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Aspect of Social Integration of Unaccompanied Immigrant Female Minors in Italy: the Case of Nigerian Females
Dvořáčková, Lenka ; Wladyniak, Ludmila Maria (advisor) ; De Oliveira Filho, José Hildo (referee)
This thesis researches aspects of (re)socialization and integration of unaccompanied female minor immigrants in Italy. The thesis aims to present an overview of the immigration situation in Italy. The focus is on Nigerian girls as Nigeria is the country of origin of the majority of unaccompanied female minors hosted in reception centres in Italy. There is a discussion on who these minors are and why they migrated. The theoretical background is based on a theory of Social Integration developed by Bosswick and Hackmann who defined Social Integration as being a four-dimensional process, consisting of structural, cultural, interactive and identificational aspects. This is an ethnographic study and was carried out though the mean of participant observation in a reception centre located in Sicily. The analysis of the field notes was done in accordance with the 4-demnsional model proposed by Bosswick and Hackmann.
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Re-presentation of August 1968 in film production
Patová, Viktorie ; Spalová, Barbora (advisor) ; Wladyniak, Ludmila Maria (referee)
The thesis focuses on the connection between social memory and film reproduction of the past. Through selected examples of film production, the thesis explores how filmmakers dealt with the theme of August 68 and how their approach to the subject changed. The aim of the thesis is to explore "images" through which the film representation construct the events of August 68 and how they are or are not accepted by the public. Selected films for analysis were Pelíšky (1999), Anglické jahody (2008) and Jan Palach (2018). The analysis of the films was carried out by a qualitative content analysis taken from the work Cultural Memory and Film: How the Image of Postwar Displacement in Czech Film by Irena Řehořová. Film representations are explored through six categories: film form, themes and stories, the social world of film, cultural-historical memory, the seen X the unseen, the reception at the time of introduction and now. The analysis suggested that with increasing distance from the Velvet Revolution, the films began to criticize more the behaviour of Czech society during the occupation. Also, authors's declaimed aim of the work especially underwent a significant change. Another finding is that the formal components of the film used to display August 68 are primarily the toning of the image and the sound...
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