are discussed in the first part: At first Gypsi Melodies, a cycle of fourteen songs by Karel Bendl written in 1861-62 and 1875 that also provides context for Dvořákʼs Gypsi Melodies, and then the latter song cycle by A. Dvořák. Both works are analysed in detail and compositional principles of musical setting of the sense of the text are characterized. Some paralels as well as differences are to be found not only in the two ways of setting the same texts but also in more general terms. Another topic discussed are the certain ways of representing the idea of the exotic in Bendlʼs and Dvořákʼs Gypsi Melodies. In the second part Dvořák's musical setting of the sense of words in his Biblical Songs is described and explained. The certain principles used (concerning musical developing of the atmosphere and its changes and representing the sense of some particular words) are rather similar to the compositional approach to the text in his Gypsi melodies as well as in the other songs researched (Dvořákʼs...
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Antonín Dvořák: Moravian Duets from the viewpoint of musical philology
Kachlík, Jan ; Gabrielová, Jarmila (advisor) ; Vojtěch, Ivan (referee) ; Ottlová, Marta (referee)
The dissertation is closely related to the project of The New Complete Edition of the Works of Antonín Dvořák. It focuses on research which inevitably has to precede the editorial work on the new critical edition of all 23 Moravian duets: a thorough record of their editorial history, heuristic activity and an assessment of all relevant surviving sources. It is not intended as an introductory text to the new edition of this vocal work, as it does not deal with all issues related to a critical edition. On the contrary, it strives to elaborate a number of topics in greater detail and put them in a wider context. In this sense it aspires to become a foundation of the editorial work itself. By means of modern philological methods, the dissertation registers and assesses a close-to double amount of different editions of Moravian duets than have been registered in Burghauser's Thematic catalogue of Dvořák's work (Prague 1996). It includes a hitherto unknown copy of Sušil's collection of Moravian Folksongs of 1860, which Dvořák used as the text original in composing his work. The textual aspect of Moravian duets represents one of the focus points of this dissertation. The author of the dissertation strongly argues against the current critical edition of the Moravian duets (The Complete Edition of Antonín Dvořák's...
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Prague as a crossroad of European opera in the mid 19th century with special regard to J. F. Kittl
Šochman, Martin ; Ottlová, Marta (advisor) ; Kachlík, Jan (referee) ; Kopecký, Jiří (referee)
One of the most fundamental changes of the European opera production of the so-called long 19th century - apart from the change of the music structure itself, opera dramaturgy (or poetics) and forming of stable repertoire among other things - was its internalization: it was no more Italian opera as the only international operatic idiom but various traditions were influencing each other, the most important being the French, German and Italian operatic traditions (apart from the Russian one). The core thesis of this work, as it is seen in its title, could be formulated as follows: Prague in the mid-19th century could be regarded as a crossroad of European opera, in other words a place where these operatic traditions were in play. It means two things: First, Prague opera repertoire became international (many French, German and Italian operas were performed here). Second, dramaturgy of poetics of these various genres was projected into works of home composers. Dramaturgical analysis of four chosen operas - three of them by Johann Friedrich Kittl (Bianca und Giuseppe oder Die Franzosen vor Nizza, Die Waldblume and Die Bilderstürmer) and one by Josef Dessauer (Lidwinna) - aims to document this second statement. To which extent a composer is led and determined by a given libretto could be seen at the case of...
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Czech Society for Chamber Music and its Importance for Czech Music in 1894 - 1918
Pokorná, Markéta ; Gabrielová, Jarmila (advisor) ; Kachlík, Jan (referee)
This bachelor thesis deals with the history of the Czech Society for Chamber Music from its inception in 1894 to 1918 in order to describe its importance for Czech music. Along with the circumstances of the formation of the society, the thesis concentrates also on concert programmes as well as ensembles and soloists, who performed in its concerts. It also discusses the Czech-German Union for Chamber Music (Kammermusikverein), an institution which fundamentally influenced the formation of the Czech Society for Chamber Music. Finally, a summary of the history of the competition for a new chamber composition, which has been held by the Czech Society for Chamber Music since 1895, constitutes an important section of the thesis.
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