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The bottomless pit: the diverse portrayal of the miner as the subject in Czech literature
Sedlářová, Barbora ; Janoušek, Pavel (advisor) ; Mravcová, Marie (referee)
The main topic of this thesis is a portrait of the miner as a character in Czech literature. It follows some of the selected pieces, which begin at the start of 20th century leading up to 1978. The pieces are separated into three main groups (social novels of the 1st half of 20th century, drama from the 50's and the novels of the Czech political detainee). There are a couple of aspects that reflect the method of portrayal of the miner and its process; firstly, its the relationship between the narrator and the character, and secondly, the variation can be found within four aspects of the character of the miner - the visual aspect, activity, surroundings and language. There is a note about the authors at the beginning of every chapter.
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The interwar journalism of Zdeněk Němeček
Mottlová, Lenka ; Janoušek, Pavel (advisor) ; Holý, Jiří (referee)
This diploma work is dedicated to journalist profession of Zdeněk Němeček, prominent personality of Czechoslovak public life between world wars. Aim of this thesis is to describe and categorize in genre, theme and style the Němeček's journalism and to draw affiliation with his fiction, to place the writer's figure into the particular time period, society and literature. Perspective of theses migrates between historic-biographic, interpretation and theoretical literature approach to the matter.
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Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman)
Jančálková, Petra ; Janoušek, Pavel (advisor) ; Topolová, Barbara (referee)
The thesis Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman) is about director K. H. Hilar's inscenation principles in position as the boss of National theatre from 1921 to 1935. The aim was to focus on Hilar's work at the National Theatre, as well as its cooperation with the actors, the elements of expressionism and later civilism in his arrangement and last but not least, given his cooperation with the set designer, especially with the architect and artist Hofman. Part of thesis involves a lot of images from Hilar inscenations . Most sources are available in the archives of the National Museum in Terezin, and archives of the National Theatre in Prague. The professional literature is available at the Theatre Institute, also in Prague.
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Composition and mystification (Jan Novák, Jan Lukeš, T.R. Field)
Odložilíková, Žaneta ; Janoušek, Pavel (advisor) ; Brožová, Věra (referee)
This diploma thesis Composition and Mystification (Jan Novák, Jan Lukeš, and T. R. Field) acquaints the reader with three personages of Czech literature of the twentieth century. So far they have been treated by literary science as rather marginal. Their work is associated with a great deal of literary mystification originating from the authors themselves or people influenced by their literary output and their personalities. All three authors belong to the category of so called 'loonies', which implies that their lives and their work were to certain extent shaped by the eccentricity of their personalities or perhaps even mental disorders. The introductory chapter with its synoptic character defines and describes the term of literary mystification which is further on related to terms such as play, ludism and myth. Particular emphasis is being put on the distinction between the literary mystifications and the traditional ones. Selected literary mystifications in Czech literature are exemplified. Attention is also drawn to the publications of Vladimír Borecký who was interested in the category of so called 'loonies' and 'weirdoes'. The following chapter is concerned with individual authors maintaining an identical procedure of their depiction. After the sources of information are mentioned, the...
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Transformations of poetics in Václav Řezáč's novels
Peterka, Radek ; Janoušek, Pavel (advisor) ; Mocná, Dagmar (referee)
The main objective of this diploma thesis is description of poetics in Václav Řezáč's (1951-1956) novels. It 's especially interested in transformations of poetics between three periods of Řezáč's literary production. Vaclav Řezáč's novels influenced by literary tradition and time period he lived in. That's why we have analyze also novels by other writers. It is believed that Řezáč's evolution was rather cyclical; his novel Nástup in a way refers to some techniques of his previous work Slepá ulička, although with quite different ideological message.
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Dramatization of Ivan Olbracht's novel the Bandit Nikolai Shuhai
Mládková, Nela ; Janoušek, Pavel (advisor) ; Brožová, Věra (referee)
ENGLISH SUMMARY In my diploma thesis called The Dramatization of Ivan Olbracht's novel The Bandit Nikolai Shuhai I have concentrated primarily on the adaptation most appreciated by readers as well as, in my opinion, the adaptation of the best quality. In chapter one I focused on Olbracht's novel, precisely on the theme genesis in The Bandit Nikolai Shuhai, which was based on a real-life event. The public responses on the book, which was awarded the state prize for a literary work of art in 1933, are reflected as well. We also deal with blending of the myth with reality, the language and stylistic processing of the novel, and with the main protagonists. Personally, I consider Olbracht's The Bandit Nikolai Shuhai one of the greatest pieces within the Czech literature of 20th century. There are two reasons for which the theme of the novel became a good-quality and favourite basis for further processing: it tells an engaging story of a real-life figure and it is situated in a place which impresses us, Europeans, with enchanting exoticism of its landscape and culture. Chapter two deals with the work of Petr Ulrych which was inspired by Olbracht's novel. Ulrych's first product based on this literary work was a monothematic LP The Bandit Nikolai Shuhai (released in 1974). A year later those thirteen songs were...
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Women with a Secret in the Prose of Josef Škvorecký
Čermáková, Klára ; Janoušek, Pavel (advisor) ; Mocná, Dagmar (referee)
Tato diplomová práce se pokouší nahlédnout do fikčního světa ženských postav v prózách Josefa Škvoreckého. V první části se zabývá - dle Škvoreckého vlastních slov nevyhnutelnou - "aplikací" Goethových termínů Dichtung und Wahrheit - básnění a skutečnost na Škvoreckého prozaické dílo. Tato část je dále členěna na několik podkapitol věnovaných migraci postav, zrodu spisovatele a jeho metamorfóze v Dannyho Smiřického, androgynii v pojetí Josefa Škvoreckého a jeho vyprávějícího subjektu, zahrnuta je taktéž Zdena Salivarová jako reálný předobraz některých postav. Zabýváme se pojetím ženského ideálu vyprávějícího subjektu, a v neposlední řadě proměnami Škvoreckého vypravěče v souvislosti s autorovým uměleckým vývojem. Druhou část tvoří čtyři portréty ženských postav, které jsou Škvoreckého "ženami s tajemstvím": Emöke, Rebeka, Lenka Stříbrná, Naďa. V závěru práce jsou stručně shrnuta specifika této čtveřice, tohoto seskupení na první pohled možná nesouměřitelného. Powered by TCPDF (www.tcpdf.org)
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Poetics of the prose of Emil Hakl
Kašáková, Kateřina ; Hrabáková, Jaroslava (referee) ; Janoušek, Pavel (advisor)
Práce se zabývá především prozaickým dílem Emila Hakla. Obsahuje celkem šest kapitol, v nichž se zabývá poetikou autorových próz. V j e j ím rámci pak podrobněji zpovědním vyprávěním a úlohou vypravěče. V kapitole postavy pak především charakteristikou hlavního protagonisty Haklových próz, Jana Beneše. Kapitola čas rozebírá různé vztahy mezi příběhem a textem a také se zabývá časem j a k o tématem autorových próz. Část práce zaměřená na prostor pojednává o klíčovém prostoru města, kterým j e pro autora Praha a j e j í periferie. Jedna z kapitol se rovněž zabývá poetikou Haklových básnických sbírek. Klíčová slova: Hakl, vypravěč, subjekt, postava, autor, Praha, periferie. Powered by TCPDF (www.tcpdf.org)
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