National Repository of Grey Literature 45 records found  beginprevious36 - 45  jump to record: Search took 0.00 seconds. 
Stejný příběh vyprávěný odlišně
Viitman, Milena ; ANGIOLILLO, Mary Carmel (advisor) ; BERGAN, Ronald (referee)
K tomu, abych ilustrovala jak se stejný příběh výrazně mění v závislosti na zemi původu, použiji příkladu Abre Los Ojos (Otevři oči, Španělsko, 1997) a jeho remake-u Vanilla Sky (Vanilkové nebe, USA, 2001). Cílem mé práce není dokazování které zpracování je lepší, ale spíše poukazování na skutečnost, že rozdíly jsou důsledkem rozdílné ideologické a kinematografické tradice. Nejprve budu psát o typech nových filmových zpracování, a o tom proč Hollywood předělává evropské filmy. Pak začnu porovnávat hlavní postavy obou filmů a ukáži jak odrážejí sociálně-behaviorální normy dle země původu. Poté budu pokračovat s dalšími kulturními rozdíly, které jsou patrné v jazyce, kinematografii, střihu, hudbě, herectví a režii. Hlavní sociologický, tím pádem i kinematografický rozdíl, který je přítomný ve všech aspektech a sekcích těchto filmů je ten, že zatímco Abre los Ojos se zabývá vnitřním zápasem protagonistů, Vanilla Sky je milostný film. Tento rozdíl v tématu odhaluje mnoho o preferencích v Evropě a v Americe.
Alfred Hitchcock
Hojdová, Jana ; WEISER, Antonín (advisor) ; BRABEC, Jaroslav (referee)
The goal of the thesis is to give reader a detailed overview of four Alfred Hitchcock's movies - The Lodger (1927), Notorious (1946), Rope (1948), and Frenzy (1972). The analysis of the above mentioned films is carried out by individual takes with focus on visual concept of the movies. Thus, the name of the theses is as follows: The Means of Image Expressing through the Eyes of Alfred Hitchcock. The majority of analyzed takes is completed with relevant screenshots.
Sidney Lumet - Theme Determines The Style
Pavlíček, Tomáš ; VALAK, Radim (advisor) ; Hába, Věroslav (referee)
The main goal of the Diploma Thesis is to inform a reader about the work of an American film director Sidney Lumet, and to describe his directing style which is based strictly on a film's theme. The thesis also searches for director's typical themes and patterns visible in all of his films.
Million Dollar Baby and American sniper
Jelínek, Martin ; ŠERÝ, Ladislav (advisor) ; Poláček, Vít (referee)
This diploma thesis analyses two films by Clint Eastwood Million Dollar Baby and American Sniper. Its focus is aimed at the formal storytelling aspects, structure of the storyline and plot devices in the screenplays. The first film is an example of misusing these plot devices; the theme being euthanasia remains irrelevant from the viewers perspective although it was meant to resonate strongly at first. Analysis of the second film shows us the discrepancy of what the film "wanted" to be and the actual message it implicitly presents to the audience. Instead of being an objective reflection of the real events (in this case the war in Iraq) it is on purpose misleading in presenting of commonly known facts and hence it becomes propaganda. The analysis of the storytelling devices in this thesis can be also applied on different films and cinema in general.
Method of Errol Morris
Portel, Viktor ; KUBICA, Petr (advisor) ; RŮŽIČKOVÁ, Alice (referee)
The paper the Method of Errol Morris concerns itself with the inspirational approaches of this American director used when making films based on interviews. It reflects the traditions which inspired Errol Morris and uses specific examples from his films to present the inspirational moments of his work. Those are two - the unique method of recording "talking heads" with the aid of a device known as the Interrotron, and the similarly interesting form of director's cuts of the statements thus procured.
Narration and characterization of figure in the movie's of David Lynch with sound
Dolejší, Dominik ; DOLENSKÝ, Martin (advisor) ; HART, Marek (referee)
The basis of this work is to look at the development of sound dramaturgy across the work of David Lynch. I work mainly on the principle of the screening of scenes and their operations from the broader perspective of the film. In the film, I analyze two films "Mulholland Dr." and "The Elephant Man", which became milestones for my work in the creation of David Lynch. It follows that the nature of my work: the author is not telling just limited to painting, as it is still going on, which is a testament not only to Czech films, but also in the world. Development work demonstrates the analysis of all components of sound films.
Charlie Kaufman's Eternal Sunshine of the Spotless Mind
Taubrová, Eva ; BERNARD, Jan (advisor) ; MRAVCOVÁ, Marie (referee)
This thesis explores the work of Charlie Kaufman, a famous screenplay writer and director; it focuses on his film Eternal Sunshine of the Spotless Mind. The first part analyses the narrative strategies and other important formal aspects of the film; that means it discusses the way the film is construed. The second part explores possible interpretations of the film, its main themes and cultural connotations.
Web Production of David Lynch
Grajciar, Marek ; DUFEK, Jiří (advisor) ; VAJCHR, Marek (referee)
Bachelor's thesis deals with production of David Lynch, which was focused for his web page, namely with: Dumbland, Rabbits, Darkened Room, The Boat, Bug Crawls, Industrial Soundscapes and Intervalometer Experiments. The goal of this thesis is to try to categorize and analyze this production. On bases of this analysis than try to find connections to author's previous work and with help of these, try to put it into context of author's lifework.
Cult of Kevin Smith's Work
Kocábek, Daniel ; POZZI, Jaroslav (advisor) ; VAJCHR, Marek (referee)
This thesis is analyzing life and work of an American screenwriter, film director, and storyteller Kevin Smith. It is mainly concentrating on a fictional universe called View Askewniverse which Kevin Smith created in his films. The goal of this thesis is also to analyze if Kevin Smith is a cult filmmaker, what this status actually mean, how a filmmaker can achieve this status, and how to maintain it.
Jim Henson
Cechl, Jan ; KUBÍČEK, Jiří (advisor) ; MALÍKOVÁ, Nina (referee)
Intention of this thesis is to introduce the reader the work of Jim Henson and his contribution of the puppet used in the field of movie and television. It is mapping not only the history behind the puppet called Muppet and the animatronic characters but also describes their characteristics in the style of Jim Henson. First part is dedicated mainly to his person and is about introduction of Jim Henson to reader unfimilliar with his cult. Contains brief biography and splits his work into three life stages. The second part is about Muppet phenomenon, what is the Muppet, his characters, his style and the technology in the relation to movie and television and Henson success in this field. The third part is about Henson animatronics, Henson relation to the first appearance of this technology and analyzes its impact and its success in the field of movie and television for Jim Henson and his Creature shop. The last part is dedicated to Jim Henson Legacy.

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