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Jewellery transformation from Georg Simmel to the present
Peterová, Ruth ; Jarošová, Helena (advisor) ; Kaplický, Martin (referee)
The subject of this bachelor thesis is to present the development of artistic jewellery in this century. In this period, the ornament became independent from its original purpose. Ornaments ceased to represent clear values and, like many phenomena in society, they became ambiguous. In a fluid time1 without clues and fixed relationships, in a time in which the original values cease to be binding and everything is anxiously fragile, jewellery has also become fluid. Previously clear forms and regular structures have been replaced by an amorphous form. Contemporary jewellery juggles over its own self-determination and flows more than ever between utilitarian and artistic object. This bachelor's thesis seeks to capture this development and highlight the changes it brings. The primary purpose of jewellery is no longer to adorn the human body. It becomes the assertion of itself and of its own individuality. Jewellery ceases to be an accentuation of the wearer's beauty; it wants to be an object of observation itself. It enters the space of the body with the need for its own place, assertion and therefore metaphysical self- determination in the context and historical development. Keywords aesthetic function, jewellery, modern woman, ornament, sociology 1 A term coined by Polish-British sociologist of Jewish...
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Body, clothing and fashion from the viewpoint of philosophy and aesthetics
Beerová, Petra ; Jarošová, Helena (advisor) ; Kaplický, Martin (referee)
The submitted thesis will not be interested in the personality of people which are interested in the news from the fashion world but in all human beings for whom it is proper to cover their otherwise naked body. Since the Middle Ages the human body has been related to fashion. In the first step, we will investigate what the body is (phenomenological interpretation). This part serves the reader to connect the wider context. In the second part, we will clarify how to characterize clothing, what is its significance and its origin. In the third thematic circle we will connect the two previous levels of the issue and nowhere else than in the field of philosophy. This is the work in the less researched area of philosophy. The objective of the thesis we set is to map and describe the connections between body, clothing, and fashion within aesthetics concepts. We will try to answer the question why it is important to deal more with clothing within the framework of aesthetic and philosophical research.
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The original experience in the thinking of Maurice Blanchot
Pola, Petr ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
The aim of this work is to present the original concept of art and its experience, which a French writer and a critic Maurice Blanchot described in his work at the end of the 1940's and at the beginning of the 1950's. At this time an effort to depict literature, or art in relation to the Original experience culminates in Blanchot's work. A work of art which has its origine in the Original experience is not incorporated into structures of the world. A work of art in this sense is not a form which is to be contemplated or understood. Art connected to the Original experience is perceived like "the exile of truth". The first part of this study deals with several features of the experience of art. First of all a level is defined, by creating the distinction between the concepts of Solitude in the World and Essential Solitude, into which art and its experience belongs. Afterwards, the primary relation for a writer - relation to "qui s'ecrit" is stated. Écriture (writing) does not represent activity here, it is revealed in its pasivity as "interminable, incessant". The writing points at the most essential feature of this level: specific time character. In this time a radical transformation of the subject, its interests and its objects happens. The last chapter of the first part is directed to the concept of Image,...
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European lace of renaissance and baroque
Svobodová, Veronika ; Kybalová, Jana (advisor) ; Jarošová, Helena (referee)
Lace is a decorative ajour textile. Real laces can be divided into needle laces and bobbin laces. There are two types of bobbin laces: straight and part-lace. These both techniques were developed in the epoch of renaissance, in the first half of the 16th century. The needle lace was developed from a cutwork. The immediate precursors of the needle lace were "point coupe" and "reticella" techniques. The bobbin lace was developed from a passementerie. The bobbin laces as well as the needle laces appeared probably at once in Italy and Flanders. The first laces have a geometric decor. Linear or plant decors were used in the first half of the 17th century. Fine and light laces with a flower motif rise in the 18th century. In the end of the 18th century, the motifs are very small and the most of the laces fill mesh ground. In the epoch of the renaissance and the baroque, good conditions for complex figurative scenes were allowed. A grateful space for (riche -great) religion scenes was given. The lay scenes, almost genre, symbolic and hunting scenes can be seen on the lace, too. All the 16th century and in the first half of the 17th century appeared a lot of Pattern Books first for needle laces and then for bobbin laces in Germany and Italy. It is a proof (evidence) of a great vogue of the lace.
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Fashion and art
Vlášková, Veronika ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
The final thesis examines the relationship between art and fashion from the perspective of aesthetics. It deals with the problem systematically. The first chapter examines the principle of fashion on the strength of the classics of sociology, G. Simmel, R. König, T. Veblen and G. Lipovetsky. It concludes that the principle of fashion is sociological, i.e. it is a two-fold movement of social differentiation and integration. This meaning (fashion as principle) is contrasted with clothing fashion, i.e. fashion in the sense of the sum of fashion clothing. The aesthetic element in fashion occurs subsidiarily. The second chapter links these conclusions and bases them on the functionally structuralistic principles of J. Mukařovský. This connection defines fashion clothing as clothing with a dominant fashion function, enabling social differentiation. As it is clothing, it must be possible to wear it. Therefore fashion clothing cannot be included in the domain of art, where the aesthetic function dominates, or let us say only under the condition of losing the dominance of fashion function. The third chapter explores possible causes of its loss. The fourth chapter summarizes Genettes conception of mode of transcendence of a work of art, which is then applied to the discussed topic. This enables the explanation of...
