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Dance Art in the cultural Politics of the Czech Republic
Štindlová, Eliška ; KAZÁROVÁ, Helena (advisor) ; Burešová, Lucie (referee)
This master thesis is primarily aimed at the problematic of cultural politics of the Czech Republic. The main research topic is not only the politics in culture, but also the legislative document of the State Culture Politics of the Czech Republic. The main object of this work is the determination and distinction of the support in the field of dance art in the Czech Republic. An important part is made of historic contexts, definitions of present terms connected to the politics in culture and insight into the problematic of dance support in the UNESCO and in the EU. There is the main emphasis on grant politics of separate regions with consideration to the dance support of the Czech Republic in this work. The graphical sketch of the personal changes in the Ministry of Culture is also part of the thesis. There are also chapters enabling insight into the problematic connected to the culture and creative industries, which take part of culture politics of many countries.
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65 Years of the Dance Department on the Music and Dance Faculty
Štindlová, Eliška ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
This work enables the view into the problematic of the Dance Department establishment compared to the whole situation in the Czech dance school system with the main emphasis on the whole concept of study with its nuances and discrepancies. Except from the inventory of the separate specializations and explanation of the basic problematic related to the specializations and their historical evolution, it is possible to familiarise with the collaborative institutions related to the dance department itself. The specification of the individual specializations together with expression of the most important turning points in the history of the Dance Department remains also not aside. Series of short biographies of the people, whom in setting of the Dance Department were awarded the highest academic degrees, are also part of this thesis as well.
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Czech dance in the sixties of the twentieth century
Krejčiříková, Alžběta ; Gremlicová, Dorota (advisor) ; Kazárová, Helena (referee)
My thesis maps out an overview of the sixties of the twentieth century within the field of dance in the Czech Republic. The purpose of this thesis is to form a chronological analysis of premiers and their creators (appendix A), of theatre abiding companies and the Prague Ballet. Further on I discuss individual dance companies, both theatre abiding and functioning under other institutions , by which I curb the discussion closer to the time period pertinent to the subject at hand. In all, this thesis points out the importance of the sixties in the history of Czech dance and their significance in the evolution of dance in the Czech Republic during the second half of the twentieth century.
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HISTORY OF THE CORPS DE BALLET OF THE SOUTH BOHEMIA THEATRE
Kabelová, Naděžda ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
In my bachelor thesis I would like to describe important historical events and conditions which had led to development of the corps de ballet in the South Bohemia Theatre in České Budějovice. It is my aim to use relevant historical documents and literature to analyze the situation of the theatre and it´s corps de ballet from its beginning to 2009. I Intend to provide information about history of the theatre and about important members of the corps, choreographers and performances. Attention is focused to the period, when Libuše Králová was a choreographer, because it was during this time, when I obtained my first serious ballet experience as a member of this corps.
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The Relationship of Dance and Music in the work of Gregorio Lambranzi
Ferjentsik-Wernerová, Blanka ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
Diploma thesis "The relationship of dance and music in the work of Gregorio Lambranzi" examines the collection, which has preserved the writings of the dance analogy. It is exceptional both in content aimed at the dance theater of the commedia dell´arte environment, as well as form processing, which combines music, literary and artistic component. My work aims to analyze in detail various aspects of this extraordinary work, not only in terms of dance and music, as well as stage design and costumes. Given the extensive work I have focused only on the first volume. Marginally my work also deals with music and dance events in the second half of the 17th and in the early 18th century. Attention and commedia dell´arte phenomenon, including a brief description of each mask and the influence of this peculiar art of the dance theater.
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The History of Ballet in north Moravia and Silesia
Tomsa, Martin ; Kazárová, Helena (advisor) ; Němečková, Elvíra (referee)
In my diploma thesis, I am going to describe the historical events in which this ballet genre in Opava and Ostrava arose. I will compare the developmental steps of the corps de ballet and their figures to explore the situation in certain periods of time through the available informations. I want to go back and link the history of Silesian ballet and theatre in Opava from the beginning to the year 2010. Also, I want to document the development of ballet in the North Moravian city ? Ostrava. Here by I would like to conclude the history of ballet in North Moravia and Silesia. It will be interesting to observe this historical process in the two classical ?stone? theaters ? National Theatre of Antonín Dvořák in Ostrava and Silesian theatre in Opava.
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Development of Elements of the Academic Dance in Dance Manuals of 18th and 19th Century
Durczaková, Kristina ; Kazárová, Helena (advisor) ; Janeček, Václav (referee)
This master thesis deals with the development of elements of the academic dance during 18th and 19th century as described by dancing masters and theoreticians in their treatises. Using a chosen sample of dance elements, the thesis demonstrates the development of the inner content of dance terms and compares the manner of executing and describing the elements by individual authors such as Pierre Rameau, Gennaro Magri or Carlo Blasis. The development of individual dance elements is compared with the currently used ones and the thesis therefore represents an insight of historical development of the terminology of the academic dance.
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Dance in the Work of Bohuslav Martinů
Dercsényiová, Lucie ; Brodská, Božena (advisor) ; Kazárová, Helena (referee) ; Reittererová, Vlasta (referee)
The first part of the thesis called Dance in the Work of Bohuslav Martinů focuses on fourteen Martinů´s ballets that have been staged so far. The following part is devoted to dance adaptations of Martinů´s concert opuses. The final part of the thesis deals with three Martinů´s operas which include dance scenes: The Soldier and the Dancer, The Plays of Mary and The Suburban Theatre. The appendices comprise librettos of selected works and musical scores with stage directions written by the composer; the enclosed CD contains archive photographs of stage designs and photographs from performances.
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The Profession of a Dancing Master in the 19th century Bohemia
Zilvarová, Daniela ; Gremlicová, Dorota (advisor) ; Kazárová, Helena (referee)
The thesis provides a brief survey of the profession of a dancing master in the 19th century Bohemia. Considering the wide territorial and temporal scope of the theme and difficult access to relevant sources the author's primary focus was Prague in the latter half of the 19th century. The thesis deals with demands an individual had to meet in order to become a dancing master.
An analysis of the profession in terms of activities associated with it is provided too; not only a dancing master was a pedagogue, he often acted as a promoter of dances at dance fetes, as a choreographer and sometimes even as a composer. A special attention is given to the institution "Klub tanečních mistrů v království Českém", unifying dancing masters at the end of the 19th century. The author also deals with questions and origin of usage of significant titles of dancing masters (Provincial, Estates). A brief outline of the impact of women on the profession of a dancing master is provided too.
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