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Post-conceptual development in the Jindřich Chalupecký Award
Nováková, Nikola ; Czumalo, Vladimír (advisor) ; Pech, Milan (referee)
This thesis uses Jindrich Chalupecky Prize as a regular scheme, in which is shown the evolution of Czech art in the last twenty-five years. The emphasis is on the emergence and forming of post-conceptualism, which appears to be the dominant aspect. This analysis researches the work of selected winners of the laureates of the Jindrich Chalupecky Prize, and show how post-conceptualism in the Czech art scene promote and change its understanding and valuation through their work. The results of this work will be general conclusions regarding specifics, options and further expected development of post-conceptualism in Czech Art.
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Primal sources of inspiration in czech art 1980-2015
Steigerwaldová, Kristýna ; Klimešová, Marie (advisor) ; Fišer, Marcel (referee)
Main focus of this work is to compare and map the evolution of primal sources of inspiration in Czech art in the years 1980-2015. It brings the overview of the authors, who adopted the elements of visual reality, and describes the ways how they used it in their works. Highlighted are the authors whose works are influenced by some of the following topics: commerce and kitch, pornography, comic books, graffiti and street art, folklore, culture of natural nation and childs drawings. Reasons and motivation of the authors for using these extraordinary ways of expression are also clarified. The main part of the work is completed by a context of the exhibitions which took place in the defined time period and follow the topic. It is possible to imagine the evolution and the meaning of primal sources of inspiration in the context of post modern art, according to the basis of the discovered findings.
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Post-conceptual development in the Jindřich Chalupecký Award
Nováková, Nikola ; Czumalo, Vladimír (advisor) ; Pech, Milan (referee)
This thesis uses Jindrich Chalupecky Prize as a regular scheme, in which is shown the evolution of Czech art in the last twenty-five years. The emphasis is on the emergence and forming of post-conceptualism, which appears to be the dominant aspect. This analysis researches the work of selected winners of the laureates of the Jindrich Chalupecky Prize, and show how post-conceptualism in the Czech art scene promote and change its understanding and valuation through their work. The results of this work will be general conclusions regarding specifics, options and further expected development of post-conceptualism in Czech Art.
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Visions and Beliefs of Three Generations of the Czech Avant-garde (1919-1989)
Bulíček, Jan ; Pullmann, Michal (advisor) ; Machovec, Martin (referee)
Aim of this work is to make a comparison of three generations (1918 - 1989) of discourse art theorists and to point to their similarity. Specifically, the main personalities and spokespersons of Czech avant-garde art and underground, who are Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák and Ivan Martin Jirous. This work analyses the content the interpretive models which are contained in the manifestos and manifestations text (Chapter 2) and reconstruction experience and feeling of historical avant-gards based on work with ego-documents (Chapter 3). The result of this analysis is a description of the differences (and dynamics) of development of avant-garde, but especially characteristic of avant-garde and underground mental world. The analysis shows that the artistic avant-garde (Teige) and underground (Jirous, Knížák), as well as the second generation standing on the edge of the avant-garde and underground (Boudník, Bondy) show great similarity with many common features. Individual features common to the avant-garde and underground are summarized in the conclusion. Key words avant-garde, underground, czech art, manifest, feeling, Karel Teige, Vladimír Boudník, Egon Bondy, Milan Knížák, Ivan Martin Jirous
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Dream and painting in Czech art in 1930s
Tocar, Sofia ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
One of the main goals of the thesis entitled Dreams and Painting in Czech Art in 1930s is to describe the relationship between dreams and fine arts. Through studding artists' approach to this topic and analyzing their works of art I want to explain in which way and to what degree dreams can influence art. The paper is focusing only on Czech artistic scene where some artists belonged to the Surrealist movement. As distinct from the French scene, in Czechoslovakia not only Surrealists were interested and inspirited by unconsciousness. The described pictures use various techniques of painting, drawing, collage and photography. The artists capture dreams' imagery or fill the painting with a dreamlike atmosphere. The first chapter is a theoretical introduction to the adaptation of dreams by art. It acquaints the reader with the groundbreaking work The Interpretation of Dreams (1900) written by Sigmund Freud. It also deals with the reaction other writers had to this publication. The second chapter deals with the illusions of dreams (the motif which is often repeated in Jindřich Štyrský's work and refers to his childhood) that is characterized as object-phantom. Another significant motif is the surrealistic dreamlike landscape typical for Josef Šíma and František Hudeček and the city landscape that is...
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