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Golden foils from Borg - iconographical and religious analysis
Gorroňová, Marianna ; Starý, Jiří (advisor) ; Janák, Jiří (referee)
5A Abstract This work gives the analysis of iconographic elements which are found on five gold foils. These foils depict two figures which look at each other from their profile. Foils were found in the foundations of the chieftain house in Lofot's islands in Northern Norway, which is from the Migration to the Viking period. For the reason of analysis the author demonstrates three main groups of gold objects - gold bracteates, gold foils and one medallion. On these objects we can find a pair of two figures and these objects were found in Scandinavia. The author presents here the context of such finds, iconographic elements and academic interpretations of the depiction. Author compares the elements such as type of foil, appearance of eyes, posture of man and woman, their dress and haidress with 91 foils from Scandinavia, and also with bracteates and other objects. She notices the partial concordance among these elements and the other objects and she seeks the iconographic essence and function of each foil from Borg which is later confronted with the theories of the influence of religion. Because of lack of attributes on the foils, the author's assumption is that there is no general depiction of gods on the foil. On the other hand, each foil has its own story showing people from their common life. According to...
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Transformation of Sacrifice in the Scripture. Theology of Sacrifice.
DVOŘÁK, Josef
Diachronic comparison of three political and religious systems of three independent geographical areas (ancient Egypt, Mesopotamia, and Syria Palestine) with the faith of ancient Israel shows certain aspects important for the kerygmatic theological message of Tanach as well as the New Testament. Significance of the king, priest, prophet, and religious ceremonies in the temple is derived from their specific understanding of the divine. However, their religious systems completely lack (with the exception of Israel) eschatology. The message about the transcendent/immanent God Lord (Jesus' Father) is impossible to reconstruct from the available sources through diachronic methodology. Furthermore it cannot be understood as a mere result of religious synchronic redefinition of the Scriptures. The New Testament transforms the Old Testament religious system to narrative kerygma about the sacrifice of both Father and Son. It speaks about the Risen Lord, who is able to reconcile God with his adherent. Such a message is unheard of (unexpected) in the Second Temple Judaism. Even the Church Fathers do not interpret Christ's conscious ebed-like sacrifice along the lines of the ritual forgiveness of the OT. Based on the scholarly analyses from the proponents of the so called Prague school, as well as those coming from theologians stressing the paradigm of biblical interpretation through the event of resurrection, this dissertation concluded in the subject matter of soteriological transformation of the sacrifice the following: Agnus Dei, with his crucifixion being a ritual slaughter, founds the new community through his own Pasch, which has also the futuristic (eschatological) aspect both in the NT and in the faith of the early Church. The meaning of this sacrifice will be actualized in 'drinking of the chalice' by the Lord Jesus with the resurrected Church in the coming new Creation. Thus, the Eucharist becomes a unique 'cultic' homage (Temple ceremony) through existential acceptance of the risen Lord. The same concept can be found at the heart of the Patristic thinking (inclusive paradigm of Christ's sacrifice, that is Christian obedience even unto death) . The Fathers understood the sacrifice as means of overcoming alienation from God by metamorphosis of one's life based on Christ's sacrifice not to God, but to people. Such a sacrifice is life-giving activity of the Lord God himself and is able to renew the life of God's people and make them heirs to the eternal life.
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The image and the cult of St. Rocha in south Bohemia in the 17th and 18th century
HOJKOVÁ, Markéta
This Bachelor thesis is concerned with the cult of Saint Roch in the 17th and 18th century in Bohemia. The introduction of this thesis deals with the life of Saint Roch, his legends, cult and fundamental overview of his iconography in European art. Another part of the thesis is concerned with the history of plague epidemics and their influence on the mentality of people mostly in the 17th and 18th century. This chapter is followed by another part of the thesis which deals with the political situation in the post-White Mountain period in Bohemia. The chapter summarizing monuments dedicated to Saint Roch gives a comprehensive overview of sculptural and architectural monuments in the area of Bohemia. Special attention is paid to the cult and monuments of Saint Roch in the South Bohemian Region.
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