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Budyně nad Ohří
Frantová, Šárka ; Záruba, František (advisor) ; Šmied, Miroslav (referee)
The theme of the bachelor thesis is a small village in the north Bohemia, which is called Budyně nad Ohří. The main focus will be taken on the castle with the same name. In the opening chapters will be introduced the history of the village and then thesis will be focused on the own castle. On the cultural and historical development to the present appearance of the castle. In the ending chapters will be showed current using of this castle.
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The Litoměřice Gradual of 1517
Kabourková, Jana ; Kubík, Viktor (advisor) ; Jarošová, Markéta (referee)
The Litoměřice Gradual of 1517 Subject of this thesis is a detailed analysis of monographic Utraquist Gradual from Litoměřice, dated to the year 1517 (Lovosice, SOA, IV C 1).The study involves a review of the published literature to date on and consistent formal and iconographic analysis decorations. In the introduction, the manuscript was partially studied in terms of cultural and historical context of its origin and dating. The donors, Jakub Ronovský and Vaclav Řepnický, are introduced in the extant sources and in connection with a major Utraquist Brotherhood at the Church of All Saints in Litoměřice. Chapter 2.2 extensively elaborates on the issue of dating the manuscript. Personality anonymous, who painted manuscript, evaluated chapter 2.3. Unknown origin painters compensate in this work a comprehensive study of creative expression illuminators and their possible inspiration. In the foreground are highlighted especially the analogy with the second generation of the Danube School and graphic designs from the late 15th century. The second part of the study elaborates formalized Gradual, the individual illuminated folio orientation puts into context the development of contemporary art on the basis of particularized analogies. Besides the comparison with published choral manuscripts Janicek...
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The Master of the Slavětín Altarpiece
Csémyová, Eva ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
This thesis focuses on the appreciation of works attributed to an anonymous painter known as Master of the Slavětín altarpiece, which was active in the first half of the 16th century in north-western Bohemia. The development of the ideas of the individual researchers in his work is being described on the base of the research of the literature; the author also tries to find other available information on these works. The output of this work is the artist's monograph, where these findings are assessed. In the second part the author considers the possibility of the existence of painting -carving workshops producing the altarpieces on the order, in which the painter Master of the Slavětín altarpiece and carver Master of Doksany altarpiece cooperated.
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The paintings in the cloister of St. Wenceslas Church in the context of wall paintings at the turn of the 16th century in Olomouc
Haragová, Vladěna ; Ottová, Michaela (advisor) ; Royt, Jan (referee)
The first part of the paper deals with the mural paintings on a Christological theme decorating the northern and eastern walls of the High Gothic ambulatory, which is a part of the National cultural monument Přemyslid Castle. Last Judgement, Annunciation, Adoration of the Magi and Adoration of the Shepherds are depicted on the northern side of the cloister. On the opposite wall between the windows there is a representation of two donators. The eastern front of the ambulatory is decorated with scenes depicting the Crucifixion, Lamentation, Resurrection and Christ with the Arma Christi. Paintings are dated successively from the late 15th century to the first two decades of the 16th century. The different dating of paintings, of course, demonstrates various inspirational sources. The study also reflects many recent discoveries that reveal the origins of the decoration of the cloister. These paintings were probably commissioned by members of the Olomouc Chapter, who were in close contact with Humanistic Societas Maierhofiana. Further the paper focuses on the wall paintings in the John the Baptist' Chapel, where the scenes adorn not only the walls, but also the vault of the eastern field. The frescos were probably created between 1493 and 1517 by the hands of several painters.
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-Anonymous carver and his workshop co-operating with Master of Slavětín altar in northwest Bohemia.
Žebrová, Martina ; Royt, Jan (advisor) ; Chlíbec, Jan (referee)
This bachelor work aims to outline the work of a carver and his workshop co-workers who came in the Northwest Bohemia and their cooperation on altars with a painter called the Master of slavětín altar. Furthermore this bachelor work tries to find out and describe the influences under which works originated. The workshop with the cooperation with the painter, which operated mainly in northwest Bohemia about 30 of the 16th century, created many valuable works of art of the late Gothic period and the early Renaissance era in Bohemia. Given the vast array of sculptures attributed to the anonymous carver and his workshop, is the work also trying to revised the number of works attributed to him.
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Former minorite monastery in Český Krumlov - the building history and possibilities of revitalization
GALAJDOVÁ, Nicole
This Bachelor's thesis is concerned with the object of former minorite Monastery in Cesky Krumlov, especially with it's building history. In the thesis there are also mentioned Monastery of Saint Klara, Monasterial church, minorite convention and third smallest cloister also known as Monastery of "Bekyn". We will focus on the significant parts of the minorite convention building. Such as former capitular hall, chapell of Saint Wolfgang and the cloister. These rooms were significantly rebuilt in the late Gothic and except a few minor practical changes stay in these terms till now. Last chapter is concerned with the plan of the revitalization of the whole area, which should be used as a modern cultural educational centre.
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