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The Imperial Society of Teachers of Dancing
Smělá, Barbora ; KŘENKOVÁ, Mahulena (advisor) ; JANEČEK, Václav (referee)
In my thesis I am giving a description of an Imperial Society of Teachers
of Dancing (later only ISTD). ISTD is an international board based in London. Its main purpose is to teach dancers and teachers of dance from around the world.
I am describing its history, options of membership, types of examinations and particular faculties. An education of ISTD is divided into twelve faculties
of dance: Tap Dance, National Dance, Modern Theatre, Classical Greek, Classical Indian Dance, Modern Ballroom, Latin American, Sequence, Disco, Freestyle
& Rock?n?Roll, Club Dance, Cecchetti Classical Ballet and Imperial Ballet. Considering that I am studying the classical dance I have decided to focus on the faculty of Imperial Ballet. I am depicting syllabuses of all periods of examinations and expertises on ISTD.
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Nutritional counselling in dance
Krupičková, Tereza ; KŘENKOVÁ, Mahulena (advisor) ; POLLERTOVÁ, Adéla (referee)
In this diploma thesis is described the theory of food intake and the specification of its basic components. Based on this information the recommendations for food intake in dance art are summarized at the end of each chapter. The thesis includes the idea about the psychical balance of the dancer to his body and to his food intake and to how this process can be influenced by a teacher of dance. The conclusion of this diploma thesis is a presentation with practical nutritional counselling for dancers. In individual cases it is possible to see different problems with trying to have a balanced intake of food.
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Body Posture in classical Dance from a kinesiological Perspective
Danzerová, Barbora ; ČUMPELÍK, Jiří (advisor) ; KŘENKOVÁ, Mahulena (referee)
The M.A. thesis is focused on body posture which serves as a stabilization of
vertical position of the body in gravitational field and which supports movement.
Without body posture, any targeted movement cannot take place.
The thesis mainly discusses how to attain a physiologically correct body posture
in classical dance while drawing out the lower limbs en dehors. It is a basic
predisposition for the realization of related movements without the risk of
overburdening or injury of the movement apparatus.
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Boarding houses and its usage for students of dance conservatories
Šimůnková, Lucie ; SCHUBERTOVÁ, Erika (advisor) ; KŘENKOVÁ, Mahulena (referee)
This bachelor´s thesis describes which accommodation options are offered by chosen Prague dance conservatories to their commuting students. The first theoretical part of the thesis introduces the structure of the Czech educational system where the conservatories for eight years (from the educational institutions) are closely analysed and the boarding houses (from the educational facilities) as well. Also, there are characteristics of the development period of adolescence which is the age of the conservatories´ students.
The second practical part analyses the results of the research work which was done by using questionnaires for students not living in Prague, visiting two chosen schools -The Prague Dance Centre and The Conservatory of the capital of Prague. The processed information was used for the verification of the assigned hypothesis and for getting a more compact view on the extremely demanding life period of commuting students.
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Diet of teenage Dancer
Krupičková, Tereza ; KŘENKOVÁ, Mahulena (advisor) ; MIKYSKOVÁ, Barbara (referee)
In bachelor thesis has been described dieting of teenage dancers. Professional literature helped deepen my knowledge of that topic. Most of the information is based on my own experience and opinions. My research performed by questionnaires at three dance conservatories in Prague is also part of the thesis. The aim of my project was to find out how teenage dancers eat, how they perceive their bodies and how they are able to face the pressures of the perfect figure.
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THE DANCE ELEMENTS OF ADAGIO IN THE CONTEXT OF PAS DE DEUX
Smělá, Barbora ; Janeček, Václav (advisor) ; Křenková, Mahulena (referee)
My schoolwork called The Dance Elements of Adagio In the Context of Pas de deux concerns a description and structure of adagio and how adagio enriches the class of a classical dance, furthermore it also concerns Adagio as a part of scenic pas de deux. In the context of class of a classical dance of Adagio, my work deals mainly with methods of Russian teachers such as A. J. Vaganova
and N. I. Tarasov. I also outline the beginnings of an evolution of pas de deux which are represented as duets in the nowadays ballet performances. Another aspect which I focus on is a description of scenic Adagio from Swan Lake, act 3, especially a partnership which is the indispensable part. The methodology and the division of dance with a partner is described according to N. Serebrennikov and his method.
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The Sense of Condition Training for Dancers
Čechová, Jana ; Křenková, Mahulena (advisor) ; Rebcová, Monika (referee)
Title: The Sense of Condition Training for Dancers.
Goal of work: This bachelors thesis considers the importance of cardiovascular condition of dancers, while conclusion are supported by measurement of energetic distribution of dancers training and rehearsal for performance.
Method: Measuring with sporttesters Polar and functional fitness test in sport laboratory of FTVS- UK.
Results:Measurement has confirmed the hypothesis that during ballet training the fitness intensity is low and exercises utilize an aerobic system zone, while dance performance utilizes both the aerobic and anaerobic energy system.
Key words: Dance condition, dance training, energetic system, intensity of exercising, heart rate.
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MALE AND FEMALE ELEMENT IN CLASSICAL DANCE
Ličková, Gabriela ; Janeček, Václav (advisor) ; Křenková, Mahulena (referee)
Abstract
This master thesis analyses the relation of classical dance to dancers of both female and male sex. The first part briefly describes the history of classical dance, especially in terms of its key personalities, revolutionary moments which somehow influenced the view of ballet dancers from a gender perspective, the development of classical dance technique and pedagogy. The second part consists of a methodical analysis of the elements of classical dance in which both female and male dancers present themselves significantly - females for example by the technique ?sur les pointes?, and males by ?allegro?. In general, it is difficult to determine the strict boundary between the elements performed exclusively by male or female dancers. Nowadays, the differences between the sexes in terms of classical dance technique are vanishing.
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Balanchine technique - allegro
Červíčková, Pavlína ; Janeček, Václav (advisor) ; Křenková, Mahulena (referee)
Through this Graduation theses, I would like to provide a comprehensive study of one part of the dance technique one of George Balanchine, one of the most famous neo-classical dance choreographer and founder of New York City Ballet. I focused on jump technique which enriched with new components and principles compared to Russian classical dance.
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