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The Poetics of Marina Carr's Plays
Hladká, Tereza ; Pšenička, Martin (advisor) ; Sarkissian, Alena (referee)
The subject of this diploma thesis is the Irish dramatist Marina Carr and her crucial set of plays within the body of her work, the Midlands trilogy (The Mai, Portia Coughlan, By the Bog of Cats…) This thesis aims to provide an analysis of the poetics of Marina Carr, mainly by analysis of the use of myth in her work and the usage of the landscape. Key words: Irish drama, Marina Carr, Midlands trilogy, The Mai, Portia Coughlan, By the Bog of Cats…, space, mother as a personified nation, suicide, identity, Medea, mother, myth
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The poetics of Rudolf Sloboda in Astorka Korzo '90 Bratislava
Hladká, Tereza ; Christov, Petr (advisor) ; Šebová, Soňa (referee)
This work deals with the poetics of Slovak playwright Rudolf Sloboda on stage of the theatre Astorka Korzo '90. The artistic style of this theatre is based on the ambiguity between humour and seriousness, the grotesque situations rise from the spontaneity of acting combined with sense of humour and serious elements. This work aims to analyse the unique creative dialogue between Rudolf Sloboda as an author and Juraj Nvota as a director of his plays. Rudolf Sloboda was asked to write his first play, Armagedon na Grbe (Armageddon at Grb), for Zita Furková, meant as a monodrama for her. Later, with the involvement of Juraj Nvota, it became a longer play for more actors. Furková plays the main protagonist Klára, based on Sloboda's memories of his own mother. This work is devided into six chapters, the first one focuses on the persona of Rudolf Sloboda, being a well-known fiction writer and new-born playwright. The second chapter deals with anti-heroism of Sloboda's protagonists and the concept of heroism in the theatre of the 1990's. The third chapter deals with the origins of Armageddon at Grb as a text and the creative process between Sloboda the writer, Furková the iniciator and Nvota the director. The fourth chapter interprets Armageddon at Grb as a text and the fifth chapter focuses on its staging in...
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