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Sound-aesthetic conceptcs in chamber acoustic jazz
Košulič, Jan ; DVOŘÁK, Aleš (advisor) ; PINKAS, Martin (referee)
The aim of presented work is the sound - aesthetic concept recordings of chamber jazz recordings. The work defines various criteria that can be used to issue of the aesthetic concept of jazz recordings. Several selected significant, settled and success in the music market-proven aesthetic concepts are briefly analyzed. The core of the work is the practical implementation of various aesthetic concepts in recording jazz music. Qualitative research, the results of this work presents were obtained from observations supplemented by discussions in the focus group consisting of jazz musicians. The work provides information about the views of musicians on each part of the process of recording jazz music and practical experience and knowledge based on a series of jazz recording. It also deals with the issue of communication between musicians and sound engineers. A sub- goal which work fulfilled is the opening of the debate over sound - aesthetic issues among jazz musicians and sound engineers.
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Compositions for Singing with Accompaniment of Chamber Formations with the Clarinet
Tauchmanová, Hana ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
This thesis deals with using general methodical principles while teaching to play the clarinet and to sing particular compositions – the song cycle by Louis Spohr “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the song by Franz Schubert “Der Hirt auf dem Felsen D (965)“.
The work is divided into five chapters. The first chapter briefly mentions the historical background of birth of the compositions with a special regard to the changes in the musical life in the 19th century and the personal lives of both composers.
The second chapter, Personality of the performer, observes important aspects which no performer should ever forget about while studying a chamber piece of work, such as mental preparation, the issue of memory, but also the right choice of repertoire with respect to the characteristics of the soprano voice, for which both compositions were written. Other aspects include posture on the stage, breath support, intonation, sound consistence and making use of all the aspects while performing the song by F. Schubert as well as the song cycle by L. Spohr.
Other two chapters are dedicated to both compositions, the third being focused on L. Spohr´s “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the fourth focusing on Franz Schubert´s “Der Hirt auf dem Felsen D (965)“. The circumstan-ces of birth of both compositions are described, loose translation of the texts is provided as well as performer´s experience with the particular songs.
The last (fifth) chapter, Historical faithfulness of interpretation, is a short contemplation over the fact to what extent a performer is able to depict the original idea of the author by means of contemporary technical possibilities.
The thesis describes personal opinions, experience, feelings and problems which its writer encountered while studying the clarinet and singing parts of the compositions.
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String quartets of Bohuslav Martinu
Chudý, Karel ; PANOCHA, Jiří (advisor) ; BERNÁŠEK, Václav (referee)
The following thesis is working on the string quartets by Bohuslav Martinů. The Autor focuses on ?Zero?, The First ?French?, 2nd, 4th and 5th String quartet and on Concerto for string quartet with orchestra. In the thesis is a comprehensive analysis, but mainly focused on working with autograph score, comparing with printed score, and partly with recordings. Also is focused on the interpretative notes.
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Piano Trio g minor op. 15 by Bedřich Smetana - Analysis Of Composition
Králíčková, Klára ; MALÝ, František (advisor) ; LEICHNER, Emil (referee)
The bachelor thesis deals with an analysis of the interpretation of the Trio g minor op. 15 by Bedřich Smetana. First chapter is dedicated to Bedřich Smetana´s chamber music. Then the reader is introduced into the historical circumstances of the formation of the Trio g minor and all the sources of author´s inspiration. After that the interpretative analysis of the Trio as the main focus of my thesis is presented. Used approaches of analysis are melodic, rhythmical, harmonical, instrumental, dynamical, formal and tectonic. Such a complex view of these chamber pieces enables a deeper insight into their complexity and also serves to a convincing interpretation and better understanding of the Trio g moll op. 15.
The thesis is divided into the introduction part, three main chapters with several subchapters and the conclusion. As well, six attachments are added.
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Václav Jindřich Veit and his string Quartets
Kočová, Kristýna ; ČEPICKÝ, Leoš (advisor) ; HŮLA, Pavel (referee)
This master thesis deals with a survey and analysis of the string quartets of Václav Jindřich Veit as a very important person the Czech music scene in the first half of 19th century. His quartets represent very important but today un-known chamber works. The thesis is divided into the following chapters: In the first chapter, Veits biography and works are described. The other chapters are dedicated to the analysis of each quartet using the musical examples and charts. The last chapter summarizes the composing style of Václav Jindřich Veit in his string quartets.
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Harpsichord - Basso continuo and obligate tool in chamber music by J. S. Bach (focusing on sonatas for violin and harpsichord)
Nováková, Denisa ; MRÁZKOVÁ, Giedre (advisor) ; SPURNÝ, Vojtěch (referee)
Master's graduatinon thesis Harpsichord-Basso continuo and obligate instrument in chamber music by J.S.Bach (focusing on sonatas for violin and harpsichord) deals mainly with 17th and 18th century. The content of the thesis is divided into three main chapters, which are further divided into sub-chapters, accompanied by footnotes and the note annexex at the end of the thesis.
The first chapter outlines the role of the harpsichord in the play basso continuo. The second chapter deals with the transformation of basso continuo parts to obbligato parts from German authors of the 18th century. The third chapter analyzes the topic of the harpsichord concerto as instruments in the violin sonatas by Bach and explains the Bach Sonata in E Major for obbligato harpsichord and violin (BWV 1016) which I played at the master´s concert. The final chapter is a summary of the previous chapters.
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F. Schubert - "The Trout" piano Quintet and the other Works written for the same Instrumentation
Říhová, Barbora ; KLÁNSKÝ, Ivan (advisor) ; KAHÁNEK, Ivo (referee)
The diploma thesis discusses the Piano Quintet "The Trout" by the Viennese composer Franz Schubert. It includes the circumstance of it?s origin, pieces which inspired the composer to creat this work, but also the pieces which were inspired by this particular one subsequently. It includes formal and interpretive analysis of the work. A special chapter deals with two dramatic pieces that were directly inspired by Schubert?s Piano Quintet in A major. Last but not least, it lists 18 other works of the same instrumentation, created between 1799-2011.
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Chamber Music for Voice, Clarinet and Piano.
Pospíšilová, Eliška ; HLAVÁČ, Jiří (advisor) ; MAREŠ, Vlastimil (referee)
The introduction is justified by the choice of thesis topic.
The aim is to present chamber music for voice, clarinet and piano and additional chapter to present works for voice, clarinet, piano and other instruments.
The work consists of an introduction, main chapters, additional chapters and the conclusion.
This work formed a brief overview of chamber works and their authors that were written in a composition for voice, clarinet and piano. There are some plot mentioned songs.
The main chapters are listed:
1. soprano, mezzo-soprano, alto, tenor, baritone, bass, and their various combinations,
2. clarinet in B and in A, basset horn, bass clarinet.
3. piano.
The additional chapters are used other tools such as strings, woodwinds, percussion, narrator, actor, electro-acoustic instruments.
In the end, I evaluate my work and I thought of her course.
Trying to convince readers and audiences.
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