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Church Music of Johann Sebastian Bach
Staňková, Eva ; Tvrdek, Petr (advisor) ; Špačková, Alena (referee)
Annotation: Málková, Eva. Church Music of Johann Sebastian Bach. Prague: Hussite Theological Faculty, Charles University, 2012. Thesis. The aim of this thesis is to introduce church music of Johann Sebastian Bach and its theological announcement. By looking up and appraising musical-theological elements at Bach's work this thesis brings near to the reader the theological, philosophical and mystic thinking of Bach. By pre-understanding and complexity of perception of Bach's church music is possible to see deep sense and aim of artist's work. In the first (theoretical) part I am engaged in systems of thinking that could Bach's church work influence. Then I am specifying the pieces that are supposed to be church music. In the second (practical) part I am looking for musical- theological elements that could Bach be influenced with. By researching of Bach's artistic style I am trying to find correlation of musical and theological contents and I am trying to point out that the message of Bach's church work is relevant.
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Stereotypes in the Works of Jára Cimrman
Bulejová, Hana ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
This thesis deals with the dramatic work of Jara Cimrman, which is based on the cooperation of two authors named Zdenek Sverak and Ladislav Smoljak. In the introductory chapters we analyze the genesis of mystifying legend named Jara Cimrman, then his way from the radio show to the theatre and also his own cult, which all leads to the general poetics of the Theatre of Jara Cimrman. We can find some related attributes in this theatre, like specific acting, phenomenon of their workshops and imaginative humour. All of these attributes leads to the definition of repetitive stereotypes in the plays of this theatre. In this thesis we also try to define the genre of the plays, also their subject matter, topics and their motives. The aim of this thesis is to describe these motives and also its gradual progress as in the particular dramas, so in the social atmosphere of those days.
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Pop-cultural Symbols in Visual Publicism in Tenth years of the Twenty-first Century In Pictures by Teo Adamy
Dvořáková, Anna ; Šoltys, Otakar (advisor) ; Láb, Filip (referee)
AbstractAbstractAbstractAbstract This thesis presents one of the first attempts to uncover and analyze the phenomenon of immediately apparent digital photomontage born and developed in the context of the Czech internet, that does not attempt to simulate a photographic reproduction of reality, but instead to regularly comment on political events of the Czech Republic. Using an analysis of photomontages of Teo Adamy (aTeo), the thesis explores their specific hybrid means of expression and the methods through which it completely fulfills the essence of pictorial commentary. Besides describing the creative basis and inspirational founts of the montage artist, it also provides an in-depth insight into the category of the so-called pseudofilm, a specific part of aTeo's internet production, that consists of photomontages feeding off the medium of film, using meaningful parallels in film stories and pop-cultural film references, or even directly inserts chosen political representatives into well-known film scenes and thus draws upon universal mythological structures activated by popular films. The Pseudofilm category is then subjected to a detailed analysis, whose output is a comprehensive description of aTeo's fictionally-realistic film-political photomontage and an understanding of specific features of its...
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The Sense of Humor in the British Sound Comedies in the Comparison with some Czech Film's Examples
MÁDLO, Gabriela
This thesis targets the British sound film especially comedies from 1930{\crq}s till mid 1970{\crq}s because after this period there is greater TV production which took over feature film production. There is described the production of the main studios such as Gainsborough Pictures and Gaumont-British, Ealing Studios and Rank Organisation. I aim then to classify some film styles such as farce, slapstick, burlesque, screwball and romantic comedy, satire and parody. The last target is to find some famous Czech film makers or actors, who worked or are still involed within the British film production. There are name such as Herbert Lom and Anny Ondráková.
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