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From Intimate to Public - Constitution and Metamorphosis of "Women's writing" in the Context of Croatian literature
Vasiljevičová, Dajana ; Otčenášek, Jaroslav (advisor) ; Nedvědová, Milada (referee)
From Intimate to Public - Constitution and Metamorphosis of "Women's writing" in the Context of Croatian literature Author: Dajana Vasiljevićova The bachelor thesis deals with the "women's writing" in Croatia, its constitution and transformations from the 1980s to present times. The main aim of the thesis is to map out characteristic discourses within literature in the context of social aspects of the Western orientated feminist movement in socialist Yugoslavia. It focuses on the analysis of femininity, sensibility and sexuality which are in opposition to values of patriachal society. The main part of the thesis comprises the analyses of three selected texts written by Croatian authors, namely Silk, Scissors by IrenaVrkljan, Marble Skin by Slavenka Drakulić and Steffie in the Jaws of Life by Dubravka Ugrešić as role models for the typology of "women's writing". The transformations of the genre were are examined continuously from the late 1970s when the theoretic aspects of "women's writing" were modified for the Croatian milieu. The confrontation of feminine identity with the patriachal phallogocentric discourse is based on hunger for recognition as an equal in society. The problem of a specifically female identity is solved in the transition from private object to public subject. This thesis...
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There and back again: the real and the fantastic world in the Jože Snoj's fantastic tales
Slezáková, Magdalena ; Jensterle Doležal, Alenka (advisor) ; Nedvědová, Milada (referee)
This thesis deals with the question of the two worlds (the real and the fantastic) in the Jože Snoj's fantastic tales. For the context, in first describes the genre structure of the children's prose and quickly reviews the Slovene children's prose in the second half of the 20th century; it also briefly characterizes Snoj's work. Furthermore, it explains the methodology: defines the fantastic tale as a genre (two dimensional storyline, the role of the children and adult characters, distinction between classical and modern fairy tales, double message etc.) and outlines basic problems: plot and storyline; form of the real and the fantastic world; relationship between both worlds and their mutual contact. These questions are analyzed in four Snoj's books: Barabákos in kosi, Avtomoto mravlje, Škorček norček and Palčki so!. Also, the thesis sketches out their thematic and stylistic specifics and, by synthesis, points out the author's main themes (the child and the adult; the man and the nature; the secret of being; the poetry) and the features of his style (playfulness; poetical language; communicativeness).
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The serbian story in the second half of 19th century
Ráczová, Zuzana ; Otčenášek, Jaroslav (advisor) ; Nedvědová, Milada (referee)
This thesis is concerned with serbian literature of the second half of 19th century. It describes the main features of the serbian literary realism. More focus is given to the serbian realistic story and its main authors. In the context of this dominant genre deeper tought is given to the rural enviroment of the serbian realistic story. Mainly describing its roots, atributes and the work of the most significant authors of this genre which are Milovan Glišić, Laza Lazarević and Janko Veselinović. Key words: serbian literature, 19th century, realism, story
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The ways through Miljenko Jergović's fiction. A narratological commentary on Jergović's works
Martinčák, Matěj ; Otčenášek, Jaroslav (advisor) ; Nedvědová, Milada (referee)
Základním cíle této práce však bylo popsat dosud málo a fragmentárně zpracovanou problematiku narativního budování Jergovićových próz. Z naší analýzy vyplývá, že autor ve svých dílech užívá neobvykle bohatý rejstřík vyprávěcích způsobů, dokonce tak bohatý, že některé jím užívané postupy zatím v odborné literatuře ani podrobně popsány ještě nebyly (zde mám na mysli především neobvyklou formu vyprávění ve 2. osobě, tedy cosi jako du-formu, a také mimořádně komplikované přechody mezi partem vypravěče a partem postav bez jakéhokoliv grafického značení). Ovšem tyto a mnohé další narativní metody nejsou užity samoúčelně. Tvoří samu základní strukturu vyprávění, které je ve svém celku tak kompaktní, že tato značně komplikovaná rovina vyprávění nebyla ani některými kritiky zaznamenána, takže byli schopni psát o "tradičním" či "staromódním" vyprávění. K této zdánlivé (povrchové) jednoduchosti v nemalé míře přispívá i autorův lehký vyprávěcí styl, kdy na rovině jazyka užívá nezřídka imitace běžně mluvené řeči. Kombinace složité narativní struktury a přehledné dějové linie sjednocená na rovině slohové do jasného vyprávěcího stylu dodává Jergovićovým prózám osobitou dynamiku a čtenářskou přitažlivost.
