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Typology of chosen women characters in the czech literature of 19th century - Marinka (Marinka), Křivoklad (Miláda), Svatba na Sióně (Ludmila), Kutnohorští havíři aneb Krvavý soud (Anežka), Babička (Viktorka), Vesnický román (Sylva)
Kubálková, Tereza ; Krejčová, Iva (advisor) ; Mocná, Dagmar (referee)
The bachelor thesis deals with six chosen characters of 19th century Czech literature - Anežka from Kutnohorší havíři and Ludmila from Svatba na Siónu of J. K. Tyl, Mácha's Marinka and Miláda from Křivoklad, Němcová's Viktorka and Sylva from Vesnický roman of Karolína Světlá. The theoretic part tries to present and explain terminology connected with the concept of a literary character. It also briefly explains tension between Romanticism and Biedermeier style as the two main approaches significant for actions of the chosen characters. There is the most important part of the thesis - the interpretative one - which tries to give a comprehensive profile of the particular characters. To achieve the goal, the work contains internal and external characteristics of the protagonists, motivation of actions, presenting of their unhappy fate and subsequent characters' story conclusion. The whole thesis is based on the girls approaches confrontation and in the conclusion, there are the main common and opposite attributes pointed out.
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Utopia in the Works of Adalbert Stifter
Smetana, Jiří ; Tvrdík, Milan (advisor) ; Weinberg, Manfred (referee)
Name of the author: Jiří Smetana Name of the MA thesis: Utopia in the Works of Adalbert Stifter University: Charles University in Prague Faculty: Faculty of Arts Department: Institute of the Germanic Studies Supervisor: Doc. PhDr. Milan Tvrdík, CSc. Place and date of publishing: Prague, March 2011 The subject of the present work is Adalbert Stifter's utopia. The aim is to outline its main essence and in part describe the motives that had led Stifter to his utopia. The work describes the artistic, political and social background of the Biedermeier era and approximates Stifter as its principal representative in Austrian literature. Adalbert Stifter's talent was versatile; he had affection for nature and art. Art was one of his most faithful friends. Stifter's Biedermeier literary works are original and in a certain sense possess great depth. For every opinion in these works is put down rationally. In this regard we would be hard pressed to find selfcontent in Stifter's late work. This opinion is also shared by the Austrian writer Peter Rosegger, who regards Adalbert Stifter higher than Johann Wolfgang Goethe for this very reason. As Rosegger rightly states, Stifter's style is also very original.1 This work takes note of the utopian features in some of Stifter's short stories and in his educational...
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Stifter and romanticism. Analysis of Adalbert Stifter´s personal correspondence with Fanny Greipl and Amalia Stifter
ŠTĚPÁNKOVÁ, Martina
This bachelor thesis deals with the life and work of the writer Adalbert Stifter. The theoretical part summarizes the author's life from his birth until his death, historic preservation of his legacy and information about his literary work inspired by his birthplace Horní Planá, Šumava, its landscape and inhabitants. Further there is also a commentary on biedermeier and romanticism that is obvious in his personal life. The practical part is constituted by the amorous correspondence between Stifter and his first love Fany and his wife Amalie. The aim was to translate the correspondence from German language into Czech because this correspondence has been published in German only. On the basis of the correspondence there is shown the Stifter's psyche, his relationship with fatal women and the influence on the artistic work.
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The national revivalist enlightened by romantism?
FRANTA, David
The aim of the study is the analysis and the interpretation of three different texts (occasional poetry, heroic epic and a record of dream), which hade taken a form in the late 1820? and in the course of 1830?, by Josef Franta Šumavský (1796-1857). The interest of the literary criticism concentrates on expressing markers of the literary discourses (the tendencies of the enlightement, romanticism and biedermeier) in all of these texts to decode the idea of these texts, on the intertextuality of iconography and poetics and also on their total historical context. On these texts, still ignored by literary criticism, it was able to describe the art syncretism of the Czech National Movement (Revival) and characterize the literary production of this time in its genesis thanks to the method inspired by new historicism, Peter Zajac?s and Dalibor Tureček?s pulse theory and Vladimír Macura?s semiotics. In the apendix, the list of the Franta?s literary and scientific works in the book, journal and hand-written form is attached.
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Aristocratic Biedermeier
Petrasová, Taťána
An example of two buildings designed by architect Heinrich Koch (the Kinský Villa in Smíchov, 1822-1824, the Kostelec nad Orlicí chateau, 1828-1833) points at innovations to Classicist architecture after Biedermeier gained recognition among noble customers.
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