National Repository of Grey Literature 142 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
The Legacy of the Composers of Holy Minimalism
Christou, Marios ; Nedělka, Michal (advisor) ; Pecháček, Stanislav (referee) ; Riedlbauch, Václav (referee)
This dissertation is a result of the author's great interest in contemporary music and especially musical "styles" known as "Holy minimalism", "New simplicity", etc. In a way, this work is an extension of my master thesis that dealt with the music of Arvo Pärt which only deepened my interest for this kind of music. Here I also deal with the music of Henryk Mikolaj Górecki whose name very often appears beside that of Arvo Pärt's and he is usually characterized as his Polish counterpart. As a student of the Pedagogical Faculty of the Charles University I realize that the music education students of this university are not familiar with the musical output of the post-modern era, a fact that means that they will not be able to teach anything about contemporary music in their role of music teachers. Undoubtedly, the music of the second half of the 20th century and 21s1 century is an integral part of the history of music and I strongly believe that it has a very high artistic value. Consequently, it is essential that pedagogues know and understand this music. This is the main reason for choosing this topic. Powered by TCPDF (www.tcpdf.org)
The Comparison of the Operation and Performance of Two Non-Prague Multi-ensemble Theaters
Stoklasová, Adéla ; Riedlbauch, Václav (advisor) ; Straka, Michal (referee)
The Bachelor's thesis deals with the analysis of the activities and financing of two multi-ensemble theatres. These theatres are The Josef Kajetán Tyl Theatre in Pilsen and The F. X. Šalda Theatre in Liberec. The theoretical part of the thesis describes the brief history of Czech theatre after 1945, the ways of running theatres in the Czech Republic with focus on state-funded institution and their financing. The practical part provides basic information about the analysed theatres and the areas, where theatres are situated. The most important point of this part is the analysis of artistic activity and possibilities of financing of theatre's running of the mentioned regional theatres.
Czech Radio and Its Role in the Support of Czech Alternative Music Scene in the Czech Republic and Abroad
Pleslová, Josefína ; Riedlbauch, Václav (advisor) ; Šubrt, Daniel (referee)
The aim of this Bachelor's thesis is evaluating the benefits of support of Czech alternative music scene by Czech Radio with focus on Radio Wave's activities. The theoretical part includes the definition of alternative music scene in Czech background and there is also covered the history of Radio Wave from its beginning to the present. In the following chapter, there are described particular types of Czech Radio's support of the local alternative music projects, taking account of competitions. There are described other forms of the support by media similar by genre. The analytical part includes qualitative analysis of facts extracted from interviews. In conclusion, there is the evaluation of total support of the Czech alternative music scene based on analysis and supplemented by own suggestions and advices for the future development.
Theatre Operation of VILA Štvanice
Krutská, Michaela ; Riedlbauch, Václav (advisor) ; Grosman, Jakub (referee)
The Bachelor's Thesis deals with legal forms and typology of theatres, independent non-profit theatre scene in the Czech Republic and its financing. It introduces some aspects of a theatre operation, such as structuring the organization and creating a dramaturgical plan. The Thesis on the example of VILA Štvanice describes the operation of one of the independent theatres in Prague. The analysis of the theatre and its evaluation is based on the data obtained from the individual communication with the representatives of VILA Štvanice and the analysis of the financial statements. The assessment of the artistic contribution is based on the interviews and other communication with theatre critics. The aim is to evaluate whether the current model of use of VILA Štvanice is beneficial, whether its implementation should be continued and if it should be supported from the public budgets.
Economics, management and art direction of two professional puppet theatres in Pilsen and Ostrava
Gebellová, Veronika ; Riedlbauch, Václav (advisor) ; Malcová, Zuzana (referee)
Bachelor thesis deals with economics, management and art direction of puppet theatres. The theoretical part describes the history of puppetry in the Czech Republic, contemporary professional puppet ensembles as a part of the theatre network in the Czech Republic, typology of theatres, their financing and their legal form. The practical part contains of a case study that compares two specific puppet theatres in the artistic and economic sphere. It deals with their methods of promotion, management structure and their history.