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Croatian minority in Hungary in modern era
Milojevičová, Jana ; Nedvědová, Milada (referee) ; Pelikán, Jan (advisor)
The goal of this thesis is to analyze the current situation of the Croat minority in Hungary. As a consequence of the Ottoman expansion and unbearable living conditions the Croat population started to migrate to the North; these migrations took place from the 15th to the 17th century and the majority of the Croat refugees settled down in Hungary. The refugees created insular communities in the southern and western parts of the contemporary Hungarian territory, in Austrian Burgenland, Slovakia and Moravia. Hungarian Croats can be divided into seven groups, all of them speaking various types of all main Croatian dialects. A special part of the thesis is dedicated to the Bunjevci and Šokci, as in the last two hundred years there have been constant discussions as far as their origin and, therefore, their pertinence to the Croatian nation is concerned. Under the Austro-Hungarian Empire the Croats represented only one of many nationalities in a multicultural state. However, during the process of the formation of the modern nations, Hungarian nationalism was strongly promoted and it in turn influenced minority politics until the Second World War. Following the post WWII transfers of inhabitants, Hungary has become even more ethnically homogenous than after the 1920 Trianon Treaty. During socialism the process of...
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The poetics of Mirko Kovač's prose of the 1960s and 1970s. The interpretation of novel "Moja sestra Elida"
Machková, Zuzana ; Nedvědová, Milada (referee) ; Otčenášek, Jaroslav (advisor)
The subject of the thesis is study of poetics of Mirko Kovač's prose of the 1960s and 1970s. Its main goal is to ilustrate the poetics of Kovač's texts on interpretation of novel "Moja sestra Elida" (My sister Elida). Fundamental part of the thesis is focused on interpretation of this text. At first it is focused on thematic plan, structure of chronotop and characters and than it is focused on plan of narration and signs of postmodern in the text. The interpretation itselfs is preceeded by a chapter where is Kovač's prose contextualized in Serbian literature of the 1960s and 1970s. There are several aspects of author's debut "Gubilište" (The Scaffold) brought up too. The final chapter of the thesis is focused on summarization the main conclusions and it determines characteristic lines of author's production of determinated period, the prose of the 1970s is stressed.
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Comparative studies of contemporary joke by select South Slavonic nations
Nováková, Radka ; Nedvědová, Milada (referee) ; Otčenášek, Jaroslav (advisor)
The subject of the thesis is comparative study of selected South Slavonic nations' contemporary joke, its goal is classification and analysis of the presently narrated jokes in Serbia, Montenegro, Bosnia and Herzegovina and Slovenia. The theoretical section of the thesis is based on Lutz Röhrich's, Gordana Ljuboja's and Jaroslav Otčenášek's papers. Suggested classification of the jokes is based on a field research reflecting the contemporary situation of narrative anecdotes in given areas. The field research consists in acquiring the anecdotes which are currently narrated in areas at issue. The anecdotes are classified in two main categories and particular groups of jokes are defined according to the content criterion. The conclusion of the practical part is focused on the special categories of the anecdotes and on the specificities of selected South Slavonic nations' jokes.
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The influence of Central European modernity on Serbian postmodern literature
Janečková, Tereza ; Vlainić, Sandra (referee) ; Nedvědová, Milada (advisor)
The submitted work engages into the relationship between Central European literature and Serbian postmodern literature. Initially, the work defines the character of Central European modern fiction on the ground of its West European literary predecessors. It points out following features of Central European modern fiction: fragmentation of the narrative; dissapearance of existing world, which has guranteed solid values; existence of a parallel "fiction world", which gradually absorbs its protagonist, and the emphasis on sin. The first part of the work is accompanied by a brief outline of Serbian modern and avant-gard literature. The second part of the dissertation gives a theoretical definition of postmodern literature. After a short characteristics of two crucial Serbain postmodernists: Milorad Pavić and Dragan Velikić, the work intends to look for characteristic modern themes and various ways in which they are applied. Some themes accentuated by Central European authors (such as the existence of the paralel "fiction world") are to be found in the work of Velikić as well as Pavić. Some modern Central European themes are completely absent in thein novels. Second part of the book also gives a short characteristic of the post-modern literature in other Balkan countries such as Bulgaria or Croatia.
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Croatian Renaissance drama on Czech scenes after 1945
Prchlíková, Lenka ; Nedvědová, Milada (referee) ; Otčenášek, Jaroslav (advisor)
The thessis deals with Croatian Renaissance drama. First it shortly determines the period of its beginning in the perspective of history, society and aesthetics. In the theoretical part the thessis briefly defines the basic terms and the most frequent types of Renaissance drama. It focuses on the types of comedies, including the typical anonymous comedies. Then the thessis presents the most important authors and their works. Three comedies which appeared on Czech stages, are analyzed from the aspect of the plot, characters, language and interesting scenes. Each production is then presented according to the evaluation of the critics in the newspapers. Photographs from selected performances can be found in the Appendix.
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