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Antonín Dvořák " Rusalka" star role of Princ
Sup, Tomáš ; HAJÓSSYOVÁ, Magdaléna (advisor) ; BÁRTA, Martin (referee)
The tenor figure of princ, three-act opera, " Rusalka" by Antonín Dvořák, was a long time with its character, singing difficulty and technical extremity , a big challenge for me. So l decided after two years of studying this role, write a magister thesis about princ, think about his character and its overall by the creation from the very beginning to the hardest singing party at the end of the opera.
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Analysis marketing activities of the selected e-shop
Bárta, Martin ; Sova, Martin (advisor) ; Čermák, Radim (referee)
The content of this bachelor thesis is analyze marketing activities of the selected e-shop, par-ticularly internet marketing. The thesis describes forms of internet marketing and is focused on backlinks analysis. The practical part is applied to competitive environment of shops with vol-leyball equipment. The main objective of thesis is analyze internet marketing e-shop Sportex.cz from perspective of competing subject, which has no information from inside of firm. The next objective is find out whether and why the e-shop is leader in selected segment of the market and what is the competitive advantage. The last objective is create the recommendation to potential subjects which want to break into a market and decide if it is a good idea or not. In the theoretical introduction is explained what internet marketing means and is compared with other types of marketing. In next step are the forms of internet marketing briefly de-scribed. At the beginning of the practical part is inserted a chapter about selection and defini-tion of the competitive environment and it is chosen e-shop for detailed analysis. The ending summarizes the results of analysis and evaluated if was achieved the objective of thesis. Contribution of this thesis it should be create a model solution how to analyze internet market-ing e-shop, especially backlinks and also evaluate the results of the analysis for a selected seg-ment of the market.
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The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka
Nosek, Jaromír ; JANÁL, Roman (advisor) ; BÁRTA, Martin (referee)
This Bachelors Thesis The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka processes an elaborate interpretative analysis of chosen audio recordings. It is concerning at searching differences as well as common characterics of these interpretations and consider its´reasons.This study is supplemented by information about recording factors and Zelenkas´ opus formation circumstances.Thesis mediates an insight into the life of Jan Dismas Zelenka and a historical context as well.It shall bring not only a complex material for deeper understanding to the Lamentations and the composer Zelenka, but also an inspiration and reflection about general principles of interpretation - vocal as well as musical.
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Mirella Freni´s Center for Belcanto
Vrábĺová, Agneša ; BÁRTA, Martin (advisor) ; KAUPOVÁ, Helena (referee)
This thesis presents Mirella Freni as pedagogue and focuses on her educational projects, from short-term pedagogical activities to the founding of the CUBEC institute, an international center for belcanto singing in Modena, Italy. The work presents a detailed account of the founding of CUBEC, and analyses its methods of auditioning and teaching students. The final part of the work confronts knowledge of Mirella Freni´s pedagogical qualities with author´s personal experience.
The work also contains chapters on the life of Mirella Freni, capturing pivotal moments in her life, from childhood to the end of her Professional singing career.
The conclusion of the work presents Mirella Freni´s personal contribution to the author of the thesis.
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" Konzervička" vocal-instrumental Ensemble
Šťastná, Dana ; BÁRTA, Martin (advisor) ; MÁROVÁ, Libuše (referee)
The work, "Konzervička, vocal-instrumental ensemble" describes history, artistic and creative activity of the ensemble from the beginnig up to present time. The work shortly introduces the composer Miroslav Raichl, who has grounded the ensemble and has been its artistic leader for the first ten years. The work presents the complete list of his work written for this ensemble as well as work written for the ensemble by Petr Hostinský, its artistic leader since 2000. The work brings also the complete discografy of the ensemble.
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Luciano Pavarotti and his pedagogical Contribution
Vrábĺová, Agneša ; BÁRTA, Martin (advisor) ; KAUPOVÁ, Helena (referee)
The thesis presents the personage of Luciano Pavarotti in the role of an educator. The aim of this work is to study his pedagogical contribution to the young generation of singers. It analyzes Master Classes and other didactic projects initiated by Luciano Pavarotti and it focuses on his work with young singers. The work captures the very first impulses towards the young generation of singers. It consists of chapters presentingPavarotti?s life ? starting from his childhood following to the end of his international career.
The final part of the work confronts knowledge of Luciano Pavarotti?s pedagogical activity with author?s personal experience. The structure of the teaching process shows that it is oriented towards the vocal technique, the selection of repertoire and further tendencies of the students with Pavarotti´s personal engagement.
The conclusion presents Pavarotti?spersonal pedagogical contribution to the author of the thesis.
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Mozart´s Don Giovanni from the singer´s point of view
Plachetka, Adam ; BÁRTA, Martin (advisor) ; HAJÓSSYOVÁ, Magdaléna (referee)
I have chosen the subject of my thesis because of my extensive professional experience in the operative performance of Mozart`s opera Don Giovanni. I consider Don Giovanni and its title role character one of the most interesting topics in the whole of opera. In my thesis I have focused on the questions surrounding the interpretation of Don Giovanni. My observations are based on my own experience of performing in this opera in several productions at numerous prestigious European opera houses, as well as on the opinions of my more experienced and highly skilled colleagues. I have divided my thesis into the following chapters: Synopsis of the Opera with Focus on the title hero, Relationships of Don Giovanni with the Other Characters, Psychology of Don Giovanni and Don Giovanni in Modern European Productions. In the appendix one can find full interviews on Don Giovanni with Gerald Finley and Christopher Maltman.
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Work of the opera Performer
Bijok, Tomáš ; KUSNJER, Ivan (advisor) ; BÁRTA, Martin (referee)
This work begins with an introduction where I explain the goal of this text. I continue with an overview of my beginnings with work on Il Tabarro from Puccini. I shortly discuss some historical details concerning the opera and give a synopsis of the plot.Then I discuss, in some deatil, the working processes of learning the opera, and give practical suggestions in regards to systematic technigues for learning an opera. I discuss the importance of very soecific work with the breath during the study process. Then I shift the conversation to the dramatic content of the opera which is followed by an interview with Zdeňka Sajfertova. I then offer my own interpretation of the characters, their relationships, and conflicts.The text continuer with a discussion about how our work largely depends on co-working with others, I end with interviews which I conducted as an informational basis for this thesis, followed by a few closing words.
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Analysis of effectiveness of the selected technical analysis indicators
BÁRTA, Martin
The aim is to compare the efficacy of chosen indicators on the selected segment and type market. To compare it, I chose three most common indicators such as the MACD, RSI and CCI. The choice was conditioned not only by their popularity or recommenda-tions, but also by the availability of the data necessary for may work. For the analysis of indicators, I chose the market, which has become the world standard for measuring the performance of U.S. equities, which is an equity index S&P 500. Finally, I focused on various economic periods and the resulting success of the above indicators at different times, their displays and comparisons at different stages of economic market cycles. For each analysis, evaluation and conclusions an effective indicator can not be unambi-guously determined, but after an overall assessment based on the data, I would recom-mend for the market S&P 500 the use of indicators 10 ? CCI, based on the total effi-ciency. Also, it is necessary to note the use of the indicator MACD (10-35-5) for the speculation on price decrease, especially in light of the proven functionality of this speculation in all periods.
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