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The Graphic Production of Albrecht Altdorfer after 1520 in the Collections of the National Gallery in Prague
Kadlecová, Žaneta ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
12 Summary The Graphic Production of Albrecht Altdorfer after 1520 in Collections of the National Gallery in Prague Thesis deals with the graphic works of Albrecht Altdorfer after 1520 in collections of the National Gallery in Prague. The aim of this paper is to outline the situation in the Danube region at the turn of 15 to 16 century and the creation of so-called Danube school. It presents celebrity of Danube artist Albrecht Altdorfer versatile talents as a master and a man of high social status. Creation of the artist remains somewhat neglected in Bohemia and is thus largely outside the interest of art historians. Even most German works that deal with work of this artist is aimed at producing a master painter and graphic works are therefore in his life's work a little taken a back seat. Particular attention is placed on the graphic art of miniatures in 1520 after the National Gallery in Prague with the aim to clarify the way graphics suggestions are displayed and to point out to changes in the development of miniatures style. Fundamental chapter is part of the catalogue with the newly developed the catalogue headwords, which will present a series of graphic works, which are reported by the National Gallery in Prague only with basic information on size and current condition. Bachelor thesis is...
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Graphic creation of Jan Jiri Balzer inspired by Norbert Grund in the collections of The National Gallery in Prague
Kadlecová, Žaneta ; Oulíková, Petra (advisor) ; Zapletalová, Jana (referee)
The target of my dissertation is to draw the character of the graphical works created by Jan Jiří Balzer which are kept in the collections of the National gallery in Prague. The resource of the graphical works of J. J. Balzer according to Norbert Grund includes more than five hundred and fifty items which remained almost non-elaborated. That's why, I would try to sort out and catalogue them. Beyond my dissertation, I would like to introduce a personality of the contemporary artist who is at the time the founder of an engraving plant and a successful businessman - who managed to interest the Czech graphical market of the second half of the 18-th century. As well as, I try to clarify, on base of the critical studying of available sources and literature, the circumstances which lead the artist to the graphical performance of the Norbert Grund's painting works. And last but not least I would like to outline the production of Jan Jiří Balzer in context of the contemporary creation and collecting of the 18-th century.
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Historic Preservation in Prague during the Protectorate Period Bohemia and Moravia
Vobořilová Kadlecová, Žaneta ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee) ; Linhartová, Dana (referee)
Until publication of this book, the issue of conservation of heritage sites in Prague between 1939 and 1945, which is so fundamental for our cultural history, has not been addressed with the attention it deserves. In the thirties and forties of the twentieth century, the discipline of heritage conservation in periods of war evolved significantly, and lay down the foundations of modern approach to cultural heritage site protection. Even before the Second World War, in the Great War, a number of European countries experienced serious damage to their valuable collections. For this reason, in the period between the wars, first theoretical attempts to establish new approach and methods of protection of cultural heritage vulnerable to damage in war appeared, as documented in studies by several significant public figures, e. g. by Carl Justi. The deteriorating political situation in Europe in the thirties inspired reflection upon this issue, considering means of modern war, technological progress in weaponry, as well as destructive capacity of the arms, threatening European cultural heritage. Four years before the Second World War started, discussion on how to effectively protect heritage from war-imposed damage had been initiated in Germany by prof. Otto Kümmel. In that time, Kümmel did not have...
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Graphic creation of Jan Jiri Balzer inspired by Norbert Grund in the collections of The National Gallery in Prague
Kadlecová, Žaneta ; Oulíková, Petra (advisor) ; Zapletalová, Jana (referee)
The target of my dissertation is to draw the character of the graphical works created by Jan Jiří Balzer which are kept in the collections of the National gallery in Prague. The resource of the graphical works of J. J. Balzer according to Norbert Grund includes more than five hundred and fifty items which remained almost non-elaborated. That's why, I would try to sort out and catalogue them. Beyond my dissertation, I would like to introduce a personality of the contemporary artist who is at the time the founder of an engraving plant and a successful businessman - who managed to interest the Czech graphical market of the second half of the 18-th century. As well as, I try to clarify, on base of the critical studying of available sources and literature, the circumstances which lead the artist to the graphical performance of the Norbert Grund's painting works. And last but not least I would like to outline the production of Jan Jiří Balzer in context of the contemporary creation and collecting of the 18-th century.
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The Graphic Production of Albrecht Altdorfer after 1520 in the Collections of the National Gallery in Prague
Kadlecová, Žaneta ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
12 Summary The Graphic Production of Albrecht Altdorfer after 1520 in Collections of the National Gallery in Prague Thesis deals with the graphic works of Albrecht Altdorfer after 1520 in collections of the National Gallery in Prague. The aim of this paper is to outline the situation in the Danube region at the turn of 15 to 16 century and the creation of so-called Danube school. It presents celebrity of Danube artist Albrecht Altdorfer versatile talents as a master and a man of high social status. Creation of the artist remains somewhat neglected in Bohemia and is thus largely outside the interest of art historians. Even most German works that deal with work of this artist is aimed at producing a master painter and graphic works are therefore in his life's work a little taken a back seat. Particular attention is placed on the graphic art of miniatures in 1520 after the National Gallery in Prague with the aim to clarify the way graphics suggestions are displayed and to point out to changes in the development of miniatures style. Fundamental chapter is part of the catalogue with the newly developed the catalogue headwords, which will present a series of graphic works, which are reported by the National Gallery in Prague only with basic information on size and current condition. Bachelor thesis is...
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