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MAIN PART: THE SPECTATOR
Straub, Linda ; HRAB, Ondřej (advisor) ; HAVELKA, Jiří (referee)
The aim of this thesis is to present different ways of audience participation that are applied in contemporary theatre practice. The introductory section outlines the issues of engaging the audience in relation to conventional theatrical practice. Subsequently I give a historical overview of important artists of the 20th century, whose work significantly influenced the contemporary perception of possible ways of audience participation in the field of theatre work. In the central part, based on chosen theatre practitioners from the 20th and 21st centuries, I show specific ways of involving the spectator. The final chapter outlines the theoretical discussion of interactive theatre in relation to the concept of aesthetic distance.
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Dance-social projects
Dynková, Anna ; SULŽENKO, Jiří (advisor) ; HRAB, Ondřej (referee)
This bachelor study aims to map phenomenon of dancing-social projects with orientation on production specifics. At the same time its aim is to examine and describe educational and social function of dance. A theory part of the study focuses on conceptual gadget form dancing field and social environment, further on domestic dancing-social project Spalicek and british dance group Candoo and organization, which is continualy devoted to this problematic. An analytical part brings analysis of his own project with title Story as way with economical and finacial specific dancing ?social projects.
Introduced bachelory study could be helpful material in realization of dancing-social projects.
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Archa Theatre visitor analysis
Zeman, David ; Černá, Jitka (advisor) ; Hrab, Ondřej (referee)
This work deals with marketing research of the visitors to Archa Theatre. The aim is to define who these visitors are. To achieve the goal quantitative research was done, based on data from approximately 500 respondents. The research was conducted by questionnaire. The analysis is comparatively based on the current data, alongside previous investigations. Both SWOT analysis and competitive analysis help to understand the cumulative data, thus allowing the author to accurately characterize the theater.
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