The Operation and Funding of Theatre Drak and Theatre Minor
Matysová, Gabriela ; Riedlbauch, Václav (advisor) ; Petrová, Pavla (referee)
The bachelor thesis focuses on the topic of funding and operation of two important scenes of puppet theatre, Theatre Drak and Theatre Minor. The theoretical part is about history and development of Czech puppet theatre since its beginnings until today, current network of theatres that specialize in production for children and about options of funding theatre in the Czech Republic. The practical part is written as a case study of two specific theatres with regard to their different background in the capital city Prague or in Hradec Králové city. This part focuses mainly on funding of theatres and subsequent efficiency of using those financial resources.
Production and publication of a music track in electronic dance music
Machálek, Vojtěch ; Riedlbauch, Václav (advisor) ; Šubrt, Daniel (referee)
The bachelor thesis analyses the process of production and publication of a musical composition in the field of electronic dance music. The first part addresses the historical development in nonartificial music, the available marketing, the development and current state of the music industry as well as electronic dance music. The second part of the thesis deals with music production in a home studio, the required budget, the audio editing of the piece, paid and unpaid publication, the interview with electronic dance music producer and offers an analysis of paid propagation of a musical composition. The analysis is developed on the basis of results obtained through the use of paid propagation tools in a specific case study, and measures the overall effectiveness of paid propagation in comparison with non-propagated musical compositions. The aim of the bachelor thesis is to analyze terms of production in electronic dance music, evaluate the effectiveness of paid propagation of musical compositions and to set a recommendation to beginning producers in the field of electronic dance music on the basis of the achieved results and presented calculations.
Economic aspects of the festival of contemporary dance Siraex and evaluation of its activities
Voláková, Anna ; Riedlbauch, Václav (advisor) ; Janeček, Václav (referee)
This thesis deals with the economic aspects of organizing a dance festival. The theoretical part explains the basic concepts and the possibilities of financing non-profit dance festivals. The practical part deals with a case study of the festival of contemporary dance Siraex, which, based on the accounting data, follows the development of the way of financing, the structure of sources and costs of the festival. At the end of the practical part is quantitative research conducted among the participants of the festival, whose key questions are related to motivation for participation in the festival and financing.
Author rights protection organizations in the Czech Republic - their activities and presentation
Řehořová, Magdalena ; Riedlbauch, Václav (advisor) ; Šmíd, Ilja (referee)
This Master's thesis entitled Author rights protection organizations in the Czech Republic - their activities and presentation focuses on the area of copyright protection, especially in the field of musical work. The aim of the thesis is to provide a comprehensive overview of the current situation of collective societies operating in the Czech Republic and to compare them in selected areas of activity. The aim of the work is also to evaluate the practical functioning of the collective societies and explain some myths that are routed by the general public about the collective administration. The theoretical part of the thesis contains the definition of basic concepts, as the basis for other chapters dealing with specific collective societies, namely OSA, INTERGRAM and DILIA. This part of the thesis is based on annual reports analysis of these organizations, as well as personal interviews and written communication with these institutions' representatives. This master thesis is particularly helpful as a summary and evaluation of collective organizations' activities that are part of the culture and therefore have a significant impact on the level of Czech and other cultures.
Motivation and preferences of classical music concert attendants
Palasová, Tereza ; Šmíd, Ilja (advisor) ; Riedlbauch, Václav (referee)
The aim of this thesis is to analyse the motivation and preferences of classical music concert attendees on the basis of the authors own quantitative and qualitative research, and to formulate the results into strategic recommendations for the management of music organisations that are looking to address the problem of low or decreasing attendance. Four important Prague-based ensembles - the Czech Philharmonic, the Prague Philharmonic Orchestra, the Prague Radio Symphony Orchestra, and the FOK Prague Symphony Orchestra participated in the questionnaire survey, and a total of 1218 respondents across the four organizations served as the subject of analysis. The theme is interdisciplinary, and this works contribution to the field of music management is also summarized and connected to knowledge from other fields - marketing, dramaturgy, sociology, and particularly psychology, from which Csíkszentmihályis concept of a fully concentrated experience, called flow, is crucial. Statistical testing has confirmed the elementary premise of this work: The concert attendee who usually experiences flow during a classical music concert tends to attend concerts more often than others. The existence of a relationship between the audiences cultural capital (represented by musical education) and flow has also been confirmed. Furthermore, a relationship between genre preferences and flow has been found. In summary, a managerial strategic orientation on facilitating flow to concert attendants can significantly contribute to solving the problem of concert attendance.

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