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Geological and Petrophysical Characterization of Hawaz Sandstones Reservoir in ‚H' Oil Field, Murzuq Basin, SW Libya
Sherif, Yousef M.A. ; Kobr, Miroslav (advisor) ; Čepek, Petr (referee) ; Lukeš, Jiří (referee)
There are several basins with oil productive formations on the North African Platform. The Murzuq basin is one of them; it is situated in the south- west part of Libya and the northern portions of Niger, representing an intracratonic sag basin. It was initiated during the Palaeozoic Pan-African orogine. The deposition of the basin started with basal barren conglomerates of Hassaouna Formation unconformably overlying the Precambrian basement and being unconformably overlained by productive Hawaz Formation. The top of the Hawaz Formation is strictly demarcated by radioactive shales (lower Silurian Tanezzuft shales). The contact between top of the sedimental cycle of upper fluvial delta to shallow marine sea deposits and Silurian marine pelagic sediments documents an important palaeoclimatic change in sedimentary environment owing to Caledonian Unconformity. Silurian pelagic marine sediments represent an extensive marine flooding in all North-African Platform area. This flooding event of sea level rise was caused by melting and dissolving of the glacial material on the surrounding mountainous area during Caledonian unconformity, while this mountainous area transformed in peneplane. The present study is based on slabbed cores, core samples, and thin section; photographic of cores, conventional core...
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Rhetoric Education
Královič, Petr Michael ; Lukeš, Jiří (advisor) ; Špačková, Alena (referee)
Diploma thesis "Rhetoric Education" compares the concept of education in ancient Greece and Rome with the current approach to the developing of communication skills in the curriculum of primary schools and secondary schools in the Czech Republic. The work is based on theoretical analysis of the background and objectives formulated in the ancient classical works on rhetoric and in recent strategic documents shaping the curriculum. Processed theme focuses on the debate on the role, conditions and possibilities of growing literacy in communicational behavior. Split attention is paid to the expected effects of the competency model which is being implied in schools.
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Structuralism as a supporting principle for synchronous biblical exegesis in relation to the New Testament
Herodek, Jiří ; Lukeš, Jiří (advisor) ; Beneš, Jiří (referee)
This work proposes to introduce to the reader structuralism as a literary movement and aplly its methodology to New Testament texts. It sketches its common characteristics, goal and essence, but is also trying to grasp the historical and philosophical background of structuralism and other schools reacting on it or in continual relation to it - semiotics and poststructuralism. Attention is also focused on some important figures from different social sciences inspired by structuralism or those who participated on its origin. Great part of this diploma work is devoted to various exegetical examples of short texts, chapters or whole New Testament books and applying on them structuralist methodology. This exegetical part is followed by evaluation of contributive aspects and limitations of structuralism in relation to New Testament texts.
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Mary of Magdala in the Bible and in the Christian tradition
Kalvasová, Vendula ; Lukeš, Jiří (referee) ; Melmuk, Petr (advisor)
The diploma thesis " Mary of Magdala in the Bible and in the Christian Tradition" is divided into three parts. The first, key part, is based on biblical text, primarily the New Testament. It analyzes in detail the attributes ascribed to the person of Mary of Magdala. The second part reviews selected non-canonic literature in which the name of Mary of Magdala appears. Based on the texts of the Gospel of Thomas, the Gospel of Philip, the Gospel of Mary, the Conversation with the Savior and the Pistis Sofia, the attributes ascribed to her by this literature are again analyzed. The third part discusses the most recent resarch of the early Christian era and their connection with Mary of Magdala. The conclusion summarizes the current views of her and how her life story is captured in literary form through contemporary eyes, i. e. from the viewpoint of contemporary authors.
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Public administration in terms of the European Union (historical and sociocultural context)
Lukeš, Jiří ; Matějů, Martin (advisor)
Vstup České republiky do Evropské unie představuje typ kulturní změny, která se dotýká každého občana, instituce i české společnosti jako celku. Kulturní změnu chápu jako nehodnotící kategorii sloužící k označení procesu vzniku, transformace nebo zániku konkrétních kulturních prvků, konfigurací i kulturních systémů jako celku. V případě procesu integrace naší země do struktur Evropské unie se jedná především o typ změny exogenní. Adaptace České republiky na nové politické, ekonomické a právní imperativy ovšem stimulovala také celou řadu změn endogenního typu. Vzhledem ktomu, že po dlouhá léta působím v institucích, které se zabývají veřejnou správou, vybral jsem několik oblastí, které se vstupem a členstvím souvisí a rozhodl se je ve své disertační práci podrobit kulturologické analýze. Práce je programově koncipována jako příspěvek k rozvoji aplikované kulturologie. Je proto vedená snahou nejen popsat a analyzovat změny, k nimž došlo vstupem České republiky do Evropské unie v oblasti veřejné správy, ale také postihnout mechanismy, které umožní fungování státní správy co nejvíce optimalizovat. Základní kategorií, která podle mého názoru umožňuje analyzovat daný problém komplexně a ze systémové perspektivy, je široce vymezený pojem kultury. Kulturu v této práci vymezuji z antropologické perspektivy jako...
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Reflextion of technologies of electroacoustic music in vocal and instrumental music
Lukeš, Jiří ; RATAJ, Michal (advisor) ; BARTOŇ, Hanuš (referee)
The present text of the thesis discuss the technology and its impact on the composer's compositional work . Current music scene we called artificial music in principle pervades the world of acoustic sound to the world of electroacoustic sound, which is a major field of researches of art music for several decades.
Continuous development and improvement of the technologies in the context of better accessibility in practice means increasing infiltration of technology solutions to the triangle composer - performer - listener . The main focus of the text consists of analytical probes into the current technological solutions and their subsequent contribution to the work of the composer. Technology can play a role of analyse, interpretation, and indirectly also compositional realisation. The knowledge gained in electroacoustic techniques then embedded in the context of acoustic compositional techniques , resulting in many times possibilities for classification of sound through different optics. An important role for the sound still plays a space. The work deals with the meaning of the word space both in terms of architectural design , and the view of possibility to create virtual space. The penultimate chapter gives the reader an insight into the field of generative music through the project Mysticism fragrance. Final text summarization aims primarily to identify and map out possible solutions for composing in the context of the technologies which we can use today .
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The Use of Accordion in orchestral Scores
Lukeš, Jiří ; LOUDOVÁ, Ivana (advisor) ; RIEDLBAUCH, Václav (referee)
The orchestral sound is evolving over several centuries. An important influence on this fact has undoubtedly creating new musical instruments and their gradual integration into the orchestra. Concert accordion as we know it today, is about 100 years old instrument. In recent years we have witnessed to growing interest by composers, which increasingly integrate accordion to orchestra. Personally, I colaborated with few composers in preparation and execution of some of these pieces. This fact in conjunction with the lack of literature inspirate me to write this work. I deliberately chose two compositions, in which the accordion plays an important role, although not intended to form a solo concert, but just as an organic part of the orchestral staff. The main purpose was to show its unique technical and tonal possibilities on the specific parts of selected pieces focused to sound. The results of analysis of both compositions clearly show the greatest benefit of accordion possibilities in tone creation, variability associated with wide tone range and a rich variety in sound transformation of techniques of other instruments of the orchestra. Final thesis leaves somewhat open ending, it should motivate composers to think about the technical capabilities of an accordion, which is primarily tempered instrument, however in some ways can produce non tempered sound. This fact can produce new quality and also new structural conce
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