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Tha photography as a performance of author subject
Šnajberková, Jaroslava ; Musilová, Helena (advisor) ; Grygar, Štěpán (referee)
The basic of this work is common research of the authorship, communication between author and audience and especially the author´s reasons for working with themselves and the possibilities of this kind of creation.
The initial point of the work is the age of the performance art, happenings and body art actions of 50´s, 60´s & 70´s during the last century in Czechoslovakia and photography of this kind of actions including the transformation of meaning in today.
In connection of today I think of author´s performance in larger criterion not only as a happening but also from the criterion of working with myself and with photography as a tool of selfreflection.
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The Slovak documentary self-reflection
Hon, Štěpán ; Musilová, Helena (advisor) ; Kolář, Viktor (referee)
I have devoted my dissertation paper ? The Slovak documentary self-reflection?to the historic development and to the contemporary state of photographic art in Slovakia. Its principal concern are photographic forms which attempt to primarily reflect the time they were created in. It compares the differences between Slovak artists Karel Plicka and Irena Blühova in between the two world wars in Czechoslovakia. It reflects the work of Martin Martineček, Jozef Ort-Šnep and others during the normalization period. The paper?s main focus was to analyze the most recent history. It deals with the photographic and production attempts of the documentary artist Andrej Bána in the nineties; it follows the newly formed perspective of a colored Slovakia headed by Martin Marenčin together with Martin Kollár. It maps the creation and the downfall of the civic society The Slovak Documentary Photography, it marks the fate of the exhibition project Family album.sk and it describes the grant programs, issued in the beginning of the millennium that enabled the creation of comprehensive and compact documentary reflections of Slovakia in the times of change. The paper finishes with the description of the innovatory approach of Lucie Nimcova and with the thoughts concerning the border line between a photographic documentary work and conceptual art.
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Romani Theme in Czech Photography
Kubíčková, Dora ; Musilová, Helena (advisor) ; Silverio, Robert (referee) ; Grygar, Štěpán (referee)
Romani people have been a popular subject of Czech photography, mainly the documentary one. This theme is very attractive both by its exoticism and availability. The focus was mainly in the research of sources. We targeted the photographers of the twentieth and twenty-first centuries for whom this theme was crucial - whether they dealt with it on a long-term basis or it appeared in just one of their series.
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Hella Heyman/Hammid
Benešová, Pavla ; Dias, Pavel (advisor) ; Musilová, Helena (referee)
Ve své teoretické bakalářské práci jsem se zaměřila na americkou fotografku Hellu Heyman/Hammid. Hella Hammid za svůj život vytvořila nespočetné množství dokumentárních fotografií s dětskou tematikou, které mají velký sociální i sociologický přesah. Její knižní ilustrace jsou důkazem toho, jak precizně zvládala zakázky, ale i svoji volnou tvorbu. Vypovídají o její schopnosti komunikovat s dětmi, ale i o její úžasné invenci a tvůrčí práci.
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