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Brno in the years 1945 - 1975 in context of the czechoslovak architdcture. Specifics of Brno architecture in context the nationwide
Vrabelová, Renata ; Kyselka, Mojmír (referee) ; Nový, Alois (referee) ; Šlapeta, Vladimír (advisor)
The aim of my thesis is the current look and evaluation of architecture from the period of real socialism in Brno, since liberation in 1945 to the period of normalization in the seventies of the twentieth century, till 1975 (including duration of the implementation of the buildings). Emphasis put on realizations which are important from the nationwide perspective
Czechoslovak Architecture After 1945
Vrabelová, Renata
The thesis, using research and study of the architecture of Czechoslovakia of the period 1945-1975, aims to evaluate the Brno architecture of the thirty years' period after the second world war, its particularities in context of the architecture of the whole Czechoslovak Republic.
Brno in the years 1945 – 1975 in context of the Czechoslovak architecture
Vrabelová, Renata
The aim of my thesis is the current look and evaluation of architecture from the period of real socialism in Brno, since liberation in 1945 to the period of normalization in the seventies of the twentieth century, till 1975 (including duration of the implementation of the buildings). Emphasis put on realizations of significant national aspects.
Czechoslovak modernist Illustration of the 1950s and 1960s and Its Influence on the Identities of Contemporary Czech Artists>
Šrámek, Jan ; Horáček, Radek (referee) ; Sylvestrová, Marta (referee) ; Pospiszyl, Tomáš (referee) ; Stratil, Václav (advisor)
A doctoral thesis “Czechoslovakian modernist illustration of the 1950s and 1960s and its influences in the contemporary Czech visual culture” is focused on how a modernist illustration of the 1950s and 1960s influences Czech contemporary authors, especially illustrators. We can witness a particularly strong influence of the above mentioned modernist illustration and visual culture of that period in general among producers employing digital tools and vector graphics served. The thesis contains a historical study which follows developments of the visual language of graphic arts (illustration in particular) in the 1950s and 1960s in relation to fine arts. There is a special focus on a position of the 1960s’ modernist illustration within the applied arts of the period. Biographical study dedicated to illustrator M. Šašek introduce key figure of the (late) modernist period.

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