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ACTOR´S APTITUDES AND CREATIVITY LAPSE
Císařovská, Anna ; VELDOVÁ, Apolena (advisor) ; SALZMANNOVÁ, Eva (referee)
This diploma work focuses on the impact of actors? self-awareness and self-consciousness on their creativity and performance. It investigates how a weak self-confidence can block an actor?s natural creativity and given talents for acting. It analyses what acting aptitudes really are. It also looks into creativity lapses and asks how to stop them.
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Emotional acting resources to find means of expression
Opršálová, Šárka ; Salzmannová, Eva (advisor) ; Pleštilová, Miroslava (referee)
Emotion accompanies every human mental events, is as old as humanity itself. Emotion discontinues emotion, as soon as you create on it a clear and distinct idea. It leads to behaviour, while the intellect leads to conclusion. When emotion prevails, brain can not do much. Actor has to be able control his emotion! I would like to draw near the very meaning of emotion in my work. I suspend the other meanings associated with it.Where emotion is created, what helps me to process it and so-called filter it?
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A YOURNEY TO THE ACTOR´S TRUTH
Tichý, Miloslav ; Salzmannová, Eva (advisor) ; Mrkvička, Ladislav (referee)
The actor´s truth or the actor´s truthfulness. How can I reach it? What I have to do to avoid false intonating? What should I do to realize what I am saying, what I am playing, what I should feel, how I should move, what I want, who I am and where I am? I´m trying to answer all these questions, because it is the actor´s truth, what attracts me, interests me and fills me up. In my master thesis I describe my attitude to a role that brings me closer to the actor´s truthfulness. I result from my professors, who taught me and influenced me for four years on the theatre faculty, and also from the book ?The Actor and the Target?, written by Declan Donnellan. (1) ?We are not here to get things either right or wrong. We are here to do our best.?
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Variations of Actors´ Employment
Suchánková, Anna ; Salzmannová, Eva (advisor) ; Šavlíková, Kateřina (referee)
This master´s thesis attempts to depict the development of study acting at the KALD DAMU (Department of Alternative and Puppet Theatre, Theatre Faculty of the Academy of Performing Arts) of one specific year in academic periods 2006/2007 - 2009/2010. The research is focused on specific fields of the profession of acting and practical projects, which enabled students to get some practical training. It tries to compare those findings with actors´ demands in professional environment and moreover it summarizes skills of graduates, with that they leave the school. At the end arise some possibilities, which could enrich and increase the efficiency of acting studies. The thesis is based on author´s own experience.
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From subjective submission to acting and creative freedom (dialog with a book by Declan Donnellan The Actor and the Target)
Zahradnická, Lenka ; Salzmannová, Eva (advisor) ; Grossmannová-Málková, Marie (referee)
With that diploma thesis, I want to introduce you how I have been study on DAMU. I want to describe you my scares during the study, how I have been fighting with my own and I hope this fight ended as a victory. In the diploma thesis, you can find how stressed could be to study that school and how is not casily to came out from this kind of stress. Maybe at the beginning it can sound as a critic of DAMU, but it´s just a feeling. DAMU is school which will take you something but after all, it will make it up to you and finally I´m happy, I was going throught this school, thanks to this school, I´m prepared to be an actor. It´s the work about one young girl, which DAMU helps to survive at the movie and theatre.
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From Holan to commerce
Dyk, Vojtěch ; Salzmannová, Eva (advisor) ; Hlavica, Lukáš (referee)
I tried to describe evolution of thinking young actor and musician and describe theatre forms. Than I tried to describe work of each director, that I could meet in my life and I tried to describe their work on performance, that I did with them. Than I tried to answer some questions, that I?m interested in. Than I tried to wake up a children in me, that plays game of writing this work.
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Drama character as a dream, acter in person as it?s life.
Nováček, Jindřich ; Kudláčková, Jana (advisor) ; Salzmannová, Eva (referee)
Drama character as a dream, acter in person as it?s life.
This work is a study of a diference between an actor in person and a drama character. As to my absolvent role of Segismundo in ?Life is a dream? by Calderón de la Barca the objective is to determine the diference in perception of the actor. On one hand as a person (at rehearsals, looking for attributes for his character) and on the other hand as the character (during performances, perceived like that by the audience). This study is completed with specific examples from the above mentioned play, it?s rehearsals at the DISK theatre and my personal interpretation of the Segismundo character. The main source for my approach was ?Člověk v situaci? by Jan Císař.
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