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Ladislav Chudík's output in context of Czech and Slovak dramatic arts
Krénová, Ľubica ; Chmel, Rudolf (advisor) ; Císař, Jan (referee) ; Hyvnar, Jan (referee)
The thesis titled Ladislav Chudík's Output in Context of Czech and Slovak Dramatic Arts is dedicated to the work of one of the best Slovak actors, whose output was a golden thread running through more than a half of the twentieth century. There is not another actor in the history of Czech and Slovak professional theatre and film during the common Czechoslovak Republic whose personality would be characterized by the meaning of the word "Czechoslovak" to such extent but Ladislav Chudík (born in 1924). It specifies his position of the Slovak actor in various kinds of dramatic arts during his fifty-five-year activity within the development of the Czech and Slovak culture and art. He entered the Slovak National Theatre in 1944 after the period of maturation, when the Slovak National Theatre was established and professionalized by Czech theatre people. This was only twelve years after the establishment of an independent Slovak Drama Company. But there was still a supervision of Czech theatre directors at his beginnings on a stage. Drahoš Želenský and Josef Budský especially had a great influence on the shaping of Chudík's acting at the dawn of his career. Intellectually he was influenced by a playwright, dramatic adviser and theatre expert Peter Karvaš, who decided to establish the New Stage of the...
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Relations of Czechoslovakia and Hungary through the years 1918-1939 (Tendencies in the development of Czechoslovak-Hungarian relations through the years 1918-1939)
Pejša, Robert ; Chmel, Rudolf (advisor) ; Kiss, Csaba Gy (referee) ; Randák, Jan (referee)
In its evaluation of the main political and cultural-social tendencies of the Czechoslovak-Hungarian interwar relations, this dissertation aims to introduce a new approach to investigating the forms, shapes and perspectives of relations that in the crucial period between 1925 and 1932 reflected a sphere that was far more significant than the political and economic spheres (these only reflected the current interests of individual policies). This sphere, bringing an entirely new perspective on research of Czechoslovak-Hungarian relations, was the internal level of the Czechoslovak-Hungarian relationship - the relationship between Czechoslovak society and its internal policy regarding activities of the Hungarian minority. In this period, there was a diametric difference between these activities and official Hungarian policy. This dissertation attempts to point out that which has until now been ignored: in terms of internal organization and foreign policy goals, the two states were distinctly incompatible (during the whole period between 1918 and 1939), whereas the internal Czechoslovak-Hungarian relations (the evolving relationship between the majority and minority) indicated that there existed areas and population groups that could have allowed for gradual cultural and social convergence occurring...
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The artist of the late modernism
Hudymač, Martin ; Chmel, Rudolf (advisor) ; Holý, Jiří (referee) ; Jedličková, Alice (referee)
The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English The thesis does not include an abstract in English
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Hugary's minority policy after 1990. Self-government of the German national minority
Luprich, Jan ; Chmel, Rudolf (advisor) ; Irmanová, Eva (referee)
This diploma thesis, which is focused on Hungary's minority policy after 1990 and self-government of the German national minorty, is divided into four main parts. In the first part of the thesis (Chapters I-III) I discuss the theoretic background regarding the terms "minority" and "minority policy" and furthermore the demographic development in the territory of the Republic of Hungary. The changes within the population as a whole and the nationality structure have been reflected here since 1945. This period could be considered as a milestone in the future development ofthe German minority in Hungary. In the second part of the thesis (Chapter IV) I deal with specific aspects of the Hungarian minority policy covering the period 1900 - 1989. The reason for that is the effort to put the historical events, directly affecting the political conception for minority protection or persecution of a given minority, in relation with current situation. Following three periods are in focus: period after the Austro-Hungarian Compromise, Post-Trianon Hungary and period of communist dictature. Especially during the last phase, the constant assimilation process of "national" minorities has been rapidly accelerated. In the third part (Chapters V-VII) I show in detail the development of the Hungarian minority politics in the...
