National Repository of Grey Literature 37 records found  beginprevious28 - 37  jump to record: Search took 0.01 seconds. 
Gothic Fashion in the Czech Lands in the 14th Century. Development of Clothing Features in the Czech Lands in the Years 1330 -1410
Kuběnová, Veronika ; Sládková, Kateřina (advisor) ; Těšínská Lomičková, Radka (referee)
1 ABSTRACT This thesis presents a study of a field of everyday culture - medieval fashion and its development during the reign of Charles IV of Luxembourg and his son Wenceslas in the Czech lands in the years 1330 - 1410. As these fashion trends and changes were exhibited primarily through the clothing of nobility, this thesis focuses exclusively on the environs of the aristocracy and royal court. In addition to written sources and archaeological finds, the fine arts also serve to advance our knowledge of Gothic fashion trends, whose works authentically capture the contemporary clothing styles and changes in all of Europe. This thesis therefore examines, through a methodical analysis, how wall paintings, panel paintings and book illuminations of Czech provenance reflect changes in clothing fashions and tastes in courtly environs during the period of time known as Luxembourg Gothic. This study of primary iconographic sources in authentic historical buildings and galleries was further aided by the creation of an extensive photo archive. This thesis presents a representative sampling of the works from this archive which documents a basic transformation of Czech clothing culture and the creation of a Bohemian style of Gothic fashion, culminating at the turn of the 14th and 15th century and enriching European...
Picture of the last judgment in Renaissance Bohemia
Hejná, Tereza Rozálie ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
In my bachelor thesis I deal with portrayal of the Last Judgement in the Czech Republic in 15th -16th century. The first part was conceived as an introduction to Last Judgment - the Last judgment as a socio-cultural phenomenon; causes and history showing the last judgment; iconological-iconographic description of the subject. In the second part I'm devoted to the main topic, portrayal of the last judgment in Bohemia in the 15th-16th century. I'm trying to a compendium of all the works of art in our country, and they are especially frescoes. I also deal with the causes of their emergence, seeking their sources of inspiration and subjugation the iconographic-iconographic analysis. Then compare the individual works, not only among themselves but also with older parts that originated outside our area.
Wall painting of 13th and 14th century in the churches on the territory of Greater Prague. Former church of St. Lawrence bellow Petrin hill and medieval settlements outside the walls of medieval Prague
Bělohlávková, Monika ; Royt, Jan (advisor) ; Kubík, Viktor (referee)
The thesis is focused on medieval mural defined period 13th and 14th century in selected churches former settlements near Prague, which became a part of it in the course of the following centurie. In the introductory part I pursue the mural itself, its technology, mission and function in the space of a medieval church (cap. 2.). I did not forget outline stylish currents that came through from neighboring countries and were absorbed into the painter's developement in our country during 13th and 14th century (cap. 2.2.). The next section is devoted each painting decoration in selected churches. Most attention was directed to the former church of St. Lawrence bellow Petrin hill, which thanks to the unique preservation of several layers of time and style mural lets as show the developement of painting in selected two centurie (cap. 3.). Followes the paintings in the church of the Beheading of st. John the Baptist in Dolní Chabry, in the church of St. John and Paul in Krteň, in the church of St. Bartholomew in Kyje, in the church of the Assumption in Dolní Počernice, in the church of the Beheading of St. John the Baptist in Hostivař and in the church of the Birth of the Virgin Mary in Průhonice (cap. 4.-9.). Powered by TCPDF (www.tcpdf.org)
Martinic Palace in Prague during the ownership of George Bořita of Martinic and his follower Jaroslav Bořita of Martinic. Its architectural form and decoration
Poláčková, Daniela ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
Bachelor thesis "Martinic palace in Prague during the ownership of George Bořita of Martinic and his follower Jaroslav Bořita of Martinic. Its architectural form and decoration" is based on the Martinic palace in the Hradčany square during the ownerships of George Bořita of Martinic and Jaroslav Bořita of Martinic. At the beginning you can find the list of the owners, who owned the palace, during this there appeared important changes not only architectural, but also in decoration. The first cheapter is devoted to the list of the owners who owned the palace. The next cheapter is about the architectural appearance of the palace, that is about the inside and outside. There is also a cheapter, devoted to the Martinic family, the first of all about the two owners of the palace, which where pround to be discendents of this family. They are George Bořita of Martinic and Jaroslav Bořita of Martinic, who made important changes of the palace. Among them also sgraffitos on the main frontage in the direction of Kanovnická street. There are elaborated Joseph stories. Another sgraffitos was used on two walls of yards frontage, where you can see Samson's deeds and Hercules acts. We must not forget the sgraffito on the southern wing of southern wall, where is perhaps the old story. Because of the damage we cannot say,...
