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St. Wenceslas Church in Žamberk
Kreuselová, Zuzana ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
Diploma thesis "St. Wenceslas Church in Žamberk" discusses the church monographically. Initially, it briefly introduces the city, its origin, estate owners and then chronologically from art-historical terms the most important foundations of building Bubnů of Litic. Afterwards we focus our attention on the church, its history and construction, parish building, description, and especially the valuable furniture. In this part the thesis deals with baroque altars and particularly the main altar canvas Assassination of St. Wenceslas by Francesco Trevisani. Attention is focused on the preliminary image, possible models and analogies with the older author's creations. Later, in order for the work to be complete, the focus goes shortly to the painted decorations of the church. Subsequently, the cemetery chapel, its historical development, baroque altars and the painted decorations as well. Finally, work presents in context the church builder and painters who created high quality altar canvases.
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St. Mary Magdalene Church in Bartošovice in Orlice Mountains
Kreuselová, Zuzana ; Oulíková, Petra (advisor) ; Buben, Milan (referee)
Bachelor thesis "St. Mary Magdalene Church in Bartošovice in Orlické Mountains" first of all briefly deals with the historical demarcation and colonization of Orlické Mountains and foothills with regard to the upper reaches of Wild Orlice, where there are Bartošovice in Orlické Mountains. Subsequently, the work deals with the origin and history of the village, with a focus to the owner of the dominion. In next part the attention goes to the historical and architectural development of the Church and then to its interior decoration, where thesis describes in details the baroque inventory, especially the side frame altars with medallions. Further deals with baroque sculptures in foothills and its most important leaders, whose works are characteristic for artistic creation this area. The last part for the comparison states and describes other found examples of baroque frame altars with medallions, deals with their chronological arrangement and integration to the created thematic groups.
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