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The editorial work of Bohuslav Tablic (A chapter from the history of Slovak-Czech lingual, literary and cultural relations)
Bekešová, Martina ; Chmel, Rudolf (advisor) ; Vojtech, Miloslav (referee) ; Gáfriková, Gizela (referee)
The PhD. thesis describes the editorial work of Bohuslav Tablic (1769-1832), one of the most important representatives of the first phase of Slovak National Revival, a universal intellectual, poet, translator, literary historian and theoretician, a protestant priest of Augsburg denomination and an active preserver of Czech-Slovak literary felowship. It analyzes the way Tablic published three volumes of older Slovak poetic production, namely the spiritually contemplative work of Štěpán Pilárik Sors Pilarikiana (Žilina, 1666) in the edition called Pamětné příhody Štěpána Pilaříka (Memorable Affairs of Štěpán Pilařík, Uherská Skalice, 1804), and the secular poetic production of Slovak origin from the end of the 18th century in the two volumes of Slovenští veršovci (Slovak Poets, Uherská Skalice, 1805, Vacov, 1809), where he included Czech-Slovak (and, as an exception, also two Latin) poems of known authorship - satires and contemplative poems of Ján Chrastina (1729-1799), satires and occasional poems of Ján Demian (1734-1799), occasional works of Michal Institoris Mošovský (1733-1803, his authorship is uncertain) and Augustin Doležal (1737-1802), satires of Ján Sabov - and also two anonymous songs about outlaws Jakub Surovec and Jánošík (in the second case Tablic as an editor introduced in this way the...
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The editorial work of Bohuslav Tablic (A chapter from the history of Slovak-Czech lingual, literary and cultural relations)
Bekešová, Martina ; Chmel, Rudolf (advisor) ; Vojtech, Miloslav (referee) ; Gáfriková, Gizela (referee)
The PhD. thesis describes the editorial work of Bohuslav Tablic (1769-1832), one of the most important representatives of the first phase of Slovak National Revival, a universal intellectual, poet, translator, literary historian and theoretician, a protestant priest of Augsburg denomination and an active preserver of Czech-Slovak literary felowship. It analyzes the way Tablic published three volumes of older Slovak poetic production, namely the spiritually contemplative work of Štěpán Pilárik Sors Pilarikiana (Žilina, 1666) in the edition called Pamětné příhody Štěpána Pilaříka (Memorable Affairs of Štěpán Pilařík, Uherská Skalice, 1804), and the secular poetic production of Slovak origin from the end of the 18th century in the two volumes of Slovenští veršovci (Slovak Poets, Uherská Skalice, 1805, Vacov, 1809), where he included Czech-Slovak (and, as an exception, also two Latin) poems of known authorship - satires and contemplative poems of Ján Chrastina (1729-1799), satires and occasional poems of Ján Demian (1734-1799), occasional works of Michal Institoris Mošovský (1733-1803, his authorship is uncertain) and Augustin Doležal (1737-1802), satires of Ján Sabov - and also two anonymous songs about outlaws Jakub Surovec and Jánošík (in the second case Tablic as an editor introduced in this way the...
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The reflection of the Hungarian post-war reality in the novels of Hungarian female authors
Kúnová, Barbara ; Kolmanová, Simona (advisor) ; Chmel, Rudolf (referee)
This thesis entitled "The reflection of the Hungarian post-war reality in the novels of Hungarian female authors" presents an analysis of the post-war Hungarian female novels in the light of the depiction of the actual social reality. Three main writers of this period have been chosen for further examination: Magda Szabó (1917-2007), Anna Jókai (born 1932) and Erzsébet Galgóczi (1930-1989). This work focuses mainly on their most significant pieces. At the same time, the thesis includes a study of the previous literary era and its impact on the period in question, especially their very immediate predecessor, writer Margit Kaffka (1880-1918). In this regard, a more detailed analyses of the literary work of Magda Szabó has been provided, since she is the writer whose production most notably continues the realistic tradition. In addition, it was necessary to define the topic by temporal aspect as well, as the specific circumstances of the communist dictatorship between the years 1949-1989 had crucially influenced the whole society including culture. The final part is dedicated to the issue of female literature and problematics of such a concept. The conclusion is rather ambiguos. The feminist theories and mainly the recent gender studies represent a very strong advocacy of a separate category of female...
