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Inmortale quod opto. Iconographic analysis of chosen medals of Antonio Abandio
Hončová, Adéla ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This thesis focuses primarily on the iconographic analysis of ten medals made by Antonio Abondio, a court medallist at the court of Emperor Maximilian II and his son Rudolf II. The introductory part of the thesis dedicated to the biography of Antonio Abondio is followed by a short outline of the development of art medals production in Italy and in Central Europe and of the factors which had an impact on Abondio's work. The core of my study is an actual analysis of some selected pieces made on commission for prominent individuals of the said period. A particular emphasis is put on the images found on the reverse side of the medals and on theirs paradigm detecting.
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Landscapers and still life painters forming the court of Rudolph II. Their work selected and the attempted comparison.
Prátová, Tereza ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
In my Bachelor thesis, Landscape painters and still-life painters in the courtyard of Rudolf II. Their selected works and an attempt to compare each other will outline the general interest of Emperor Rudolf II. Landscape Painting and Still Life. He is then introduced to life and the creation of artists. Selected artists' works will be described and described. In the next chapter I will try to compare the work of the chosen painters. Keywords: landscape painting, still-life, The court of Rudolf II., 16 and 17 century, Hans Hoffmann, Joris Hoefnagel, Paulus van Vianen, Pieter Stevens, Roelandt Savery
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Church of the Brethren in Mladá Boleslav at the time of its creation
Matoušková, Magdaléna ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
In thesis I will focus on the church of the Brethren in Mladá Boleslav. Except the characterization of constructional and historical development of this structure, I will do the analysis of paintings in the interior of this building, where were mostly used ornamental motifs. However, primarily I will devote to the details of decoration of the eastern part of this building for which were used quotations from Scripture. I will compare painting decorations with contemporary prints, which were made by members of the Unity of Brethren. I will focus to some similarities of ornamental and typographic decoration. Further, I will briefly mention the architect of this building - Matteo Borgorelli and his other buidings. Marginally I will also devote to conditions, which the Unity of Brethren had in Mladá Boleslav in 16th century.
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European context of phenomenon of green rooms on example of Castle Blatná decoration
Vrbová, Eliška ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
Green room at castle Blatná and resources of its decoration Dissertation "Green room at castle Blatná and resources of its decoration" deals with the decoration of the room in the tower of castle Blatná called by plant decoration covering the walls of the green room. It is striving to find mainly models or inspiration of its painting. After evaluation of the basic literature there is a chapter which introduces castle Blatná as whole. Therefore, it includes the introduction of the history of castle Blatná, its construction development and decoration of the Room of a knight in the Old castle. The next part is already dealing with the green room itself. Gradually, it is searching for connections with graphics, book painting and tapestries. The last chapter contents the stylistic and iconographical-iconological evaluation of the whole decoration. It is striving to identify particular themes of figural paintings and to find a clue to the revealing the background of thought of the whole decoration.
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The Reception of Dutch Realism in the Late Gothic Panel Painting in Bohemia
Fiřt, Jan ; Royt, Jan (advisor) ; Konečný, Lubomír (referee) ; Nespěšná Hamsíková, Magdaléna (referee)
The dissertation deals with the reception of Dutch realism in the late Gothic panel painting in Bohemia. Its aim is to examine the principles of reception of new artistic forms and ideas that originated in the Dutch art centers in the 15th century. The Czech painting of the 15th century was adopting these innovative trends exclusively from the neighbouring countries. Therefore, the work addresses mainly issues related to artistic exchanges between Bohemia and the surrounding - mostly German-speaking - regions. It looks into the specific ways in which artistic exchange took place - the mobility of artists, art imports, the importance of graphic and other models. The dissertation focuses on the most important examples that show the reception of Dutch realism: The Ark of Grand Master Puchner, The Křivoklát Altarpiece, and works associated with it. These matters are addressed mainly through a formal stylistic analysis and formal comparison. In the case of the Puchner Ark, via these methods, it has been possible to point out a possible artistic basis of the author in Swabia - within a circle of the followers of the Master of the Sterzing Altarpiece. The dissertation has tried to prove the artistic origin of the Master of the Litoměřice Altarpiece within the circle of the Ulm painter B. Zeitblom. These...
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Genre in Dutch Painting of the 16th Century. Picture of Hans Bol "In the Village" in the National Gallery in Prague
Chmelařová, Dominika ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The aim of the Bachelor thesis is iconographic analysis of the work "The Village scene" by the Dutch painter Hans Bol (born in 1543 - died in 1593). The thesis deals with genre painting in the Netherlands and trying to link it with contemporary socio- historical and cultural context. The research is about importance of genre in Dutch art. Author is trying to compare the painter Hans Bol with other contemporary painters and he is looking for some possible mutual artistic influences. There is also evaluation of possible models of Hans Bol and his followers. Beside this, the thesis deals with history of the painting - how and when and during which occasion, was the painting bought to the Czech collection.
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