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The Theatre Plays by Hélène Cixous for Théâtre du Soleil
Kuslová, Kristýna ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The thesis deals with four plays written by French dramatist and theorist of feminism Hélène Cixous for the Parisian Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine. The analysis focuses on three different perspectives - firstly on écriture feminine, defined in the 1970s by Cixous herself, secondly on exile studies, a field of literary criticism concerned with the writings of exiled authors and exile as a fundamental category of human existence, and lastly on the concept of orientalism developed in the 1970s by American literary historian of Palestinian origin Edward Said.
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The Theatre Plays by Hélène Cixous for Théâtre du Soleil
Kuslová, Kristýna ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The thesis deals with four plays written by French dramatist and theorist of feminism Hélène Cixous for the Parisian Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine. The analysis focuses on three different perspectives - firstly on écriture feminine, defined in the 1970s by Cixous herself, secondly on exile studies, a field of literary criticism concerned with the writings of exiled authors and exile as a fundamental category of human existence, and lastly on the concept of orientalism developed in the 1970s by American literary historian of Palestinian origin Edward Said.
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Hélene Cixous and Théatre du Soleil
Kuslová, Kristýna ; Christov, Petr (advisor) ; Pšenička, Martin (referee)
This thesis deals with the performance and the text of La Ville parjure ou Le Réveil des Erynies (The Forsworn City, or the Awakening of the Furies) created collectively by Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine and by French dramatist Hélne Cixous. The analysis mainly focuses on two features, on the one hand on the influence of antiquity, which connects the 1994 epic drama with Greek ancient tragedy, and on the other hand on the feministic concept of drama. The thesis tries by the means of one specific performance to describe the unique cooperation of two women in the context of French theatrical tradition.
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