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Lexicographical Treatment of the Musical Terminology - Verbs in Focus
Suchánková, Eva ; Šemelík, Martin (advisor) ; Vachková, Marie (referee)
The goal of this bachelor thesis is the processing of the verbs from the music terminology according to the lexicographical raster for a German-Czech dictionary of music terminology that will be available in the form of an online database by the end of the year 2014. For processing the verbs I used an empiric method based on research in the online linguistic corpuses, where relevant examples of the use of the verbs were searched. One of the main aspects this thesis is dedicated to is specifying the group of the verbs that will be included into the database. The main source for the selection of the verbs was the Duden Universal Wörterbuch (DUW). In the inventorying of the German musical terms, its macrostructure has shown itself to be insufficient. The group of the verbs intended for processing was therefore expanded by other entries.
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Bedřich Smetana- inspired by Shakespeare with focus on the composition Macbeth and the Witches
Suchánková, Eva ; KRAJNÝ, Boris (advisor) ; KLÁNSKÝ, Ivan (referee)
The master thesis deals with the piano sketch Macbeth and the Witches written by Bedřich Smetana. First of all, the reader is familiarized with the biography of B. Smetana, where the deciding moment for writing this music piece is captured. The inspiration by William Shakespeare is put to a broader context with Smetana's work. The original drama is compared with Smetana's music. The sketch has been revised four times since its creation, in 1912 by Jindřich Káan z Albestů, in 1924 by Roman Veselý, in 1961 by Václav Štěpán and in 1981 by Jan Novotný. The last two revisions were compared in detail and many differences were found in the marking of the tempo, the notation, pedalization, dynamics and fingering, last but not least mistakes were found, so their removal was suggested. In the ending of the thesis, there are recommendations concerning the practising of the piece from my own professional experience.
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Piano Work of C. Debussy with Focus on the Cycle Estampes - harmonical Analysis, Comparison of the Records
Suchánková, Eva ; KRAJNÝ, Boris (advisor) ; KAHÁNEK, Ivo (referee)
The topic of this bachelor?s thesis is a deeper analysis of the interpretation of the piano cycle Estampes by Claude Debussy. Three different approaches of analysis for achieving this aim were chosen. First, the reader is introduced into the historical circumstances of the formation of the cycle and all the sources of author?s inspiration. Second, a harmonical analysis of the whole cycle as the main focus of this thesis is presented. This was achieved by capturing of the unique features of every composition and by pointing out the most important musical ideas and thematic material characteristic to the musical impressionism used by the composer. Thirdly, three famous pianists of the 20. century with their different interpretations of Estampes are introduced: W. Gieseking, E. Gilels and S. Richter. These interpretations are mutually compared as well as with the sheet of the original music. Such a complex view of these piano pieces may enable a deeper insight into their complexity and may also serve to a convincing interpretation and better understanding of Estampes.
This bachelor?s thesis is divided into the introduction part, four main chapters with several subchapters and the conclusion. Four attachments are added to the thesis.
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