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Paraphrase of art work - changes in time
KANALOŠOVÁ, Alexandra
This diploma thesis is divided into two main parts - the teoretical and practical part. The teoretical part deals with the topic of paraphrase in the classical art, surveys the creation of paraphrases in the context of art evolution from the 16th century to the present time and tries to find the answers to the questions which relate to reasons of their creation. It tries to answer the questions what reason the artist of the paraphrases had and what made the artist create a paraphrase of a piece of art which was made a long time before. The teoretical part is a negligible glossary whose meaning is to show a range of different attitudes. The practical part is focused on authorial paraphrases which were made on the basis of the teoretical part and use different views and approaches to the process which the phenomenon of the paraphrase offers.
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Figure and the Possibilities of its Dimensions
HRABÁNKOVÁ, Tereza
Tereza Hrabánková, University of South Bohemia, Faculty of Education, Department of Art, thesis Figura and possibilities of its dimension, supervisor Dr.Dominika Sládková. The work is divided into two parts, theoretical and practical. The theoretical section considers the display of human figures in the visual arts during the Middle Ages, explores the most important figurative artists engaged in creation and their works and provides information about the dimension figures in terms of its size and proportional relationships. The theoretical part also deals with the history of videoart in Bohemia and videoart with a focus on animated movie. Also briefly describes the history of art and the method of displaying the human figure in children. The practical part deals with the history of art education in the Czech scene, with a focus on animation. The final work consists of a series of drawings and paintings, from which then created a short animated film, which will aim to familiarize students with basic art schools proportional patterns of human figures.
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The Image of Mother in the Work of Tomáš H.
HRUBÁ, Helena
This bachelor´s thesis concentrates on relation of mother and child in its early childhood with consequent impacts of this relation on adulthood. It is set upon analogies between unsatisfactory mother-son relation in latter´s childhood and latent meaning of found symbolic of oral frustration or separation anxiety in son´s (who´s a professional artist) creative production. Concept of mother is mentioned here in all of its available symbolic modifications. Theoretic part concentrates on mother-child relation from psychoanalytic and analytical psychology´s perspective. Subsequently, it briefly mentions prominent psychoanalytics´ fundamental views of this problem. The second theoretical area forms the psychology of art where essential questions of creative art-artist relation (perhaps even spectator) are being presented once more. In addition, not even both theoretical and philosophical approach to creative art should be left out. Pivotal part of thesis is devoted to Tomáš H.´s personality involves artist´s biography, analysis and interpretation of three artifacts on which findings from psychoanalysis and artetherapy are being applied. The thesis´ aim is to confront both latent and manifest content of probed artifacts, along with the interconnection of these findings with artist-mother relation in artist´s early childhood. The final part seeks answers to key questions concerning mother-son-creative production relationships. The thesis´ contribution is seen in artetherapy´s significance affirmation, in its close connection with psychoanalysis and application of artetherapy methods in practice which yields relevant results.
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Genesis of portrait: The study of family members and transformation of interpretation of family portrait
ŠVADLENA, Václav
Václav Švadlena, thesis consists of two parts, the theoretical and the practical one. The theoretical part deals with the portrait its history, forms of portraiture and the gradual transition from painting to photography. The theoretical work contains chapters devoted to the authors: Francisco Goya and Alberto Giacometti. The practical part contains a set of sketches in the form of artist´s books exploring family genetic markers. I tis supplemented by the cycle of portraits the tetraptych of large-scale drawings. The aim is to inform about the phenomenon of a portrait, to create the artist´s books of sketches and a set of large drawings family portraits.
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The Problems of the Symbolic Functions in the Aesthetics of Nelson Goodman
MAJER, Karel
My BA thesis engages in possibility of symbolization in fine art. The main theoretical implement is the differentiation of elemental types of symbolic functions, which Nelson Goodman elaborated in his works. The thesis will present the basic motives of Goodman?s philosophy of art at first. Then the thesis will try to use the motives for interpretation of selected paintings of Wassily Kandinsky.
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Portraits
KANALOŠOVÁ, Alexandra
Development of portrait painting, examination of old age and phenomena of old age wisdom as the basis for own paintings.
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EVERYDAYNESS
PEŠKOVÁ, Lucie
This thesis consists of a theoretical part, that contains passages relating to the issues of everyday life. Further highlights the views and theses related to the banality of life in sociological and anthropological sciences. The chapter acquainting us with brief encyclopedic history of everyday life has to refer to the selected daily activities such as personal hygiene, eating and so on. The theoretical part also deals with the work of certain European artists with themes of everyday life in the context and its influence on Japanese woodcuts. The practical part describes the main sources of inspiration and technology. The conclusion is generated image attachment, for a better understanding of the text.
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Structures in the Paintings by Pavel Hayek- Wider Implications of the Structuralist Background
SLUNEČKOVÁ, Eva
The Bachelor's thesis examines the work of the painter Pavel Hayek, especially the structure phenomenon, which dominates in his paintings. The three thematic parts of this study consist of individual periods of Hayek's work, which are thoroughly analysed. The main part of the thesis examines various forms of structures in Hayek's paintings and compares him with other artists, with a special emphasis placed on the production of random geometric structures, which occur in Hayek's works most noticeably. The Bachelor's thesis also notices the repetition principle and its different use in Czech and international art. The aim of the thesis is defining the wider implications of structuralist background of Hayek's paintings. Its roots can be seen among others in neoconstructivist tendency of Czech art in the 1960's and particularly in the work of Zdeněk Sýkora, whose exhibition in 1988 had a very strong influence on Hayek's work. The thesis also relates his work with a specific form of an organic abstraction in the context of ornamental and optical art. It attempts to describe possible sources of all these influences and their unique transformation in Pavel Hayek's paintings.
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Visual expression of emotions and the work upon human
BLÁHOVÁ, Lenka
The main theme of this Bachelor's thesis are emotions. The goal is to clarify this concept, and then apply it to the context of fine art. The work is divided into part of the theoretical and practical. In the part dealing with the theories has to be clarified the relationship of emotions and colors, but mainly the display of emotion through visual art. Further emphasis is placed on the impact of the work on the viewer emotional page. This phenomenon is analysed in chronological order from the beginning of mankind until the present. The practical part includes a triptych of paintings focusing on the topic of emotions, the description of the painting process, including the inspiration of resources and subsequent consideration of their effects.
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Endangered animals - cycle of paintings
ŠTĚRBOVÁ, Pavlína
The thesis is comprised of two parts - a theoretical part and a practical part. The practical part includes a cycle of paintings - a series of 8 portraits of endangered animal species in the Czech Republic. The theoretical part focuses on the reasons behind their endangered status, their current situation in the Czech Republic and a general overview of the endangered animal species issue. The thesis also presents a brief outline of animal imagery from the point of view of art history from the beginning until the present day.
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