Renaissance mural paintings and sgraffiti on the facades in town Prachatice
Žabková, Gabriela ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Práce zpracovává renesanční fasádní nástěnné malby a sgrafita v Prachaticích. Časově je práce vymezena 16. stoletím, kdy město vlastnili Rožmberkové. Největší rozkvět města je spojen s vládou Viléma z Rožmberka v 2. polovině 16. století, kdy ve městě také vnikly všechny výpravnější figurální výzdoby domů. Výzdoba jednotlivých domů odráží postupný majetkový vzestup prachatických měšťanů. Realizace z 50. a 60. let 16. století jsou spíše výtvarně a také technologicky skromnější. Největší vzepětí jak majetkové tak také umělecké lze sledovat od začátku 70. let. Hrdost měšťanů a jejich estetické nároky nejlépe dokládá výzdoba Staré radnice. Nesmírně zajímavá a kvalitní výzdoba prachatických domů otvírá jako celek řadu otázek. Vedle dílenských a uměleckých souvislostí s ostatními jihočeskými městy, je to problém autenticity památky. Na některých fasádách, které byly pokládány za renesanční, se již s renesanční malbou ve skutečnosti nesetkáme. Jedná se o barokní novotvary, které motivickými částmi navázaly na původní výzdobu. Výrazné jsou odkazy na Rožmberky, které připomíná téměř každá fasáda. To nelze vysvětlit jinak, než jako výraz subordinace majiteli panství a tamnímu panovníkovi. Rožmberky na počátku 17. století v této roli vystřídal český král a říšský císař. KLÍČOVÁ SLOVA - Prachatice - renesance -...
Medieval mural paintings in the cathedral of the Holy Spirit in Hradec Králové
Tehníková, Eleonora ; Hlaváčková, Jana Hana (advisor) ; Royt, Jan (referee)
The diploma thesis deals with medieval mural paintings. Its aim is to describe and classify the collection in terms of time and style in the context of contemporary production of mural paintings in the 14th century in Bohemia. In the introduction, historical realtionships connected with the Cathedral of the Holy Spirit are described and the development of church service in East Bohemia is outlined. The main part is concerned with the description, placement, iconographical determination of mural paintings and their present state. It especially focuses on analysing and specification of the iconography of different scenes, figures of saints and donators. Style analysis qualifies style resemblance, analogy, parallels and confronts the mural paintings with contemporary book, mural and carving production. It also deals with the problematics of over painting accidental intervention into the monument. This part deduces the probable creation time of the whole interior decoration of the decanal sacristy. The final part evaluates and recapitulates the whole problematics. The diploma thesis offers the first detailed analysis and evaluation of the paintings in the decanal sacristy of the Cathedral of the Holy Spirit in Hradec Králové and provides complete drawing and photographic documentation.
Mural Painting in Bohemia in the 14th Century. Český Rudolec and Jindřichův Hradec
Vyšohlídová, Marie ; Royt, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Diploma thesis, titled "Mural painting in Bohemia in the 14th century" is focused on two particular locations, The Chapel of the Church of Saint John the Baptist in Český Rudolec and on the ancient minorit church of Saint John the Baptist in Jindřichův Hradec. The first part of this thesis deals with the contemporary, historical, political, religional and art situation and consequently discusses the question of the wall paintings of these two locations mentioned above in the broader context. The next two chapters are focused on the locations on their own and discuss their history and the history of the dynasties as the owners of these landed estates. In brief the thesis also presents the historical sacral monuments - the Church in Jindřichův Hradec and the Chapel in Český Rudolec, where the described wall paintings are situated. The main attention is devoted to the murals and to the iconographic motifs. The main goal of this thesis is to describe and assess the wall paintings in Český Rudolec and in Jindřichův Hradec and to interpret the wall paintings in Český Rudolec in terms of their style and iconographic context in which they have not been presented before.
The mural painting in the castle of Žirovnice
SEVEROVÁ, Markéta
The murals inside the Žirovnice chateau are considered to be some of the most interesting and extensive works of art of the 15th century. Thanks to them, the owner at the time, mining mogul Vencelík z Vrchovišť from Kutná Hora, became part of the same class as his highborn neighbours of the South Bohemian aristocracy. The excellent artist commissioned to create the work has hitherto been referred to in art history literature as the Master of the Žirovnice Murals. The artwork inside the Jindřichův Hradec chateau is also linked to this author, and certain analogies are also present in the murals in the Švihov castle. Thanks to the origin of the submitter of this original medeival work, the Smíškovská chapel in Church of St. Barbora in Kutná Hora is also often referred to when speaking of the Žirovnice murals. Within the Žirovnice chateau, the artwork in the so-called Green Room is very well preserved to this day. This is considered to be a consistent type of secular interior of the late Gothic period, and is thus viewed as the most pronounced material manifestation of the mentality of Czech post-Hussite aristocracy. Some of the earliest so-called Green Rooms can be found in the Blatná chateau and the Zvíkov castle.
The Christian plastic arts and painting - the beginning and the development
STIBOROVÁ, Lenka
The paper deals with early Christian painting. I tis divedid into three main parts. The first part includes the emergence of Christianity and life of Jesus Christ. Also deals with the Christian symbolism in the painting. The second part is primarily devoted to art of the catacombs, where there are lots of murals painting by early Christians. Also includes chapters on biblical topics and techniques of mural painting. The third part is devoted to the further development of early Christian painting. It includes the golden age of Byzantine art, describes the art of mosaics in Ravenna monuments. The objective of my paper is understanding of basic and essential information about early Christian painting and outline its development. The emergence of Christian art is one of the most important historical events in the history of art.

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