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Socialistic life-style in choosen Czechoslovakian press
Dlabáčková, Barbora ; Köpplová, Barbara (advisor) ; Jarošová, Helena (referee)
Thesis deals with life in socialistic Czechoslovakia in two chosen newspaper perspective. Thesis examines how in Lidová demokracie (published all over the republic) and Pochodeň (published in region of east Bohemia) informed about life-style, what a reader could know from their articles. Life- style is a wide topic, that is why we have chosen just these areas: flat building, culture of building concerning flat lay-out, furniture, textiles and decorations, next leisure time activities focused mainly on recreation represented by mass union recreation, pioneer camp, "cottaging" and camping. Last area is fashion as an integral part of life-style. Fashion is aimed at woman's fashion. In socialism, man's fashion was nost interesting topis. Those texts we have found are divided also into trhee groups - news, publicism and advertisements. To category of publicism we included also advices for household, recipes and theis kind of texts. In advertisements, we used also consumer's goods you can use at home or during your holidays (kitchen machines, televisors, tents etc.). We were interesed not only in exact topicsthat we could find in above spoken areas, but also in regional aspect adn its demonstration in Pochodeň and also who exactly the authors of those articles were. We also compared memories and experience of...
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Radical Experience and Thinking of Poetic Inspiration. The Body (without Organs) in Maurice Blanchot's Space of Literature.
Poch, Martin ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee)
Radical Thinking and Experience of Poetic Inspiration → Abstract Blanchot's radical thinking of writer's experience poses, but do not answer a question of its physical dimension. According to Blanchot, it seems as if the writer's experience was completely unbodied, so that it excludes the possibility of writing and realization of essential speech in the world. Our interpretation of Blanchot's key concepts proceeds with an attempt to solve this problem and present its main consequences. In the last section we operate some of the terms of Deleuze and Guattari - namely becoming, the body without organs - in order to conceive writer's experience as inherently differentiated process in which the body is absent, because - deprived of its organs - it becomes an imperceptible part of assemblage which enters the space of literature.
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Application of the coaching method in the field of employee development considering the factor of quality
Langrová, Veronika ; Mužík, Jaroslav (advisor) ; Jarošová, Helena (referee) ; Tureckiová, Michaela (referee)
The period we live in is characterized by change. Not only does this change affect the world around us, but also our very selves. It also has impact on functioning and general run of organizations including the field of employee education and development. It is necessary for organizations to be viable and able to withstand growing competition in the market environment to adequately react to these changes. At the beginning, but also in the course of writing of the presented doctoral thesis, I asked myself a question, how the organizations are able to cope with the mentioned problems, what innovations does this process bring to the field of human resources and more importantly education and development management, what needs and new situations does it bring about and how are the organizations able to react to all the described challenges. My goal is to introduce coaching as one of the ways of development and to offer self-contained view on this method and its implementation in the framework of education and development in organizations. This allows me to link together theoretical concern with my own practical experience in this field and at the same time to introduce concrete examples of coaching adjustment in organizations in the Czech Republic, to explore quality and the rate of success of coaching use and...
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Application of the coaching method in the field of employee development considering the factor of quality
Langrová, Veronika ; Mužík, Jaroslav (advisor) ; Jarošová, Helena (referee) ; Tureckiová, Michaela (referee)
The period we live in is characterized by change. Not only does this change affect the world around us, but also our very selves. It also has impact on functioning and general run of organizations including the field of employee education and development. It is necessary for organizations to be viable and able to withstand growing competition in the market environment to adequately react to these changes. At the beginning, but also in the course of writing of the presented doctoral thesis, I asked myself a question, how the organizations are able to cope with the mentioned problems, what innovations does this process bring to the field of human resources and more importantly education and development management, what needs and new situations does it bring about and how are the organizations able to react to all the described challenges. My goal is to introduce coaching as one of the ways of development and to offer self-contained view on this method and its implementation in the framework of education and development in organizations. This allows me to link together theoretical concern with my own practical experience in this field and at the same time to introduce concrete examples of coaching adjustment in organizations in the Czech Republic, to explore quality and the rate of success of coaching use and...
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Baudelaire's "aesthetic curiosities"
Polcerová, Barbora ; Jarošová, Helena (advisor) ; Dadejík, Ondřej (referee)
This bachelor thesis is focused on aesthetic thinking of Charles Baudelaire. I will mostly focus on Baudelaire's theoretic works between critical thoughts about art and reflection on a changing society. As the key source I will use Baudelaire's 'salons' about art and the essay The Painter of Modern Life from 1863 where he defines the term modernity. In the final part of the thesis I will concentrate on Baudelaire's thinking in the view of aesthetic theory of the 20th century. My primary source will be the works of Walter Benjamin who wrote a collection of essays about Baudelaire and considered him the first modern author. He uses Baudelaire's thoughts for making observations about urbanism and modernity. These observations go beyond art theory and we can understand them as reflection of historical and social changes in Paris of the 19th century which is relevant also to theories of the 20th century. Powered by TCPDF (www.tcpdf.org)
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