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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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Pathos jako ultimativní inspirace v Makedonském filmu
Banov, Dimitar ; ANGIOLILLO, Mary Carmel (advisor) ; Dudková, Jana (referee)
Tato práce si klade za cíl popsat a prokázat nevyhnutelnou existenci patosu v makedonské kinematografii, jako esenciální prostředek filmové řeči a způsobů narace. Práce se pokouší ilustrovat a ospravedlnit přítomnost patosu ve více než 90% makedonské filmové produkce, coby důsledku poválečné politické historie a zakořeněnosti pocitu podřízenosti balkánské populace, která sama sebe vnímá jako obět útlaku "ostatních" národů. Tento cíl práce naplňuje zkoumáním makedonské historie od počátku kinematografie do současnosti a dále analýzou deseti hraných filmů z různých dekád národní kinematografie, s ohledem na užití patosu a jeho nezbytnost.
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Montage of a short film
Rešovská, Barbora ; Truhlář, Filip (advisor) ; Mezuláník, Radek (referee)
The bachelor thesis Montage of a short film deals with the issue of editing as an instrument of the film language, which is used by an author to pass the information which supports general impression and understanding of the film. The thesis analyses the aspects which need to be considered during pre-production and filming, so that the final communication with the audience reaches desired effect. Apart from that, the thesis describes the rules which are necessary to be followed during the editing process as well as it classifies the types of montage. The analytical part demonstrates the usage of described rules and methods in practice. The goal is to evaluate how the film communicates with the audience through the montage.
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Methodology of application of film language
Sýs, Alan ; Horný, Stanislav (advisor) ; Seko, Martin (referee)
The Bachelor Thesis is focused on the expressive means of film and the methodology of their application. It portrays, how the application of the methods may influence the final meaning of the artwork, respectively suggests, how to achieve the authors intent in the most effective way, through the coscious utilization of film language. In order to achieve the objects of this paper were chosen the most significant expressive elements, which are described in detail and subsequently demonstrated on concrete examples of the bachelor movie Marek is smiling.
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The development and use of audio-visual technology in terms of economy and socio-economic trends in society
Mikšík, Jan ; Horný, Stanislav (advisor) ; Seko, Martin (referee)
The aim of this work is to describe history of audio-visual technology and to analyse the influence of digitalization. The text describes the history of cinematography, television and also the introduction of audio-visual technology to people's homes. It contains information on present situation as well as new trends and the influence of the Internet on audio-visual making. There is a comparison of past and present technologies. The new technologies are accessible even for amateur creators which helps them to open new possibilities. This work is also focused on the influence of audio-visual technologies on the final look of the film. In practical part of this paper, author recommends specific technology suitable for certain target groups accordingly to their budget.
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Montage of mise-en-scene
Březina, Jan ; MAREK, Petr (advisor) ; BOUDA, Marek (referee)
The present thesis discusses the specific features in the use of montage within the shot as a stylistic device in film directing. Analysing the work of selected directors and their films, the thesis proposes a system of classification, introducing several key categories based on function.
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Sound in feature films without speech
Klusák, Martin ; ČENĚK, Jan (advisor) ; KŘÍŽ, Jiří (referee)
The main goal of this thesis is to describe the unofficial genre of films without speech and to analyze principles of the use of sound and film language in such films.
Initial chapters speak generally about the phenomenon of feature nonverbal cinema with the focus on its historical development and general film language.
The middle part presents, and briefly describes chosen films without speech, and suggests their sorting into sub-genres.
The last, vastest part of the work, is an analytic study of various approaches to reduce speech generally throughout film. This part leads into the final theoretical description of soundtrack in films without speech.
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Erotics in Jane Campions films
Nedvědová, Kristina ; DUFEK, Jiří (advisor) ; MRAVCOVÁ, Marie (referee)
In b.a. work, I would like to analyze look healthy feminist view of the author's creation of director Jane Campion, who openly admits female desire, but it is still about erotica, not porn. I want to describe the author's style, which in my opinion, poetry beautifully balances the female perception of the world, as well as his "darker" exciting, often neglected page. The analysis will be based on the literature of authors such as Laura Mulvey, Visual and other pleasures, visual pleasure and narrative film)
Roland Barthes - Pleasure of the Text
Witold Gombrowicz - Our erotic drama
Peter Hanáková - Pandora's Box
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