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The Personal Motif
Vlčková, Tamara ; Zálešák, Jan (referee) ; Rathouský, Luděk (advisor)
In my bachelor work I focus on intimate communication. I am interested in the moment of detection and in a simple question: What makes sense? I'm interested in everyday situations and in a human body, which I display in different social situations and personal dialogue - with the audience, work, and man. The main motives of my drawings are personal stories that remind familiar stories, and transmit such information, which audience accepts and transforms in its own way. Important is a constellation of people and things, and also attitude, a gesture that creates the story. I mix reality, dreams, ideas, and questions - choosing aspects I tend to think about, that touch my feelings or that I fear. Equally important is the installation, where a personal space for watching drawings will be kept.
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The Spectre Everywhere and Nowhere
Staněk, Jiří ; Rathouský, Luděk (referee) ; Mikyta, Svätopluk (advisor)
Robert Longo got into his hands Edmumd Engelman's photo book and according to these photos he created a series of large-scale charcoal drawings entitled: The Freud Drawings. I got into my hands 10 years old newspapers with article including photos foreshadowing time, atmosphere and personality of Freud and Robert Longo's work. I will create installation using my own means of expression that invites you in the Sigmund Freud's room as I imagine it.
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Desire
Bačíková, Alžběta ; Baladrán, Zbyněk (referee) ; Rathouský, Luděk (advisor)
Main theme of bachelor's project is rooted in the text considering the wandering subject and his will to penetrate through the barriers and boundaries. Object is not that towards which desire tends. It tends towards the unattainable. It leads to the invention of an imaginary world which is full of twists. Work is based on vizualisation of thoughts. It consists of two phases. In the first part - drawings has been collected as the basic material. Subsequent diagrammatic organization displays the internal connections between particular drawings. The result is 3D diagram which is constructed from wooden laths.
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Emptiness, Loneliness
Kalhousová Pernicová, Zuzana ; Bolf, Josef (referee) ; Rathouský, Luděk (advisor)
The theme of my paintings is loneliness. Specifically, I deal primarily age and everything that brings. Linger on its essence, about what one can to end of life feel. What is important for the old man, what are his or her needs. Personally, I see old the old age as a very sad, lonely, silent and empty. These feelings brings me a visit to my grandparents when I become a witness painful and sad old age. Become a witness to alienation of two different characters, which affected disease and who have ruined their very old age. My images should lead to the thinking about the mental diseases of old people, which is too speak, may not even be at first glance not noticeable, but still can strongly affect the man himself, so people living in its vicinity.
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The Manual
Klusová, Katarína ; Houser, Milan (referee) ; Rathouský, Luděk (advisor)
A mixture of symbols, authorities and theories that man need´s to absorb nowdays, is source for many confusing manuals, how to deal with our life, make decisions, or which political party to vote. Exactly the same time, these symbols of authority and theories are an essential part of our culture and education, and that they are looking for inspiration, information and explanations. Sometimes I dream that my source of information is nothing more than nature and its observations. In a utopian world without information provided by them I watched the world at my own pace, subsequently walking from one information to another.In the real world from different disciplines, which explore the universe in great detail, vast quantities of information flows, which the ordinary man in his level is not capable scientificly understand. For instance, when I read about Hawking's paradox, I can imagine how it's probably meant, but I don´t understand the calculations, and resources .. Well anyway, I add this information to my concept of understanding space and black holes. I perceive universe through intuition and its fragments-specific expression of the universe- I perceive through reason. The first series is a picture of my view of the universe by means of symbols - codes that people agreed use- to communicate the inexpressible. Universe is still on the eyes, and whenever I start to deal with its sub-parts, I can recognize its wholeness . Other pictures are formulation and development of selected key topics of the universe (according to my personal priorities).At this point, my work is mainly based on switching between a total and detail. What happens to the "collection" image, and affects other images detail. The last image of the series is once again the image of the wholeness . The spiral development to the second floor above the first image. Projecting the universe through me will be images transformation. Picture, even it is symbolic and symbolizing, is forming to kind of logo. Moreover, It occurs the same logo as a symbol of the universe mirroring by my being. Universe in the universe. Microcosm in the macrocosm. My individuality in the universe. Fractal.
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The Festival of Wiener Schnitzels
Helán, Martin ; Mainer, Martin (referee) ; Rathouský, Luděk (advisor)
In my thesis I dealt with still life paintings with food. The main keyword of this work is banality. It is the irrelevance of some situations that I used as a motive to create a visually impressive moments. I painted a meal as a celebration of the banal and seemingly unspiritual things, like a gift from God, which is a part of our ordinary everyday life.
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Situations Which I Want to Happen
Bednárová, Jana ; Sedlecký, Zbyněk (referee) ; Rathouský, Luděk (advisor)
The work is dealing with modification of the displayed scenes. From the deconstruction of figural composition to the total dissolving I have found the way of shaping the new "ideal scenes". Further I tried to picture new scenes using my method of collage the narrative layer and the layer of ambient. Finally I extricated myself from the fabrication of new stories and idealisation them and I have focused on the position of an observer or recipient for who is the most important the concentration itself. The concentration is bringing the detached view and opening the new ways. In contemplation the dissolving and rebuilding progress is the stage in which the situation is found not critical but most relevant is the matter modification possibility.
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