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Development of Interpretation of the Playing th Violin During the Second Level of Education at Basic Schools of Arts
Zemanová, Marie ; Kubátová, Gabriela (advisor) ; Perglerová, Marka (referee)
The diploma thesis is focused on the development of interpretation of violin playing at the advanced level at music schools. The aim of the thesis is to go through different periods of music development and to deepen the quality of means of reproduction and develop basic principles of interpretation in advanced students on the basis of several selected compositions. Another objective is to handle the practising process of each composition creatively. The work is oriented practically and may become useful for violin teachers and advanced students. The problems connected with violin playing are treated from the point of view of performance. The teaching process goes from imagination to realization where the technical skills are means for the realization of imagination and, simultaneously, the final performance is a great deal influenced by the player's technical skills. Also, the possibilities how to develop musical imagination and accomplish successful realization of the process mentioned above are discussed. The central themes of the thesis are the development of interpretation of violin playing and the problems connected with it, both theoretical and practical. A scheme for the teaching process is defined and the possible ways of application of the scheme during practice are shown on examples of...
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Niccolo Paganini: 24 Caprices for Solo Violin, op. 1, the Work and the Interpretation
Rada, Jan ; Tomášek, Jiří (advisor) ; Kubátová, Gabriela (referee)
The diploma thesis investigates 24 Caprices for Solo Violin op. 1 by Nicolo Paganini in great detail. It also includes a brief biography of the famous performer and composer but mainly focuses on 24 caprices op. 1. The author of this work addresses circumstances of their creation, their main features and methodology problems. He further looks into interpretation options and compares recordings of Ruggiero Ricci, Ivan Kawaciuk, Itzhak Perlman and Shlomo Mintz. The aim of the work is to offer violinists who study any of the capricies recommendation regarding technic and interpretation problems.
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Joseph Joachim
Kühhass, Eva Leonie ; Kubátová, Gabriela (advisor) ; Tomášek, Jiří (referee)
This thesis is a study of one of the greatest violinists of the 19th century, Joseph Joachim. The person, his compositions and the collaboration between himself and the many composers that composed for him will be examined from a variety of perspectives. In addition, the violin school that he created with his assistant Andreas Moser will be analysed. Here we will see his pedagogic actions, as well as his music aesthetics and his method of interpretation. In particular it is this, his ground-breaking new interpretation that makes him to be one of the most important musicians of his time. The goal of the thesis is to show a portrait of Joseph Joachim in the context of music history.
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Giuseppe Tartini and His Influence on the Development of Violin Playing
Krajčiová, Jana ; Tomášek, Jiří (advisor) ; Kubátová, Gabriela (referee)
Giuseppe Tartini is one of the most important personalities in the history of violin playing and literature. His rich heritage has contributed to the development of both, and his influence has crossed afar the Italian borders. This diploma thesis brings a complex view into the life and creation of this 18th century violin virtuoso. His composing activity uprose from his master violin skills, and therefore he composed especially for this instrument. Tartini transmitted his knowledge to the students of paduan School of nations, which he himself had founded. His treatise on ornaments Traité des agréments, compiled of the practical comments on the ornament interpretation, is of great significance. No small attention deserves also his letter to the pupil Maddalena Lombardini. As a matter of fact, it is a violin lesson in a letter form, and the value of the letter is by no means just historical. Another area of Tartini's interest was music theory, in which he invented so called difference tones. His contribution to the development of violin bow is also praiseworthy; he made several adaptations which brought the bow nearer to its current shape.
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