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Designs and Realization of Scenery in Baroque Theatres in Bohemia in the 18th century
Benčová, Monika ; Zlatohlávek, Martin (advisor) ; Sládek, Miloš (referee) ; Kazlepka, Zdeněk (referee)
Resumé This Ph.D. thesis deals with scenic designs and decorations of Baroque theatre in 18th century in Czech Republic. The paper presents development of theatre based on preserved decorations and scenic designs.And try to find the answer about scenic painting in Bohemia. The thesis focused mainly on scenic designes with connection to the aristocratic families. Timeline is defined by the work of Galli Bibiena's family and the work of Josef Platzer. The scenic decorations are presented on the background of Austrian and Italian influences that directly affected Czech culture and mutual connection with the other baroque theatres in the European cities.In this context, the question arises, which has become one of the main lines of thesis, whether there was purely Czech stage design influenced by European theater art or the application of Viennese and Italian designs on the Czech territory.And whether it can be referred to as "Czech stage art" or more generally Central European stage design. From the beginning, the work was designed to highlight the best examples. In my thesis I do not try to conceive completely the work of all well-known artists (scenographers), whether Czech or foreign, who have been involved in scenic creation in the Czech Republic, but I focus only on some examples that have significantly...
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F. A. Sporck in the Pieces of Graphic Art and Paintings
Benčová, Monika ; Zlatohlávek, Martin (advisor) ; Oulíková, Petra (referee)
This diploma thesis deals with portraits of František Antonín Count Špork. The paper presents graphic and painted portraits (all of them - except one miniature - are found in collections in the Czech Republic), that were made mainly for the purpose of the Count's presentation. A part of the thesis is devoted to the life of Count, his hobbies and legal disputes, that are reflected in individual works of art ( heraldic motto "True and Justice", hunting order of Saint Hubert, spa and hospital Kuks, etc). The main emphasis is put on presentation of surviving portraits of Count Špork as well as newly found and yet unpublished paintings and graphics, their authorship, dating and iconographic analysis. This lets us meet different authors with their Fine Quality. Thus a diverse, but complex collection of Count Špork portraits is formed for the first time. A catalogue, an important part of the thesis, comes at the end to summarize all the previous data in a transparent way and to add some more information, concerning especially oil-paintings. Keywords Baroque-Graphics-Paintings-Portrait-Špork Počet znaků (včetně mezer): 237606 Počet znaků (bez mezer): 201697
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Italian renaissance drawings of 1500-1520 in the national collections of the bohemian crown lands
Benčová, Monika ; Zlatohlávek, Martin (advisor) ; Kropáček, Jiří (referee)
The work focuses on "Italian Renaissance Drawings from Years 1500-1520 in the Public Czech Collections". It describes the situation at the beginning of 16th century, including first two decades of the time. During those years the position of particular towns changed especially due to political situation. For a short time, Rome came on the top, too. It was under the pope Julius II., who tried to form and collect a unique set of artistic works. This ambition requested the presence of many significant artists. There are 16 drawings by 13 artists from that period in the Czech collection. These artists belonged to the different artistic schools: Filippino Lippi and Andrea del Sarto are from the Florentine school; Boccaccio Boccaccino, Francesco Casella and Tommaso Aleni from Cremona; Giovanni Bellini and Sebastian del Piombo from Venice; Amico Aspertini, Marcantio Raimondi and an anonymous artist came from the North Italy (Bologna); the last artists came from Rome: Raffael and Baldassare Peruzzi. In the end, two drawings of female figure (never published before) by an unknown author (called drawer of the first half of 16th century) are described. The main concern is set to a study of drawings (for a complete review it is supplied with a short biography of each artist), which are sorted according artistic...
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