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Triumph of Ugliness
Kolářová, Monika ; Zálešák, Jan (referee) ; Houser, Milan (advisor)
Bachelor theses is my engagement with phenomenon of body, focused on the theme of beauty and ugliness. Through the Dionysian body type I am trying to capture the weight of physical imperfections. In contrast with the delicacy and subtlety glaze paintings I am trying to achieve a balance between the representatives of the general phenomenon of beauty and ugliness.
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Life
Maliňáková, Kamila ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
My bachelor´s thesis is called Life. My original intention was to paint a monumental, perfect picture, triptych of good, evil and something in between. Something like an altar of 2014 according to the model of the old masters. But at the beginning of my work there were a lot of doubts about my painting. It became more and more fabricated, which was confirmed by my teachers too. And therefore I decided to reassess my work and I found out, that more interesting than original painting is a backstage of my painting, the things, that hapeend around. And this is now a topic of my bachelor´s thesis - Backstage of my painting.
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The Union of Minds Remains Untainted
Kachlíková, Barbora ; Hodboď, Tomáš (referee) ; Rathouský, Luděk (advisor)
The subject of my bachelor work is serie of different size paintings, used technique is oil on canvas. Iam interested about an elusive moments - this interest is connect with technique of painting - "blurry" paintings. The inability to stand on spot, what is now, it is past. My biggest inspiration and subject of my interest is contact with people. Experiences and feelings of everyday. I love the life and I feel a deep need to paint it.
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The Portrait
Ďuriš, Juraj ; Paučo, Samuel (referee) ; Zálešák, Jan (advisor)
In my work I develop a set of about thirty small format oil paintings. I refer them to my previous job, where I dealt with the portrait (small objects, cigarette boxes, toys). The focus of my interest is shifting from relics of human presence, to the man, as a thinking, sentient being in the presence with a spiritual dimension. Portraits therefore gives rise on live session (from my surrounding area). Simple situation in which stand opposite painter and his model, with the only task - to create an image - allows to concentrate attention on the very situation, and its interpretation, which is conditioned, naturally depends on the context in which it happens.
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A Journey to Prehistory
Filipová, Markéta ; Rozbořil, Blahoslav (referee) ; Kvíčala, Petr (advisor)
The topic of my bachelors degree is closely linked to the movie shot by Karel Zeman. It is a story about four boys who decide to travel to the beginning of the time. The whole complex is connected to the opening scene of the movie, when the boys float through the cave into prehistory. This scene became symbolic and also the motif of the "journey" is present nearly in all the paintings. Journey to the beginning of time is a metaphor to study of prehistory. It is a mental travel to the history, travel that helpes us to understand the forgotten reality.
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The Magic Adventures of Whimsical Incarnation
Zapletal, Aleš ; Stratil, Václav (referee) ; Artamonov, Vasil (advisor)
I am presenting a series of medium and large sized paintings. Theese figural compositions are based on still lifes composed of common objects and pieces of food, which are animated by their transformation into portraits and figures. Theese fantastic characters are situated into humorously worrying confrontations and situations in which animated objects imitate human acting. They are limited by partly human structure of their bodies.
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The Body (Intimity)
Kojetská, Monika ; Pepe, Dita (referee) ; Hlavenka, Tomáš (advisor)
With this set I am following my previous work in which I was occupying with woman body. I catch body in intimate moments – but I encode it, so it is almost not obvious. I use light irony and exaggeration in my pictures. In this set I work with woman body as a object of voyer, who observes the woman with a peephole, lense, field glass or camera. But I keep it all in abstract and stylized position. I work with code, thanks to which we at first perceive the picture as colourful and shaped painting forms that gradually show womans body. I use bigger ammount of abstract, when forms of the body balance at the edge between figural and abstract. I enjoy the moment when there is not everything visible at the first sight in the picture. I want the viewer to look for the body, observe it and explore it. I do not aim for catching the beauty of the body or is real visual shape. I work with light irony of voyeur looks by using some deformations of the body parts.
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A Piece of Work
Maša, Vojtěch ; Stratil, Václav (referee) ; Ptáček, Jiří (advisor)
The topic of this thesis is to induce situation of the thesis defense in a context of the defense of my bachelor thesis. I organize and present as my bachelor thesis the following: Vaclav Stratil took on the role of student and he defends his drawing which is installed during the defense. His written defense writing is available as a part of my thesis. The supervisor of (student) Stratil is Jiří Ptáček, who wrote an opinion of the supervisor for Stratil. I (Vojtěch Maša) am Stratil's opponent and I wrote an oponent's opinion for Stratil.
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In the Forrest
Pucharová Kramářová, Vendula ; Dub, Petr (referee) ; Lahoda, Tomáš (advisor)
My work began with taking photos in the forest at night; this work was very important to me because of the mysterious feeling. My paintings are stylized more than realistic. I'm captivated by untidy nature, with fallen trees and decaying stumps. Oil is my medium- some places are detailed while others are expressive.
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