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Vizualization of music in animation film
Ishida, Kaoru ; WANEK, Miroslav (advisor) ; MERTA, Vladimír (referee)
Purpose of this work in to find possibilities of vizualization of music, analyze masterpiece of vizual music. There are written about relationships between arts and five senses ? mostly sight and hearing, to make clear how pictures and music work differently, several experiments of visual music on history, animation films as vizual music, composer inspirated by pictures, and writer inspirated by music. Finally there is mention about meaning of expression of art works in different forms.
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Sound in animated film
Bartošová, Kateřina ; Merta, Vladimír (advisor) ; Wanek, Miroslav (referee)
This piece of work discusses the essence and meaning of sound in animated film. It focuses on individual means of expression of sound in animated film and on the relationship between visuals and sound. It compares different ways of approach and demonstrates it on examples of particular films. Part of this work is also dedicated to a short history of sound in animated film.
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Satiemania- Animation film with theme of music
Ishida, Kaoru ; Merta, Vladimír (advisor) ; Wanek, Miroslav (referee)
This Bachelor writing work is about animation film which has theme of music. Music has rhythm. It is very important process for animation film to think of movement. Movement must not miss rhythm. So many films with musical motif have been shot, because music is very fascinating animators. There are so many films which have motif of music. We can find so much difference between films how to use music. I selected film ?Satiemania? as a main material for this writing. Yugoslavian director Zdenko Gašparovič made this film in 1978. He featured six compositions from French comporser Erik Satie. This work includes about character of this film and comparison of Satie?s motif and Gašparovič?s motif as well.
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