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The concepts of literary space in the Slovak prose of the 70s of the 20th century
Pátková, Jana ; Chmel, Rudolf (advisor) ; Sabolová, Olga (referee) ; Machala, Lubomír (referee)
The collection of five interpretative essays deals with various concepts of home and its different spaee speeifieations in the officially published prose of the 70s of the last century in Slovakia. Through the analysis of the literary spaee we enter an unfathomed region whose comprehension may also change - to a great extent - the existing sight of the official production of the "normalisation period". When interpreting the individual texts, the emphasis was placed on observing especially the common features of the literary space. That is the reason why even reiterating ehapter titles were chosen (horizontal and vertical forms of the space, open or closed space, transitions points, topos of the journey periphery and forms of border, etc.). By their synthesis we may eome to the eonelusion that the seleeted authors (Dušan Dušek, Július Baleo, Ladislav Ballek and Stanislav Rakús) are arguing especially against the diverse representations of the power through different concepts of the space. Objective of my work is to draw attention to some of the fundamental paradigmatic prineiples ofmodelling the literary spaee in the Slovak prose ofthe 70s. Apart from the thematie escape of the authors into the history, the motif of home and childhood belong to the most discussed problems ofthe beginning of the...
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Modern National Novel in Central Europe
Kúdelka, Peter ; Chmel, Rudolf (advisor) ; Pátková, Jana (referee)
in English The papers contain a finding of the national literature in between novels in the Central Europe at the age of modernism in 20s and 30s o 20th century. The idea definition of national novel in the literatures of Central Europe is difficult and complicated process. This papers work with literal texts as a part of national literature with polish novel Przedwiośnie by Stefan Zeromsky, hungarian novel Édes Anna by Deszo Kosztolanyi, slovakian novel Cesta životom by Ladislav Nádasi-Jégé, czech novel Osudy dobrého vojáka Švejka by Jaroslav Hašek and austrian novel Mann ohne Eingeschafen by Robert Musil. The finding is divided into two parts - first is finding of national novel - second is about national character. Both situations are actualized with new terms - novel of the nation and character of the nation. Both literary terms correspond to objects that are not directly denouncing the life of the nation, but produces its main ideas and identification. The slovakian and the hungarian novel focus on the struggle of individual characters with society and their new status. In the contrary to the austrian and the czech novel reveal the principle of applying national characteristics in literary philosophical swirl. The polish novel is stranded somewhere in between these two types of novel. Key...
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The concepts of literary space in the Slovak prose of the 70s of the 20th century
Pátková, Jana ; Chmel, Rudolf (advisor) ; Sabolová, Olga (referee) ; Machala, Lubomír (referee)
The collection of five interpretative essays deals with various concepts of home and its different spaee speeifieations in the officially published prose of the 70s of the last century in Slovakia. Through the analysis of the literary spaee we enter an unfathomed region whose comprehension may also change - to a great extent - the existing sight of the official production of the "normalisation period". When interpreting the individual texts, the emphasis was placed on observing especially the common features of the literary space. That is the reason why even reiterating ehapter titles were chosen (horizontal and vertical forms of the space, open or closed space, transitions points, topos of the journey periphery and forms of border, etc.). By their synthesis we may eome to the eonelusion that the seleeted authors (Dušan Dušek, Július Baleo, Ladislav Ballek and Stanislav Rakús) are arguing especially against the diverse representations of the power through different concepts of the space. Objective of my work is to draw attention to some of the fundamental paradigmatic prineiples ofmodelling the literary spaee in the Slovak prose ofthe 70s. Apart from the thematie escape of the authors into the history, the motif of home and childhood belong to the most discussed problems ofthe beginning of the...
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