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Cut-out and puppet animation
Rosová, Helena ; KLOS, Jan (advisor) ; KLIMT, Aurel (referee)
This thesis deals with the technology behind the cut-out animation and the puppet animation, the relationship between the script and the selected animation technology, typical attributes of puppet animation and cutout animation, their advantages and pitfalls. The main topic of the work is the creation of the animation puppet for both technologies, the options of its structural design, mechanics of joints, properties of employed materials, technological processes used in its creation.
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Manipulation with the substance of the animation
Tesáček, Roman ; Brothánek, Adam (advisor) ; Opatrný, Marek (referee)
Thesis analyzes the current international competition of animated films Anifilm 2015. The aim of this study is to describe the fundamental nature of the animation. Identify rules and artistic means used in the films. The focus of the thesis is to the potential elimination or possible elimination of film defects by manipulating the individual images or scenes.
The work is divided into two main parts. The first describes theoretical and schematic knowledge of the animated film focusing on dramaturgy and editing. In doing so, it identifies artistic tools that are at the heart of matter animation. Mentioned are also differences in approaches to short and feature animated films. The practical part consists of a set of analyzes of short and feature-length animated films in competition Anifilm 2015 with regard to the places and scenes in the film that contribute to unclear testify or otherwise distorts theme of the film. Thesis does not omit cinematographic works with clear and precise nature.
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Kinds of puppets and their use in Czech film
Bartošová, Kateřina ; KLOS, Jan (advisor) ; KUBÍČEK, Jiří (referee)
The purpose of this thesis is to acquaint the reader with the possibilities of usage of puppets in film, both animated and hand-held. It concentrates mainly on productions made in the Czech Republic. This thesis contains the division and description of individual techniques and types of puppets, a brief history of Czech and and international puppetry and a brief insight in to film and the beginnings of animation and the history of Czech puppet film. It contains analysis of specific films, compares animation and theatre techniques from different perspectives and also concentrates on specific qualities of puppets and some means of film communication. The conclusion of this thesis contains an interview with Jan Švankmajer.
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Acting in Animation
Jarošová, Marie ; HANČIL, Jan (advisor) ; MUSILOVÁ, Martina (referee)
The master's thesis Acting in Animation reflects the author's experience, gained by combining studies of animation and of authorial acting. Her goal is to explore and propose what should be included in the theory of acting in animation. She then seeks general guidelines which animators and authors of animated films can apply in their work.
Can we call an animator "actor"? What general principles can we observe in the dramatic expression of animated characters? Who is an authorial animator?
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3D animation in animated movies
Tomková, Monika ; Bubeníček, Jan (advisor) ; Truhlář, Filip (referee)
Thesis is centered on the ways of creating 3D animated movies. It includes parts dedicated to history of animated movies, animation techniques and production of animated movies. It deals with problematic of organization and budget creation. Other parts include story ideas and visualization of animated movies. Parts focused on production include basics of modeling, animation and rendering. It also includes evaluation of survey carried during spring 2015 on topic of animated movies. It deals with relation between Czech viewer and animated movies and it follows his watching patterns. Thesis goal was to explore trends in animated movies in correlation with interests of current viewer. It also tries to provide overview of impact that 3D animated movies left in movie industry.
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Model animated clip for project teaching of Arts and Music at secondary basic schools(practical-theoretical thesis)
MÁŠOVÁ, Anna
This diploma thesis deals with animated clip and its application in teaching process, in particular in arts and music classes at secondary basic school, by means of project methodology. The theoretical part, besides project method, which is the center point of this work, also focuses on history of animated film, together with animated clip and its asset. Subsequently, the final section of the practical part applies the findings of the theoretical part. The final section of this diploma thesis is a model animated clip Adebars Reise "The Flight of a Stork" and a draft for the project education in arts and music education at secondary basic school, on the topic of animated clip.
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Vizualization of music in animation film
Ishida, Kaoru ; WANEK, Miroslav (advisor) ; MERTA, Vladimír (referee)
Purpose of this work in to find possibilities of vizualization of music, analyze masterpiece of vizual music. There are written about relationships between arts and five senses ? mostly sight and hearing, to make clear how pictures and music work differently, several experiments of visual music on history, animation films as vizual music, composer inspirated by pictures, and writer inspirated by music. Finally there is mention about meaning of expression of art works in different forms.
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Conditions for Emergence of Art and Originality in an Animated Film
Vizár, Matúš ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
This bachelor thesis is an analysis of satirical processing of religious themes in the TV show South Park. It deals with the origin of satire, its power and the critical exploitation. Text is divided into the chapters according to the religions more described in the show (except islam). The thesis focuses how the authors work with the humor, what the message of the each part of the show is and why this show or satire is important for our society.
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Tte uses of Animation withun the Documentary
Kaya, Akile Nazli ; POSPISZYL, Tomáš (advisor) ; VOJTĚCHOVSKÝ, Miloš (referee)
This study is an attempt to identify the general principles and the functions of animation and investigate the possibilities of combining two separate genres: documentary and animation. Its central focus is "What can animation bring into the field of documentary film?" Chapter Two glances at the long-lasting relationship of animation and documentary, comparing a number of definitions for both fields, looks for a definition. Additionally, it lists various handmade animation techniques with several examples and tries to categorize different functions of animation. The Third Chapter analyzes a selection of films (A Is for Autism, Doctors' Life Between Life and Death, Ecumenopolis: City Without Limits and The People Who Try to Save the World) in the light of these functions. These case studies also include interviews with the directors, which explain their thinking processes and reasons for some of their choices. As a result, this study concludes in the thought that combining animation within the documentary film can create a meaningful form; a whole which is far more than sum of its parts.
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Propaganda in Korean animations
Won, Sang-Eun ; KUBÍČEK, Jiří (advisor) ; MERTOVÁ, Michaela (referee)
During the military regime in South Korea from 60's to 90's Korean government implemented strong policies against communism. One of them was anti-communistic education for children. Animation was a very effective method for the education. Under the policy of the government (eduentertainment)anti-communistic animations were produced.
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