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CZECH GREEN´S 2003 - 2005 / filming life of political party
Matějková, Daniela ; JANEČEK, Vít (advisor) ; VACHEK, Karel (referee)
The aim of this diploma thesis is to create a study of my own time-lapse documentary movie
about the Green Party. It tries to grasp my own longtime relationship with the party and with
the movie aiming to find final interpretation of the facts that happened in the years 2003-
2005 in which the party was facing radical transformation. It reflects more personal
than academic interpretation of the movie and the political situation itself. It is based on
several historical film documents which try to set lights to the facts that are usually hidden to
everyday viewer.
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Ideology From The TV Screen
Bystřičan, Ivo ; JANEČEK, Vít (advisor) ; KUBICA, Petr (referee)
Diploma thesis analyzes reality TV formats broadcasted by Czech Television and explores the ideological content. Based on intuitive methodological approach of Taun A. van Dijk researches which kind of social reality, topics, values and social grounds are implicit and explicit and what do they represent above its manifest topics.
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The Street Name terminology in the town of Kaplice
JANEČEK, Vít
Bachelor work discusses names of streets, squares, landmarks and other areas of the town of Kaplice in the county of Český Krumlov. On the basis of archival sources, memoir literature follows town's history, urbanonyms inherited from older times and their changes during the 20th Century until the present. It analyses names from motivational perspective and by their importance. It also executes structural sorting of names by their origin and framework. Goal of this bachelor work is to assemble both older and newer urbanonyms and to contribute to understandment of evolvement as well as its urbanonymy.
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The Affected Flesh
Mendoza, Valerio ; BENDOVÁ, Helena (advisor) ; JANEČEK, Vít (referee)
Along the first decade of the 21st century, Romanian Cinema has achieved an elite status with the emerge of the so-called Romanian New Wave or New Romanian Cinema. This dissertation, aims to explore a little bit beyond the obvious aesthetics and dramatic features that have conferred awards and prestige to this film movement.Through three of its emblematic films, the use and representation of the human body will be analyzed as a powerful and effective storytelling tool, capable of rendering a coherent socio-political discourse at the same time it harmonically engages with a depurate visual style. The New Romanian Cinema deals with themes like identity and structures of power, and this thesis seeks to expose how those concepts are articulated through an specific depicting of the corporality -and its affections- of the main characters, highlighting the way directors use their craft in consonance with such representation instances
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The End of a Film or What to Do When Our Hero Is Still Alive
Mičúch, Vladimír ; JANEČEK, Vít (advisor) ; SLÁMA, Bohdan (referee)
This thesis deals with film ends in sense of a film narration.
I analyse a function of entrenched film expressions creating the melody of the film's end in the first part of my thesis.
I focus on ends from the point of their importance in the second part of my thesis. According to their influence on the film itself I divided the ends into two groups: formal film ends and author film ends. If an author brings a new point of view on his film (or not) this is the main criteria for the division of the ends according to the author's approach.
I prove that the film end has an expressional ability and has a power to influence yet seen scenes or a meaning of the whole film itself by analysing the chosen film ends.
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A Director´s Subtle Control
Pimentel, Carla Carolina ; JANEČEK, Vít (advisor) ; DOMINKOVÁ, Petra (referee)
During my directing mentorship I have come to understand how to work in collaboration with most of the different facets of filmmaking that contribute to making successful films. With practical analysis of major films and filmmakers of our history and with the instillment of visual theory, it is clear that filmmaking is never as easy as it looks. My aim is to enlighten some techniques used by the old and new in different variations. My take is directed specifically on how to work with actors. Through exercises, situations, techniques and practical examples, I attempt, with this study, to help developing directors understand the individual variations of working with actors and non-actors. The path of a director is one of countless obstacles, but with intuition and a developed technique the director can be prepared for the unexpected.
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T'ai chi ch'uan and the art of handheld camera
Šípek, Jan ; JANEČEK, Vít (advisor) ; ŘEZNÍČEK, Martin (referee)
Chinese martial art t'ai chi ch'uan emphasizes the skills of stability of the body, smoothness of movement and especially of walk. This thesis asks a question, whether the techniques of t'ai chi are usable in handheld camera work. In the introductory essay part the author subjectively interprets the elements of both Chinese thinking and the art of t'ai chi, to the degree he had opportunity to explore. In a enquiry among Czech documentary cameramen he tries to find links with the oriental praxis, and, finally, in the last part, he introduces a set of practices of t'ai chi, usable for camera work.
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The War against Madness
Ben-Horin, Yael ; JANEČEK, Vít (advisor) ; BENDOVÁ, Helena (referee)
In my study I would like to examine the role of 'disease awareness' campaigns
on the web in distributing the psychiatric/psychological ethos and applying it to
explain a range of behaviors, emotional states and social phenomena. My
data will include a body of explanatory videos collected from different self-help
websites, which will be analyzed in order to point at salient audiovisual features
and persuasion techniques in these campaigns.
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