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Optimizing of rotating components production
Kubíček, Jiří ; Jaroš, Aleš (referee) ; Fiala, Zdeněk (advisor)
The subject of this bachelor thesis is the analysis and following optimalization of technological process of manufacturing the component „Pouzdro“ which is turned on CNC lathe Hardinge Talent 8/52 and milled on Kovosvit MAS MCV 750. The goal of this bachelor thesis is design of production method when will used only CNC lathe DOOSAN PUMA 2100SY, choice of the tools and comparsion of this two methods of the technological processes with regard to production time, lifetime of the tools and economy of production.
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Handicap as a Gift
Beran, Radek ; KLÍMA, Miloslav (advisor) ; KUBÍČEK, Jiří (referee)
In my thesis the potential of technical struggles and various mechanical limitations of puppets themselves is explored. Related to that also other limitation of puppetry and even drama as a genre itself are uncovered. Surprising analogy with the world of people with disabilities can be found here. So a disabilitity becomes a substantial point of view and a kind of subjects of demonstration which have been used in my work up to now. In the first part resources and terms related to disabilities are considered as well as the reasons triggering my interest in this phenomenon. A particular project subconsciously drew my attention to my higher sensitivity to various forms of disabilities in life and art as well
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SPECIFICS OF CREATING SOUND DESIGN OF ANIMATED FILM
Karhánková, Kateřina ; KUBÍČEK, Jiří (advisor) ; GREINER, Ladislav (referee)
The thesis explores the production of sound for animated film – its specifics as well as aspects of realization and of preparation and audio dramaturgy. It examines how they impact storytelling and the extent to which it is possible and useful to work with them from the very beginning of development of an animated film. The thesis also presents the practical and creative possibilities of cooperation between director and sound designer, alongside factors that may have a positive or negative influence in this regard. It draws on literary sources, interviews with the makers of animated films and knowledge acquired by the author in the field of directing and screenwriting of animated films. The thesis confirms the importance of the role of sound in animated film and its positive influence on the resulting quality of AV work (unless it has been omitted from the start of the filmmaking process). It summarizes the basic approaches that allow animators to work with sound in animated film as a fully-fledged narrative component.
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Overcoats
Trnka, Matyáš ; KUBÍČEK, Jiří (advisor) ; Mertová, Michaela (referee)
Bachelor thesis Overcoats presents unrealized projects (mostly films) of seven czech major directors of animated films. Text contains samples from specific projects, accompanying text of author of the thesis, which puts works into larger context and interviews which was made directly with authors of projects or the individuals most connected. Interviews were taken, rewritten and modified in July and August 2016.
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Robinson Crusoe - comparison of animated movie and live action movie
Nováková, Hana ; KUBÍČEK, Jiří (advisor) ; DUTKA, Edgar (referee)
The topic of this bachelor thesis is comparison between screenwriting for animated film and live action film and a search for differences in both types of writing. Specifically, this thesis compares two films based on the book The Life and Strange Surprising Adventures of Robinson Crusoe of York, Mariner, by Daniel Defoe. Using this book I am able to describe the possibilities of both literature and film, and to demonstrate which parts of the book are preferred for film adaptation and why. I also briefly mention the evolution of the story of Robinson Crusoe, and show how animation and live action films deal with these changes. In the final part of my thesis I compare the 1954 live action film Robinson Crusoe, directed byLuis Bunuel with the 1981 Czech puppet film The adventure of Robinson Crusoe of York, mariner, directed by Stanislav Látal. Comparing these two films enabled me to understand and describe specific rules and procedures in scriptwriting for an animated film.
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Politics, Animation and Comics
Won, Sang-Eun ; KUBÍČEK, Jiří (advisor) ; Mertová, Michaela (referee)
Korean cinematography gained liberty after the military regime, but the situation depends on political situation. The growth of Korean cinematography shows influences of the policies by every korean government. Thanks to the world-wide success of Korean films, korean viewers perceive how the conservative government tries to control the film industry, and they know how to react to it. For example, the film 26 years (2012) - it was not possible to be shot because of the interruption by the conservative government. Because this film contains massacre in 1980 in the city Kwangju by the dictator, and the dictator is still alive. However future viewers of the film supported it, and the production invited subscriptions to a fund. Finally the film was finished in 2012, and distributed to cinemas all around south Korea. However korean animation is out of viewer's concern, even though it has been the biggest scapegoat by policies of Korean government. Every conservative government have used korean comics as a scapegoat whenever they reached problems. When there were serious criminals of youth or criminals against children, korean government strengthened censorships about comics. Some comics were banned, and authors of these comics could not work on their comics. It happened in 1997, and has began again in 2012.
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The Little Man
Máj, Martin ; DĚCKÁ, Eliška (advisor) ; KUBÍČEK, Jiří (referee)
This thesis presents an analysis of the film "Malý Pán" ("The Little Man") directed by Radek Beran. The analysis mostly focuses on the technology used - theatrical puppet in a film. It examines the literary model "Velká cesta Malého pána" ("The Little Man's Great Journey") by Jiří Stach and Lenka Uhlířová, its adaptation into a film screenplay, the screenplay itself, acting of puppets, visible controlling mechanism and finally the visual processing of puppets, animation and overall mise en scene. Alongside with the analysis, several general rules for the use of theatrical puppet in films are defined and illustrated on examples from the "Malý Pán" movie.
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ANTHONY MCCALL'S "OTHER" FILMS
Břicháčková, Klára ; POSPISZYL, Tomáš (advisor) ; KUBÍČEK, Jiří (referee)
The thesis "Anthony McCall's Other Films" deals with new possibilities of film as a medium. McCall designs light installations which surround the spectator in a gallery space. In my thesis I examine the reasons leading him to the creation of such minimalistic films, exploring his inspirations and interests. Even though his art works at first sight do not resemble films as we know them, I find it intriguing to think of them as films. Anthony McCall enabled us to enter the abstract world of his films. It is a world in which each spectator plays the main part.
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Play and Layers of Playing in Animation
Jarošová, Marie ; KUBÍČEK, Jiří (advisor) ; PAVLÁTOVÁ, Michaela (referee)
The thesis "Play and Layers of Playing in Animation" attempts to identify where in the world of animation we meet the phenomenon of a play and which kinds of forms it could have. We answer to this question through the analysis of the first film of the series "Pojďme pane, budeme si hrát" by Břetislav Pojar, "Potkali se u Kolína" and we discuss its general validity.
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