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Electronic dance scene as a picture of the lifestyle
Syslová, Kateřina ; STAVĚLOVÁ, Daniela (advisor) ; GREMLICOVÁ, Dorota (referee)
This thesis examines the phenomenon of youth entertainment - electronic dance music - within the last three decades. Since the end of the 1980s, this experimental music has developed into a recognized music genre worldwide. Stemming from experimental music are tens of differentiated sub-genres. I studied the three main genres of electronic dance music: freetekno, drum and bass, and house music; and describe their structural elements: idea, music, space, drugs, and dance. In addition, this thesis reveals conclusions from my anthropological research. My research method consisted of using participatory observation, interviews and questionaires. The research was based on the following hypothesis: Fans of each three subgenres (freetekno, drum and bass, and house) mutually differentiate not only on an economic and social level, but also in the realm of life attitudes. The theoretical basis of my work derives from Victor Turner´s theory of communitas which was published in his book, The Ritual Process, in 2004.
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Critic Emanuel Siblík, Personality and Works
Kocourková, Lucie ; GREMLICOVÁ, Dorota (advisor) ; BRODSKÁ, Božena (referee)
This thesis deals with life and works of an important Czech dance critic and aesthetician, Emanuel Siblík, most of whose active life took place between the World wars. It comprises his professional career and critical work. The first half of the text deal with biographical data and works published, it analyses his intellectual background and his approach to certain changes in the dance art that took place at the time. Second part illustrates his approach on various examples of his articles, shows his style and relationship to concrete dance artists.
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Dance Creation in Zábřeh Region
Kuzník, René ; NĚMEČKOVÁ, Elvíra (advisor) ; GREMLICOVÁ, Dorota (referee)
Thesis "Dance in Zábřeh area" should draw the reader the development of dance in this field from past to present. It also provides information on founding local primary art school and its current operation.
It also maps all off-time and educational institutions that are located in Zábřeh, and that the public can attend. Finally, it gives the opportunity to look behind the scenes of one of the dance teachers at the local music school, presents its dance creation, knowledge and experience. Thesis also gives food for thought about the nature and importance of teaching at the School of Music.
In the first chapter we are introduced to the emergence of Zábřeh art school, the first subjects and pitfalls that the leadership of the school had to solve. This concerned especially adequate space and appropriate teaching assignment. Gradually, we come to the present time and that what is the school today.
The work also draws the reader dance creation on Art School, a detailed description of each project that the school managed to realize. The overall vision is enhanced by colour photos.
Further the thesis also gives detailed information on conditions in Zábřeh, the opportunities and cultural activities that the city offers to the public.
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Issues of dance Management
Kolda, Martin ; JANEČEK, Václav (advisor) ; GREMLICOVÁ, Dorota (referee)
First part of the thesis is overlooking over historical development of general management, recent theories, outputs and structural division of basic management tasks and functions. The thesis seeks to emphasize a knowledge, an experience, a fact of learning from own or others mistakes and the most useful principles that helped pioneers in other fields to achieve their success. Further it pursues management of performing arts; it analyzes its issues, its importance for artists and the system of dividing the management positions in the theatre. Last part of thesis describes a structural analysis of management responsibilities that are necessary needed to gain its successful realization of business/artistic purpose. It is a scheme built on the knowledge obtained by studying the theories of general, cultural and performing arts management and practical experience of the author. The scheme primarily focuses on the areas of planning, production, marketing and financial support of the implemented project.
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The profession of a dancing master in the 20th century Bohemia
Zilvarová, Daniela ; GREMLICOVÁ, Dorota (advisor) ; NĚMEČKOVÁ, Elvíra (referee)
The thesis provides a survey of the profession of a dancing master in Bohemia in the 20th century with overlap to the present. The author continues the research of the profession of dancing masters she started in her bachelor thesis, where this topic was explored in the context of the 19th century. This master thesis deals with the input assumptions an individual had to fulfill in order to be officially considered as a dancing master. Particular aspects related to organizing dance courses are covered as well (dancing master as the main organizer in his dance school or without it, or dancing master only as a pedagogue while someone else organizes dance courses). The profession of a dancing master is analyzed in the context of particular activities in which dancing masters of 20th century were involved. The aim was also to gain an idea about the social status and the prestige of the dancing master?s profession.
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Nudity in dance
Kršiak, Pavol ; GREMLICOVÁ, Dorota (advisor) ; TRPIŠOVSKÝ, Lukáš (referee)
In his thesis the author is reflecting subject (theme) of Nudity/nakedness in dance. The thesis is divided in six chapters. The first chapter is concerned with the term nudity/nakedness in general. The second chapter moves to the concept of nudity/nakedness in a short summary of historical context. This chapter is divided in seven sub-chapters, due to historical period or region. Third chapter is about nudity/nakedness in a dance art. Then summary of main topic follows, where the author tries to define different ways of using nudity/nakedness in dance art, when using several examples from dance history. The thesis also includes interviews with dance artists from the Czech republic and Slovakia. Intention of the thesis is to bring closer the phenomenon of nudity/nakedness in dance as a controversial theme.
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History of the Turkish Ballet and Contemporary Dance
Adiguzel, Belgi ; GREMLICOVÁ, Dorota (advisor) ; Bulínová, Karolína (referee)
My thesis is based on dance art and its current situation in Turkey. In my work I begin to
analise the history of dance in Turkey from the Ottoman era, followed by the process and
repertoire of the state ballet companies, independent foundations and contemporary dance
companies. Except the institutional history, I also mention some of the Turkish choreographers
who changed the course of developement of dance in Turkey.
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Development of Czech non-professional scenic dance 1968 - 1989
Bitterová, Jana ; Gremlicová, Dorota (advisor) ; Němečková, Elvíra (referee)
The bachelor thesis deals with the Czech non-professional scenic dance
during the years 1968 to 1989 and shortly introduces the situation in the
field in years before. It explains the system of institutions for nonprofessional
(not only scenic) dance and their scope of employment. It
considers the Czech non-professional dance as a complex subject with a
particular relation to the state system and to other cultural and art
disciplines. It summarizes the activity in the field and it introduces significant
representatives and actions, above all displays. As a point of departure it
mainly uses the periodical Taneční listy (The Dance Sheets) and therefore it
also provides information about the form and the range of reflection of dance
in that time. It points out head trends which were developing in various fields
of the Czech non-professional dance.
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65 Years of the Dance Department on the Music and Dance Faculty
Štindlová, Eliška ; Kazárová, Helena (advisor) ; Gremlicová, Dorota (referee)
This work enables the view into the problematic of the Dance Department establishment compared to the whole situation in the Czech dance school system with the main emphasis on the whole concept of study with its nuances and discrepancies. Except from the inventory of the separate specializations and explanation of the basic problematic related to the specializations and their historical evolution, it is possible to familiarise with the collaborative institutions related to the dance department itself. The specification of the individual specializations together with expression of the most important turning points in the history of the Dance Department remains also not aside. Series of short biographies of the people, whom in setting of the Dance Department were awarded the highest academic degrees, are also part of this thesis as well.
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